Internal Turmoil
We are able to see the outer realities of all the characters in the play, Phantom of the Opera, but we can only see glimpses of the character’s inner realities. The Phantom and Christine are two characters who have an abundance of internal and external turmoil to talk about.
The Phantom has experienced a great number of events throughout his life. He has been living alone in the basement of the opera house his whole life, so he doesn’t know how to interact with people well, other than Carriere who understands his situation. When Joseph Buquet goes downstairs, the Phantom kills him for seeing his face. His face may be hideous but that’s an overreaction just for seeing his face. The next person to stroll downstairs is Christine, who is now living downstairs as well. The Phantom hears Christine’s singing and falls in love with her voice. He encounters her and speaks with her. Notice how he is speaking to her. “‘Mademoiselle, your voice is astonishing. An angel’s voice is what it is, exquisite in tone and shape, in fact in every detail, except… it is untrained” (6). He showers with much
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Why would the Phantom do that? The Phantom doesn’t want Christine to leave him, like his mother did when he was very young. That must be what he was thinking when he kidnapped her. Also, living downstairs of the opera house must be lonely, and most fear going downstairs because of the rumors of the Phantom of the Opera and how you will die if you see his face. How does the Phantom feel about the rumors? “‘No one who sees my face can leave. I thought everyone knew that.’” (28). The Phantom must be the one who started the rumors, if he knows about the rumors and treating the rumors as a simple fact. The Phantom lives in his own world, disconnected from others and unsure of how to react in certain
We’ve all heard the creaking floors when we were sleeping, the footsteps we pretend are the shifting of the foundation, the movement in the mirror we blame on our imagination, the distorted figures of monsters we soon realize are just piles of clothes. But what if it wasn't just our imagination? What if it was all real? The depraved monsters in our closets. The demons under our beds.
The Outsiders, written by the brilliant author S.E.Hinton is about the conflict between two rival gangs, the greasers, and the Socs. The main protagonist, Ponyboy is a greaser, who is portrayed as poor and distinguished by their greasy hair. Whereas the Socs is portrayed as rich and distinguished by their rich clothes and cars. The interesting part, however, is that Cherry Valance, a soc, described the Socs to be emotionless and apathetic, which led them to use violence to express their feelings. On the other side, Cherry characterized the greasers to be too emotional which led them to antagonize the Socs and causing conflicts.
Analysis of Joyce Carol Oates’ “Where Are You Going, Where Have You Been?” Joyce Carol Oates writes a gripping tale of terror about a young girl named Connie, who is faced with the dark and twisted hands of fate. Connie is a young teen, like many girls, self-absorbed and seeks self-value in the eyes of others. In her outings with friends, she comes across a man by the name of Arnold Friend. Oates lets the reader know immediately that there is something disturbing about this character.
The group is led by an unseen presence to a hotel where they find no one alive. But do find a note scrawled on the mirror "Timothy Flyte, The Ancient Enemy", in a windowless bathroom, locked from the inside. Sheriff Hammond manages to contact headquarters to call for back up, but is basically only able to relay Flyte 's name before communications once again breaks up and becoming impossible. Flyte (Peter O 'Toole) is contacted by the government, who are responding to the events of Snowfeild in a big way, and explains his theory of The Ancient Enemy, citing famous disappearances of small populations throughout history. Before being dragged off to Snowcloak... Phantoms biggest advantage is that unlike a number of films from its era is that it doesn 't really use that much special effects.
The narrator in The Turn of the Screw, who was never named but called the Governess, began to see ghosts. Even though the Governess sees these ghosts she is unable to know for sure if anyone else sees them too. Eventually, she found out the horrible truth which is that no one else sees them. “...for with this hard blow of the proof that her eyes were hopelessly sealed I felt my own situation horribly crumble…” (James, 121).
