False Reputation And Irony In Shakespeare's Othello

Othello’s confidence for a loyal man to maintain honesty and morals are contradicted through Iago’s actions: “in a man that’s just / They are close dilations, working from the heart, / That passion cannot rule” (3.3.123). Iago, due to the understatement to his name, is not perceivable as hateful. Othello’s willingness to sense Iago’s distress, and to believe his accusations, is because of the lack of awareness Othello has for his vengeance. Iago is of such little power and relevance within societal ranking that if he were to have intentions to sabotage anyone, which he does, are not considered, thus making him easily trustworthy to those of greater dominance. Society’s view of an individual determines how others consider and surmise their persona, though these conclusions may be false.

This shows that Iago have real hatred in his heart for Othello and that he is fixed on getting revenge . Iago would not tell the truth . Carol Dweck states “ when you enter a mindset you enter a new world “.

Iago does not know for certain what he is accusing Othello of yet he vows to act as if they are facts. While one could attribute Iago’s disdain for Othello to many things, namely, feelings of envy towards Cassio, sexual interest towards Othello, or simple racism; the mere fact that there is no clear motivation for Iago’s actions is a clear indication that Iago cares very little for his relationships and does not wince at the thought of treachery and the vicious backstabbing of those closest to

Iago is angry that Othello has promoted Cassio to be his lieutenant rather than himself for he explains that he has more experience as a soldier while Cassio is a soldier who boasts about experiences he never had. This is why Iago believes in taking down Cassio as well by breaking up his bond with Othello as displayed in act 3 scene 3 as Iago questions Othello about seeing Cassio leave Desdemona’s room, “Cassio, my lord? No, sure, I cannot think it that he would steal away so guilty like, seeing your coming” (3.3.41-43). Iago appears to be as shocked as Othello after witnessing Cassio scurry away from Desdemona’s room, but in truth, it was he who presented to Cassio that he should talk to Desdemona about getting Othello to forgive him as taken place in act 2 scene 3, “Confess yourself freely to her.

/ I know not if ’t be true, / But I, for mere suspicion in that kind / Will do as if for surety” (I, iii, 324-7). Iago does not only envy Othello, but he also envies Cassio for the same reason, “For I fear Cassio with my night-cape too” (II, i, 232). The jealousy that Iago wants to control in the other characters in turn consumes him, and motivates him to try to ruin the other characters’

Many characters fall into Iago 's web of deception throughout the book. First of all, the first person Iago manipulates is Roderigo, his so-called “best friend”. Roderigo pays Iago to be his wingman and try to get Desdemona to be with Roderigo instead

Shakespeare’s Othello chronicles the downfall of a noble Moor, Othello, who is deceived by a man he considers his friend, Iago. Throughout the course of the play, Iago toys with Othello and eventually leads him to murder and lose his love, his new wife Desdemona. Iago exploits the unquestioned trust Othello places in him to achieve evil ends. As such, trust is a central theme in the story.

In Othello, Iago uses perception in order to change the views of the characters to his advantage. In the beginning of the play, Iago makes sure that Othello’s love is strong for Desdemona. For example, Othello tells Iago, “ For know, Iago, But that I love the gentle Desdemona...” (I,ii,27). This quote shows Othello's views and perception of Desdemona at the beginning of the play.

When he does not get the position he wants and also heard that Othello has been sleeping with his wife Emilia, Iago’s manipulation increases. Iago plans his scheme based on, “[Othello] has done my office, I know not if’t be true/ But I, for mere suspicion in that kind/ Will do as if for surety” (I. III. 431-433). This use of manipulation is all based on an assumption that Othello has slept with Iago’s wife, and this assumption leads to even more horrible events.

Emilia was also involved in the problem which ended her life in a matter of minutes. Once Iago had no other than to confess Othello finally realized what a big of a mistake he had committed. He as well decides to end his life by stabbing himself. Othello, being one of the main characters in ‘Othello’, had been tricked and deceived by Iago, Emilia’s husband.

In the play Othello, William Shakespeare creates an elaborate tragedy with various in depth characters, enhancing the story with powerful characterization. Iago, the main antagonist of Othello, exemplifies Shakespeare’s use of characterization to create in depth and complex characters. Using his manipulative nature, intellectual mind, egotistical attitude, and dishonesty, Iago controls the other characters in order to achieve his goal, leading Othello to succumb to an overwhelming jealousy causing his downfall. In order for Iago to gain control of the characters in the play, he manipulates Othello, Roderigo, Cassio, and more to believe false information and turn on one another.

While Iago fills the characters’ minds with lies, the characters will act according to the lies thinking he is honest. Although his lies are sometimes subtle it affects the Othello is one of the victims who believed Iago. You can already tell that Othello has been fooled when he calls him “a man [of] honesty and trust”. The audience already knows that Iago is a liar and loathes Othello, so the audience can tell when Iago is being two-faced and that Othello truly believes in him. Iago’s impact on Othello makes him lose control of his

When we look at the name of the play, Othello (The Tragedy of Othello, the Moor of Venice), we can make the assumption that Othello is an outsider in the book. Before we start to read the play we already know that Othello will be an outsider and when we read the play we can understand why. We also fin in the play, Othello, which Iago refers to Cassio as an “honest fool”, but in that phrase honest have a different meaning. Honest in the play is used so many times that is ironic. Iago is seen as honest and we know that Iago is everything but honest.

Another obvious example of the handkerchief is Iago’s major tool in deceiving Othello, which symbolic meaning is largely subverted. Boose further explains this, writing that Iago makes use of the token of love to create falsity as he first puts the object in an erotic context and transforms the motif of marital consummation into an evidence of adultery

According to Keyisjian “Iago convinces Othello he is full of” “love and honesty, qualities that Othello admires” (Shakespeare 3.3.116). This is to earn his trust and to undermine him. This was one of the strategies that Iago uses to deceit the characters in the play. He is also very sneaky when he does it.