Tanagra figurines are small terracotta women figurines found in the cemetery of Tanagra in
Boeotia in the late nineteenth century. These figurines were made in the late classical to the early Hellenistic period (late 400-100 BCE).during this period, figurines had already reached a certain popularity in different cultures and in Greece these Tanagra style figurines evolved from previously present figurine styles.
They were usually small in size, reaching up to 30 cm. they were made of a kind of red clay and were afterwards colored in a naturalistic way with water-soluble paints. The hair, lips, shoes, and accessories were colored in red whereas black colored the eyebrows, eyes, and other details. The skin was painted a pale orange pink,
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The figurines gave insight not only about the prosperity, but also religion and social practices at the place where they were found. They are thought to have played significant roles in displaying social difference within a community and expressing religious ideas. It can be said that these figurines are part of the treasures of Greek history and culture.
Work cited:
• Barr-Sharrar, B., 1990. Coroplast, Potter and Metalsmith. In: .P. Uhlenbock (ed.), The Coroplast’s Art. New York: Aristide D. Caratzas, Publisher, 31-36.
• Burr-Thompson, D., 1952. Three centuries of Hellenistic Terracottas. Hesperia: The Journal of the American School of Classical Studies at Athens, Vol. 21, No. 2, 116-164.
• Burr-Thompson, D., 1954. Three centuries of Hellenistic Terracottas, I, A AND C. Hesperia: The Journal of the American School of Classical Studies at Athens, Vol. 23, No. 1, 72-107.
• Burr-Thompson, D., 1966. The origin of Tanagras. American Journal of Archaeology Vol. 70, No. 1, 51-63.
• Houby-Nielsen, S., 2000. Child burials in ancient Athens. In: J.S. Derevenski (ed.), Children and material culture. London and New York: Routledge, 151-166.
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• Jeammet (ed.), Tanagra. Figurines for life and eternity. Paris: Bancaja,
This art piece is very similar to the Gorham’s Cave Art and is slightly similar to the Venus of Willendorf. One noticeable similarity is Gormham’s Cave also used sharp stones to carve images and used the same technique of cross hatching. However, the Venus of Willendorf was similar to the La Pileta because of the use of sharp stones to carve images. The difference between my selected works is the fact that the La Pileta Cave consisted of 60 animal figures and some 50 serpent drawings.
“Only a limited range of objects survive, but this record indicates that wealth accumulated on the Cycladic islands early in the
Funerary Monuments and Death Ritual Commonalities Between the Etruscans and Romans Bordering just to the north of Rome in Etruria, the Etruscans were a religious group of people who had an extensive fascination with the afterlife and death ritual. Given their geographic location in relation to Rome, the Etruscans had a substantial cultural influence on the Romans from the very beginning of Roman civilization. The hills of Etruria had fame for the amount of valuable metals contained within them that would have made an up and coming civilization, Rome, envious. In one of their earliest acts of imperialism, the Romans moved north and set up trade routes with the Etruscans that also indirectly exchanged culture between the two. Possibly the most
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Web. Rolle, Renate, and Gayna Walls. “World Of The Scythians.” 1989. Web. 1 Dec.
(Cartwright, 2012). Thus, they reflect the efflorescence of Athens and its leading role in that period. Also, the