It reveals how people commit cruel acts out of selfish intentions. In this situation, the girls claim to “come to Heaven’s side” by pointing fingers at others for witchcraft, although they were only doing so to get themselves out of their own trouble. These acts of cruelty reflect upon the evil motives of the perpetrators that become more common after it is done once, as seen through the continuous trials and suspicions, which acts as one of the most major conflicts in the play. Without these cruel accusations, there would be neither plot nor ending. With this same situation, it can be concluded that accusations become more frequent during an interval of time when there are more people accusing.
The governess thinks that the kids can see the ghost too, they are just too afraid to admit it. Miles who is persuaded most by the apparition won’t admit that he see’s Peter Quint. By him not admitting that he can see the apparition the people in the household start to think that the governess is going mad. The governess tries to get everyone out of the house, so she can get Miles alone, along with the governess “was already, at the door, hurrying [Mrs. Grose] off. ‘I’ll get it out of him.
At first, Mrs. Grose goes along with the idea of ghost sightings, but soon after, she says that “she herself has seen nothing, not the shadow of a shadow, and nobody in the house
The doll was used later that night to accuse Elizabeth of using it as a voodoo and for witchcraft. When Mary found this out she got really upset and scared for her family but more so for her own well-being. Proctor knew that this doll was not his wife's and it was no more than a gift. He asked Mary to go to the court and let them know that it was her doll but she was too scared to do so. Mary cried out "She'll kill me for saying that!
In the tragedy of Othello, the protagonist Othello transforms from a loving husband to a paranoid shell of himself, tortured by delusions of infidelity. At the beginning of the play, Othello and his new bride, Desdemona are married despite their differences in age, race and background. Othello was initially accused of using “witchcraft” to lure Desdemona into marriage. After Desdemona assured her father before the senate that her loyalties are now divided between her father and her new husband and she was willingly embarking on this new chapter, he bestowed his blessing upon the couple.
In the real world, love is a very fragile force. Love can be easily broken and manipulated by multiple other outside forces. In A Midsummer Night’s Dream, the two most basic themes are the chaos and order that are the causes of all the actions that take place. Chaos versus order in A Midsummer Night’s Dream also is a representation of Yin and Yang. Yin, represents the bad or darkness in the world, this is the chaos in the play.
He states, “the demi-devil Iago has ensnar’d my soul and body” Othello feels bad that Iago betrayed him into believing the worst of his wife. Betrayal can be harmful, it can not only cause emotional pain but physical as well. We witness the death of characters and broken bonds. Betrayal can destroy one’s life and have an immense impact on others. If Othello would have been a rationalized man he would have discussed his concerns and fears directly with his wife, rather than speculating
Iago’s manipulation has driven Othello insane, leading to Iago’s plans on his last night. Othello tells Iago to go get some poison to kill Desdemona, but Iago refuses and just tells him to strangle her in her bed (IV. I. 223-229). Iago’s manipulation has not only lead Othello to believe the rumor is true, but has lead him to kill his own wife as well. Iago even manipulates Othello to strangle her, which is a much personal and vengeful death than poison. All of this manipulation results in Desdemona’s death,
Shadow theory is the understanding and analyzation of characteristics that the subject is unaware of: weaknesses, repressed ideas, desires, instincts, and shortcomings. The side of a any given personality which is not consciously displayed in public may have positive or negative qualities, and this is the Shadow self. When the Shadow remains unconscious, it causes problems for the person that holds that Shadow and the people that interact with them. Baker believes, “The Shadow self also embodies many darker aspects of the main character’s personality as well as deeply repressed impulses that aren’t always conspicuous to the reader” (1). When reading Hamlet, readers may not pick up on Hamlet’s Shadow.
The crisis of identity is a very significant turning point in the development in this play. It effectively creates sympathy in the audience through the change in character’s speech style and the act of an “other” in the play conforming to what society demands of him. The first character I would like to bring up is our protagonist, Othello. Being the main protagonist, which most of the play revolves around, a lot of attention is given to him by the audience which makes the crisis of his identity the most significant.