External Conflicts In Where Are You Going, Where Have You Been, By Joyce Oates
Everyone everywhere struggles with conflicts on a daily basis. Some of these conflicts may be external conflicts as well as internal conflicts. Just like our lives, literature that is composed has a combination of these internal and external conflicts. These conflicts are as follows: individual versus individual, individual versus self, individual versus technology, individual versus society, and individual versus nature. Although, “What You Pawn I will Redeem,” by Sherman Alexie, and, “Where are You going, where have You Been,” by Joyce Oates have several different conflicts throughout both stories, in this paper I will focus on the internal conflicts of both of the fundamental characters, Jackson and Connie, and I will utilize different literary …show more content…
Jackson just knows that this is his deceased grandmother’s regalia that someone stole fifty years ago. He recounts the pawnbroker the story behind the regalia and how much it would mean to him to have it back. However, the pawnbroker needed conformation that the regalia belonged to Jackson’s family. Jackson told him about the misplaced bead that was in the armpit of the regalia. The author used to bead as a metaphor for Jacksons not so perfect life. The pawnbroker told Jackson if he could come up with the money he could buy back the regalia. However, Jackson struggles with keeping the money he earns because of his alcoholism. The contention in this story is comparative to the story “Where are You Going, where have you been.” Both of these stories show an internal conflict. In this story, Connie is an egotistical fifteen-year-old girl that believes that her vanity is going to get her on a road to autonomy and away from her family. Connie will go to great lengths to be wanted and loved. She wants nothing more than to be accepted by everyone. This is made evident when the author states, “Everything about her had two sides to it, one for home and one for anywhere that was not home: her walk, which could be childlike and bobbing, or languid enough to make anyone think she was
Where Are You Going Where Have You Been Arnold Friend Character
890 Words | 4 PagesAt first glance, we are made to believe that Connie is a static character through her infuriating naivety and cliché persona. When we delve into the story we see the altruistic and sincere characteristics, which
Examples Of Internal And External Conflict In Walk Two Moon
895 Words | 4 PagesInternal and External Character Conflicts In Walk Two Moons “ I am not brave, I am not good “( 103 ). Throughout the novel Walk Two Moons by Sharon Creech , Sal faces conflicts that will allow her to grow as a person. Sal was in the middle of all the conflict. Sal, through meeting new characters mostly experienced internal conflict, but also saw some external when going on the adventure road trip with Gram and Gramps.
The Theme Of Conflict In 'Swimming Upstream' By Joseph Boyden
616 Words | 3 PagesDealing with conflict is a constant struggle in many people’s everyday life. In the two texts, “Swimming Upstream” by Beth Brant and The Orenda by Joseph Boyden, two characters are shown to experience conflict within society. Christophe, from The Orenda is a charismatic Jesuit missionary devoting his life to convert the Huron, while Anna May is a homosexual in an unaccepting society. Besides their daily endurance with injustice, they also deal with the internal struggle of guilt. Both Christophe and Anna May are trapped within their own guilt as they blame themselves for the death of those around them.
Archetypes In Where Are You Going Where Have You Been
1428 Words | 6 PagesHome is where the heart is, but what if home is no longer safe? Joyce Carol Oates explores this concept in her 1966 short story, “Where Are You Going, Where Have You Been”. On surface level, this story appears to discuss a rebellious young girl named Connie and her confrontation with Arnold Friend, a stalker. The ending leaves the reader to assume that Arnold Friend plans to sexually assault the young girl.
Symbolism In 'Where Are You Going Where Have You Been?'
700 Words | 3 PagesIn the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.
Where Are You Going Where Have You Been Theme Analysis
1255 Words | 6 PagesI believe that in the short story “Where Are You Going, Where Have You Been?” false perception V.S. reality is seen. The main theme in this short story is the conflict between fantasy and reality. One of the main characters in this short story is Connie. She tries very hard to create an adult persona.
