Even today, many people don't believe that books are constantly being banned, censored, or even burned. In Florida whole elementary school libraries are being covered because all of the books aren't vetted by the government. With that being said, Ray Bradbury really captured what society would look like in a couple of decades even if most of us are scared to admit it.
In the book Fahrenheit 451 by Ray Bradbury, when conflicts encourage delusion or ignorance, questions are posed and realization occurs. Throughout the whole book, Bradbury shows how many characters would rather ignore obvious problems than face them because it's too big of a problem to deal with. That leads to some people questioning this system and finally realizing its faults,
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In the morning Montag tries to talk to Mildred and explain what happened to her because she seems like she can't remember. Once Montag tells Mildred, her only response is, “‘I didn't do that,’ she said. ‘Never in a billion years.’’(Bradbury 17). This quote shows how delusion can take over a person who doesn't want to admit their faults or their mistakes, even to a person who they are supposed to trust and love. Mildred obviously overdosed and Montag was trying to explain it to her but she just won't listen or genuinely doesn't believe him which is unlikely. In the passage, you can see how much Mildred is trying to convince Montag and herself that she would never overdose. This led to very obvious delusion because Mildred would rather be crazy than have to talk about something important or something worth thinking about with her husband. By the end, it shows how Montag was also quick to just let go of the topic in order to avoid conflict of irritation with his wife. These two people are supposed to love and trust one another but you can tell that they really don't, Mildred was quick to push him away even during an important conversation and Montag was easy to give up trying to communicate with his wife. This shows that two people who are supposed to love and care for each other the most can pretend big problems don’t exist to keep the peace. It is easier for them …show more content…
The people who see our world in a new lease are no longer able to ignore these now blindly obvious problems. Bradbury shows us how a character like Montag, who is originally one of the blind followers, can change with just a few questions that help him see things in a different
Previously, Montag had been yelling at her and her friends about the flaws in their society, as well as reading a part of a poem, which was considered illegal. “‘Was it my wife turned in the alarm?’ Beatty nodded,” (Bradbury 117). By turning Montag in to the authorities, Mildred had finally put her foot down and made one of the first real decisions in her life. The reader still pities Mildred, even though her actions harmed her husband, because Bradbury has built her character to show how her actions reflected upon her battle between choosing her society or her family.
Chase Braden Ms. Burton Honors World Lit; P2 9 January 2023 Mid-term Essay: F451 A Soon To Come Dystopia? “Fahrenheit 451” written by Ray Bradbury is a dystopian novel that explores a futuristic society where books are banned and critical thinking is discouraged. The government, led by a distasteful regime uses fear, distraction, and censorship to control and alienate the society and citizens within it.
Montag never talks to Mildred about what’s going on in his life but after Mildred snapped at Montag and he revealed his secret about hiding the books, she went a little crazy. She wanted to make sure it was kept a secret and demanded that Montag get rid of them, but he didn’t. Throughout the novel she went from crazy to even more crazy, being demanding and not knowing how to handle situations she’s put in because the way that society conditioned her to be. She is short tempered, easily manipulated, impatient, and seems to lack any sympathy or empathy for anyone. At the beginning of the novel she attempted suicide.
During the scene where Montag confronts Mildred, asking her if her "family" and the "white clown" truly love her, Mildred tells Montag "Why'd you ask a silly question like that?",(Bradbury 73) because whether or not the parlor walls truly love her, at the end of the day she is happy and entertained. Montag realizes that he lost Mildred to the parlor walls and begins to accept that. In losing the one person he loves, he uses books and stories to fill his time. Despite this, Montag doesn’t drown himself in the words on the page to keep entertained, but uses the knowledge to improve upon himself and learn more. This shows that, not always do you have to take initiative for change to happen, it can happen on its own with no regards for you or others.
