Lu Xun’s literature was more of a medium for promoting social change rather than serving as a political vehicle or an aesthetic game. In addition to that, in his short stories, female characters play a very significant part. Women make up the second largest group of characters that can be seen in Lu Xun 's short stories and suggests that Lu Xun had a fondness for the underdogs like the poor and oppressed, the elderly and most especially women (Lyell). He embodies them with traits that his rich, powerful or male characters often lack, with kindness and humanity. Even though women are portrayed in a variety of roles in his Selected Stories, a common thread with them is their lower class status, the submissive voice that they play, the restriction …show more content…
“The True Story of Ah Q” is the last of Lu Xun 's stories that deal with social realities. The most comical of Lu Xun’s madmen is depicted in this story. The subject (Ah Q) is stripped of subjectivity to the extent that he the vices of every Chinese, which include egomania, self-deluding optimism, and a tendency to bully the weak and cower before the strong (Anderson). Although most of Lu Xun’s protagonists represent individual types or even national types, they are extremely vivid and concrete. Ah Q is an example. The author’s impressionistic eye captures, in blurred but emotionally accurate detail, a protean everyman in China at the beginning of the twentieth century (Fairbank & Twitchett). The character’s composite nature is manifested by the narrator’s inability to trace a family name for Ah Q. Ah Q’s spirit and psychology, however, not his appearance or rootlessness, make him a national type. Ah Q embodies the Chinese slave mentality. This diseased mentality produces a typically Chinese black humor that can turn any defeat into a self-deceiving, spiritually consoling, victory. This humor resorts to escapism for survival (Anderson). Lu Xun showed great sympathy for Ah Q 's unfortunate experiences, but expressed anger at his being so easily discouraged. Lu Xun hoped to awaken Chinese peasants ' awareness and desire for revolution through criticizing Ah Q 's
“Saboteur”, written by Ha Jin exposes a difficult period in post-revolutionary China and the negative consequences on people’s lives. Mr. Chiu, a scholar who does not view himself as a common citizen, was wrongfully arrested while on honeymoon with his bride. As an egotistical man who thinks he is above everyone else, Mr. Chiu is arrogant and never takes ownership for his actions. This machoism subjects Mr. Chui to maltreatment from the police that ironically transforms the once seemingly innocent Mr. Chiu to a man consumed by vengeance. Ha Jin’s proficient use of ironic tone and conflict told through the omniscient view of his main character reinforces the story’s main theme: life experiences shape our character and have the power to transform us into a person we despise.
Xiong uses battles, executions, assassinations, and scandals to appeal to readers of any genre. Once a reader gets into the book they are hooked in the epic events of the book and the deep look into the ruling class. Unfortunately, Xiong’s novel might somewhat difficult to get into for many readers with no experience in Chinese history. Xiong also attempts to utilize dialogue that often comes off as underdeveloped or simplistic.
Andy’s experience is one of unusual circumstances. Living up to his title of a “brave and beautiful boy”, this leading character chooses to tease the one man in town that all fear: the Chinaman. Through the author’s utilization of point of view, the reader can perceive the uniqueness of the Chinaman two very distinct ways: either through the view of the townspeople or Andy, himself. However, it is through Andy, and the author’s detailed depiction of this specific incident, that we as readers can look deep into the eyes of the Chinaman. This strange visual symbolism provided in this passage of Cannery Row is what guides us into the lonely, isolated soul that is the Chinaman’s life.
In the novel “American Born Chinese” by Gene Luen Yang (2006), it talks about three different people’s stories. The author starts off with telling a story about a monkey called the Monkey King, who lives in the jungle, seeking for higher power to become considered a god in the book. The author also tells a story about an American born Chinese boy named Jin Wang, who moves from San Francisco and struggles with fitting in at a new school. The last story the author tells is about a boy named Danny who has his cousin Chin-Kee from China visit every year. Danny ends up struggling to keep his reputation in adequate shape at school after his cousin visits causing him to switch schools often.
They depicted the Chinese as the embodiment of the lower class and a menace to society. The Canadian labour leaders argued that the Chinese were stealing jobs. Furthermore, the labour leaders suggested “Chinese standards were not a result of low wages but a cause of them ”.