Literary Devices In Where Are You Going Where Have You Been
804 Words | 4 PagesIn her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.
Analysis Of Where Are You Going Where Have You Been
1203 Words | 5 PagesThe short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates is about a teenage girl named Connie who is in the mist of her adolescent rebellion. She wants to prove her maturity to others and herself. In the story, Oates describes that Connie always lets her mind flow freely in between her daydream. She even creates and keeps dreaming about her ideal male figure in her mind to make her happy and satisfied. Oates allows the reader to step into Connie’s “dream world” through the appearance of Arnold Friend.
Where Are You Going Where Have You Been Psychological Analysis
657 Words | 3 PagesConnie does this because she needs to be reassured that she is in fact pretty. On top of this, Connie acknowledges that her beauty is “everything”(1). This statement implies that if perhaps Connie was not beautiful, she would have nothing. Furthermore, when Arnold Friend pulls up at Connie’s house, her heart begins to pound not because there is a stranger at her door, but because she is “wondering how bad she looked”(2). Even when faced with possible danger,
Where Are You Going Where Have You Been Arnold Friend Analysis
817 Words | 4 PagesIn Joyce Carol Oates’s “Where Are You Going, Where Have You Been?”, Connie is a fifteen-year-old girl, who does not necessarily get along with her family. During the week, she often times goes to a shopping plaza with some of her friends. However, they sneak across the highway to go to a popular diner where the older crowd hangs out at. At home, Connie is often times arguing with her family. One day her family is invited to her aunt's barbecue but Connie refuses to go.
Analysis Of Connie In Joyce Carol Oates Where Are You Going, Where Have You Been
1415 Words | 6 Pages“But now her looks were gone and that was why she was always after Connie.” (Oates ). Also, there is another opportunity for friendship within the family, between Connie and her sister, however, that is lost in their rivalry and hostility. “Her sister was so plain and chunky and steady that Connie had to hear her praised all the time – by her mother and her mother's sisters.” ( ).
Character Analysis Of Connie In 'Where Are You Going, Where Have You Been'
984 Words | 4 PagesConnie’s first encounter with Friend was at a diner when he stated to Connie, “Gonna get you, baby”(pg.1142). Because Connie was use to this type of attention, she did not view it as strange that an older man was calling her in such away. However, if Connie had seen Friend as dangerous instead of just another man, her kidnapping might have been prevented. Later in the story when Friend showed up as Connie’s house, she walked outside and talked to him instead of questioning how he knew where she lived or calling the police. Oates described Connie's interaction with Friend by stating,“Connie liked the way he was dressed, which was the way all of them dressed: tight faded jeans stuffed into black, scuffed boots, a belt that pulled his waist in and showed how lean he was, and a white pullover shirt that was a little soiled and showed the hard muscles of his arms and shoulders”(pg.1145).
Where Are You Going, Where Have You Been: Analysis
460 Words | 2 PagesIn Oates’ story “Where Are You Going, Where Have You Been?” , the story mainly focuses on the conflict and main plot of Smooth Talk. “Where Are You Going, Where Have You Been?” explains Connie’s relationship to her family members, basically describing that she’s a basic adolescent that desires to be treated like an adult but lacks the maturity and doesn’t want the responsibilities, still claiming her freedom (or at least attempting to). One Sunday her family leaves to a barbeque Connie refused to go to and a familiar stranger drives up to her house.
An Analysis Of Joyce Carol Oates 'Where Are You Going Where Have You Been?'
596 Words | 3 PagesWhere Are You Going Where Have You Been? By Joyce Carol Oates Psychoanalytic Criticism Question How are id, ego and superego represented in “Where Are You Going? Where Have You Been?” By Joyce Carol Oates?
The Cause Of Conflict In Raymond Carver's Cathedral
1358 Words | 6 PagesConflict is the essence of any literary fiction. The main goal of an author is to tell a story that keeps the reader interested. At the story’s core, conflict is the momentum of happening and change and is crucial on all levels for delivering information and building characterization as well as building the story itself. Conflict is the source of change that engages a reader and keeps them interested. In a story, conflict and action does what description and telling of feelings and situations do not.
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