Montag was never really happy with Mildred, his happiness was a mask he didn't know about. The mask had been taken off when Montag's true colors were shown. Mildred wasn't much of a wife, or friend, to Montag. Mildred was only an acquaintance to Montag, as Montag didn't feel devastated for long. ¨Mildred, leaning anxiously nervously, as if to plunge, drop, fall into that swarming immensity of color to drown in its bright happiness.¨ (Bradbury 152)
Montag tells Mildred about what happened the night Mildred the night before saying, “I wanted to talk to you.” He paused. “You took all the pills in your bottle last night.” “Oh I wouldn’t do that,” she said, surprised. “The bottle was empty.”
Montag thinks this is the right choice, considering that he didn’t want to keep a secret from his wife. However, this turned out to be a horrible choice for Montag when Mildred pulls the fire alarm, he questions “‘Was it my wife turned in the alarm?’” (111). When Mildred exposed Montag, he had to turn his life around for the worse: he had to burn his house down, kill a fire captain, run away from the city, and escape to the wilderness. Montag did not think through his rash decision of letting Mildred see the
The figurative language here is shown through Montag saying that he doesn’t know if Mildred was really his wife anymore, even though he obviously does know that she was his wife. What he really means with this metaphorical thought is that he doesn’t feel as connected to his wife as he used to, and only now he is realizing just how figuratively distant he is from her. The theme of the impact of ignorance versus knowledge
This is shown through his relationship with Clarisse. Clarisse makes him question his life in many different ways but one-way especially being with his relationship with his wife: “And suddenly she was so strange he couldn’t believe he knew her at all. He was in someone else’s house, like those other jokes people told of the gentleman, drunk, coming home late at night, entering a wrong room, and bedding with a stranger and getting up early and going to work and neither of them the wiser” (39-40). This quote shows Montag completely questioning who even is his wife. He felt this special connection with Clarisse that he doesn’t at all feel with his wife.
The difference between Mildred and Montag is most evident in their contradicting thoughts
Foremost, Mildred helps Montag find himself. When Montag first realizes that there is no connection between him and Mildred he loses feelings for her. He soon realizes that their relationship is pushing each other apart. “And he thought of her lying on the bed with the two technicians standing straight over her, not bent with concern, but only standing straight, arms folded. And he remembered thinking then that if she died, he was certain he wouldn’t cry”(Bradbury 41).
When Montag reveals his hidden books to Mildred, she does not take time to understand them. “‘It doesn’t mean anything!’” (Bradbury 65). She, instead, worries about how it might affect her image if they are found out. “He could hear her breathing rapidly and her face paled out and her eyes were fastened wide” (Bradbury 63).
Montag starts arguing with Mildred about how she is acting. She is depressed and does not even know it. Mildred thinks that the voices in the walls are her family. Montag tries to get her to see what is really happening in society. She is so unaware of her actions that Montag has top tell her, “maybe you took two pills and forgot and took to more, and forgot again and took two more, and were so dopey you kept right on until you had thirty or forty of them in you” (Bradbury 17).
Montag and Mildred have been married for years, but Montag still feels as if he doesn’t know the woman he’s married to. In the text, Bradbury states, “And [Montag] [remembers] thinking then that if [Mildred] dies, he [is] certain he wouldn’t cry. For it would be dying of an unknown, a street face, a newspaper image, and it [is] suddenly so very wrong that he [has] begun to cry, not at death but at the thought of not crying at death, a silly empty man near a silly empty woman,
The first line of dialogue that Montag says is “it was a pleasure to burn”(pg. 1), which elucidates that he is just like the rest of the society. Bradbury introduces both of these characters as ignorant so the reader is able to draw a similarity between the way Montag is illustrated in the first page and how Mildred is characterized throughout the novel. This aids in tracing Montag’s coming of age journey because as he gets enlightened, the reader is able to distinguish how his mindset starts to diverge further away from Mildred’s. At the very end of the second chapter leading into the beginning of the third chapter, Beatty orders Montag to burn his own house, and as Beatty is speaking to Montag, Mildred runs past them “with her body stiff”(pg. 108). Through the employment of body language, Bradbury implies that Mildred is the one that turned Montag in to