Women’s Role’s Edith Wharton born in 1862 became a world known writer. Focusing mainly on class structure and women’s roles, Wharton portrayed to the world the lives of people during the 20th century. Gender inequality, as well as moral and ethical dilemma was a prominent issue not only in society but, became evident throughout Wharton’s writing. Determined to share her experiences with the world Wharton disguised moral and economic situations in literature that allowed readers to connect mentally. During an era where social class and wealth defined a person’s entity, Wharton seemed to focus mainly on the higher class structure.
Its influence derives from characters who depend on materialistic values to display prosperity, maintain power and stay healthy. Huong uses the characters’ meals to emphasize the conditions in which different echelons of society are forced to live and to portray the contrast in the character 's’ life styles. The authors first use of this representation is directed towards families who are at the bottom of the hierarchy and the characters financial struggles are illustrated through the quality of their food. For instance, when Chinh becomes ill with diabetes, Que makes great sacrifices in order to provide him with food and medicine throughout his illness. Huong’s oddly detailed description about their rapidly declining food supply provides insight into the harsh living conditions.
In the novel Spilled Water, Si-yan met many hardships and difficulties. Some of these were minor. Others were major. However, at last she managed to overcome them all with the help of other people who she met in her travels. Here we consider what these difficulties were, how she coped with them, who helped her, and what she learned from her difficult experiences.
Each and every character in Yu Hua’s To Live is a catalyst through which the author explores human nature. The novel itself follows the life of Fugui, whose narrative is framed by pre-communist, Maoist, and post-communist China. Though he chronicles a long period of time, Yu Hua effectively uses characterization to present and prove his claims on human nature. Throughout Fugui’s journey, each character he encounters reflects on an aspect of humanity, through an event or group of people. For example, Long Er symbolizes the death of feudalism, while Fengxia symbolizes the Chinese people under a fascist, nationalist government.
Jiacheng Liu Final paper (a)summary Citizen Barlow a young African-American, arrives in Pittsburgh and is part of the freed slaves. While working at the local mill, Citizen steals a can of nails. Another man is accused and choose suicide rather than face arrest and a life in which it is unfairly identified as a thief. Citizen wants to redeem his guilt for causing the death of one person and looking at Aunt Ester, whose healing powers are legendary. A 285-year-old aunt Esther lives in a house with Eli, his friend and protector, and Black Maria, a young woman wearing the clothes for a living and who Aunt Esther hopes to pass his powers.
Telling the story of 1587, Huang displays the year in a similar fashion to Sima Qian’s The First Emperor. Like Sima Qian, this telling of history focuses on one specific character for each chapter. It is chronological for each chapter, but each chapter overlaps, in part, with the ones before and following it in a more cyclical format. This means that this book has less of a western and, therefore,
The short story “The Handsomest Drowned man” shows a broader development of identity through a society. One of the important characters in the “The Chinese Seamstress” is the narrator, who is not only vital because he is the main character but also because he goes through a lot of development and evolution based of the narratives he reads. Four eyes, the narrators friend, had a stash of foreign books that he had received from his mother that were banned
In conclusion, American Born Chinese successfully uses plot elements to have multiple effects on readers. All three stories use parallel plots because they are different perspectives and stories put together to create a bigger story. Jin-Wang’s story uses foreshadowing by having details that relate to the Monkey King. Lastly, the Monkey King’s story uses conflict and keeps the readers wanting to know how the conflict is dealt with. All three plot elements were successfully used to create emotions within the
Although he draws out a story where a Chinese boy turns against his own language and culture for the sake of fitting in, the moral of the comic is that the past will always be a part of you no matter what. The two texts give the readers examples of what makes the past, so rich and how our roots are truly forever bound to us. The authors, both hope to have their audience realize that wanting to fit into one’s generation is fine, but knowing one’s roots and accepting them as your own as you are doing so, is even
The role of women in literature crosses many broad spectrums in works of the past and present. Women are often portrayed as weak and feeble individuals that submit to the situations around them, but in many cases women are shown to be strong, independent individuals. This is a common theme that has appeared many times in literature. Across all literature, there is a common element that causes the suffering and pain of women. This catalyst, the thing that initiates the suffering of women, is essentially always in the form of a man.