Emma Ettinger Professor Marafino Humanities 200 March 18, 2023 The Reality of Growing Technology in Society As it takes place at an unreported time in the prospective future, the novel Fahrenheit 451 is a broad representation of our future. Ray Bradbury uses technology as a warning to readers. Technology is an encouragement for people to sit down in front of a television, indulge in social media, and tune out the real world. This in turn causes society to miss out on interactions with others along with becoming isolated. Focusing on Mildred we can see how society in the novel becomes increasingly selfish, disconnected, empty, and pleasure-seeking due to the futuristic technology being developed. . Mildred tends to bury her feelings deep …show more content…
They are tiny radio devices that constantly broadcast information. Bradbury explains that these Seashells are used by almost everyone in Montag's world. Mildred often tends to use these Seashells to tune out the world and listen to “an electronic ocean of sound” (19), like one in the modern world would by listening to music through earbuds. As another way of escaping the real world and rather than being alone with her thoughts Mildred washes them all out with her Seashells. Bradbury shows this emptiness and disconnection Mildred creates with reality by honing in on her relationship with Montag, “Mildred watched the toast delivered to her plate. She had both ears plugged with electronic bees that were humming the hour away. She looked up suddenly, saw him and nodded. ‘You all right?’ he asked. She was an expert at lip reading from ten years of apprenticeship at Seashell ear-thimbles. She nodded again” (18). The Seashells cause Mildred to never actually pay attention to the real world. She has become so used to washing out everything happening around her that instead of listening to Montag’s words she only reads his lips. Mildred becomes selfish when it comes to technology not paying any piece of mind to the way it impacts others, especially Montag. If Mildred wants another wall television she doesn't care how much it costs or how much work it will be to put in. Bradbury describes a conversation Guy tries to have with Mildred after a night of work, “‘Aren’t you going to ask me about last night?’ he said. ‘What about it?’ ‘We burned a thousand books. We burned a woman.’ ‘Well?’” (47). Mildred is once again too tied into her parlor walls that she won’t give Guy any attention in a conversation. She is showing selfishness in the way she pays more attention to her parlor wall family than showing care for the woman that was
Fahrenheit 451 is a book written by Ray Bradbury. The main character, Guy Montag, is a fireman, but instead of starting fires, he puts them out. Montag’s wife, Mildred, expresses shallowness and mediocrity. She is completely immersed in technology and spends all of her time watching her “family” on television. She is addicted to sleeping pills and even overdosed on them in the beginning of the novel.
Rain doesn’t fall on her face, nor do clouds cast their shadows over her due to her self-imposed isolation. Instead of going into the outside world, she would rather stay home and keep up with her “parlor family”, which are essentially television show characters that she has become so attached to this false reality that it has become her “family”. In the middle of the novel, Mildred’s friends come over, but it is shown that all of them are there to glue their eyes on the three wall-width televisions in the Montag’s
Choosing her society over her husband reflects on the impact this society has from people, that not even family can convince you of its evils. This strong bond Mildred has with her society once again emphasizes how weak she is because no matter what Montag does to convince her, society has already oppressed her into being one of its mindless
We burned a woman’ ‘Well?’”(47). In the society, everyone like MIldred would have no reaction to this type of news, but for montag, this has left an impact on him leaving him wanting more. When Mildred is able to easily move on, it lets the readers see that Montag isn’t the same as Mildred and isn’t able to move on from it. This contrast furthermore shows the loss of emotion in the society that they live in. The books are a huge difference in reaction between the two.
Instead of expanding her relationship with her husband, she begs Montag to spend his money on another television wall so that she can feel more connected to her artificial family. Mildred wants to immerse herself in her television because she can achieve instant satisfaction from it without putting forth any effort. Improving her relationship with Montag would require hard work and for her to deal with complicated emotions, which is something that Mildred is not willing to do. Mildred may think that she is satisfied, but her lack of a meaningful relationship causes her to feel unhappy, which she covers up by immersing herself even more in the artificial stimulus. Not only is she unconcerned about her relationship with her husband, but she is also unphased when her
(Bradbury 49). Mildred would rather spend time with her modern technologies versus her husband. Montag’s marriage lacks passion and intimacy and he feels that "We have everything we need to be happy, but we aren't happy. Something's missing. I looked around.
Situations unabiding to standards of society are easy to avoid, or in Mildred’s case, “[run] past with her body stiff”, which consequently inhibits evolution (Bradbury 108). The low mental capacity Mildred and her friends embody limits their ability to face situations acting against the government, making it difficult for a society to develop. The progress of Bradbury’s society is restricted by the girls’ static characters as they have never experienced anything but conformity. Mildred and her friends’ ignorance causes them to dissociate the war from their lives, “let[ting] old Pete do all the worrying [about the war]. Not me”, consequently stunting the evolution of their society (Bradbury 91).
This idea becomes very clear when Clarisse is mentioned in this topic because Clarisse when speaking to Montag about how she doesn’t fit in explains that “[she] is antisocial and that [she] does not mix” (Bradbury 26). This shows that the ideologies of the government are affecting the people of this society because Clarisse is far more sociable than any other character that’s been introduced at this point. Nonetheless, people of this society think otherwise, due to the fact that the government is attempting, and succeeding, in doing so. Mildred’s friends are perfect examples of this problem, they show more affection towards their favorite TV shows and or movies rather than their having a genuine connection with another human. The carelessness of Mildred’s friends becomes more apparent when Mrs. Phelps explains “[She’s] not nervous, [she’ll] let Pete get nervous” (Bradbury 91).
Using Mildred, Faber, and Montag, Ray Bradbury shows the negative effects of conforming to a numb society. Nobody shows the consequences of conforming better than Mildred. Mildred has become a shell of a person after surrounding herself with technology. She spends her nights “sleeping” with her seashells in, and her days
The television also interrupted the importance of family. Montag asks his wife, Mildred, “Will you turn the parlor off” (36)? And the woman he vowed to spend his life with responded, “That’s my family.” Mildred got so addicted to television that she lost control of herself and the truth of life. The tv has taken the place of her real family and gives Mildred the illusion of actual feelings and relationships taking her off reality and brainwashing her into thinking that they are real
In this situation, Mildred obsesses over the positive characteristics of the parlor walls and the glee that the colorful characters bring her. She finds the parlor walls extremely enjoyable and uses them as a method of escape from reality. Her only elation materializes from the parlor walls since she cannot thoroughly connect with her husband, Montag. As a result of technology being her single source of
Mildred loves her material, and she only cares about objects. She asks Montag for everything. She expects them from him, she does not care if there is a money shortage. Mildred only uses Montag for the money. When Mildred raises the point about another TV, Montag brings a financial issue up, but Mildred does not care.
I didn’t read this book and forget about it in favor of moving on to the next pressing issue. Dealing with addiction and suicide, and this leading to the idea of meaningful living were the main topics I thought about when reading this book. One of the more disturbing aspects of this book was the intrinsic and prevailing instances of suicide and suicidal thoughts. Mildred, for example, spends all of her time watching television and really has no meaning to her life. She lives completely devoid of meaning.
Instead of reflecting directly onto herself, she uses the people she interacts with as a proxy for her own feelings and opinions. In doing so, Woolf empathizes with the people while engaging in a cold deconstruction of her surroundings, making the