The first major aspect that leads to the Creature’s fall from grace is appearance. Victor works tirelessly in academia because he believes to have found the solution to generate life. Once Victor succeeds, the Creature’s demonic appearance mortifies him. Victor describes his work with disdaining imagery, stating, “I had gazed on him while unfinished; he was ugly then; but when those muscles and joints were rendered capable of motivation, it became a thing such as even Dante could have conceived" (Shelley 36). Although Victor successfully creates what would be his greatest academic achievement, he abandons his creation, showing that the Creature's ugliness is a prevailing factor for his isolation from civilization.
Shelley portrays the Creature’s pleading to Frankenstein’s emotion as a misuse of knowledge due to the fact that knowledge is being used incorrectly if it is for personal gain. Shelley illustrates the Creature appealing to Frankenstein’s passion by talking of his want and need for a mate and a family. Frankenstein later realizes how he was “once moved by the sophisms” of the Creature. Shelley is conveying the idea that it is the Creature’s passion for a mate which has caused him to misuse his knowledge of Frankenstein’s emotion to get what he wants. Shelley is against questioning the idea of passion and how too much can cause many problems.
He cared greatly about his family and wife even though Elizabeth was often distant towards him. In the end of the play, Proctor chooses to die rather than sign his confession, ratting out his friends and ruining his good name in the town. He did this to protect the reputation of his children so they won’t have to grow up with a lying father. Lying went against Protctors’ views and that ideal is prevalent throughout the entire play. It is revealed that as soon as he had an affair with Abigail, he confessed to Elizabeth the next day because of the guilt he was carrying around.
Whereas Frankenstein does not properly value the domestic affection he is given until it is violently taken from him, his creation learns that this is what values most in life and yet is not able to gain this affection from others. Francis Bacon says in his essay Of Friendship “I have given the rule, where a man cannot fitly play his own part; if he have not a friend, he may quit the stage”. Shelley highlights the need for a sense of belonging and companionship by letting both her main figures suffer the pain of not having this need fulfilled and, in consequence, they both “quit the stage” (Bacon) and turn their backs on humanity. Social isolation, although through different circumstances, was the predominant cause for both Frankenstein and his creature’s demise. Even Percy Bysshe Shelley, Mary Shelley’s husband, wrote in his preface to Frankenstein about the “amiableness of domestic affection” (Shelley 9).
Some people may believe that the connection and strong affection between Hamlet and his father caused his anger to kindle even more towards Claudius, eventually leading to Hamlet's ambition towards killing his uncle. However, Hamlet is not able to take revenge because of his emotions, but when he sets them aside he is able to take action and therefore is not affected by the love of his father. Hamlet says “[i]s it monstrous that this player here,/ But in a fiction, in a dream of passion,/ could force his soul so to his own conceit/ That from her working all his visage wanned,/ Tears in his eyes, distraction in his aspect,/ A broken voice, and his whole function suiting/ With forms to his conceit? And all for nothing!”(Shakespeare, pg.58, 561-567). In this speech, Hamlet compares himself to one of the actors who is able to portray emotions in an unchallenging manner.
“An irrational society is a society of moral cowards – of men paralyzed by the loss of moral standards, principles, and goals” (86) says Rand, and I feel that too far have the men in the society sunk away from moral standards, like putting their knowledge to use and expanding it, simply because they do not believe in judging others for fear of what others may see in them, especially Equality since he always abides by the strict standards with fear of the civilization itself. Equality would certainly agree with Rand’s advice, “One must never fail to pronounce moral judgement”, as Equality did by leaving the controlled society that brainwashed
That all the deeds done by the monster in the novel is totally the fight towards beauty and ugliness. This throws light upon the idea it is not always simple to know about goodness and evilness with regard to outer beauty but it’s the beauty of the soul as the victor was projected as a good and loving human being and the monster evil but we can realize throughout the novel that this might be up turned for both victor and the monster Mary Shelley depicted the phenomena of beauty vs. ugliness of the soul very prominently in the novel Frankenstein . The thesis will describe that how the own loved ones fails to accept the outer beauty of their loved ones instead of focusing towards the
Victor selfishly creates the Creature to gain prestige, pretentiously claiming himself as a human god when he succeeds and saying it was for the sake of humanity. In reality, he creates a grotesque being and abandons it the moment his illusions shatter, making the creature a victim because he denies the responsibility of raising it causing hardships for it. Victor also believes the creature is a reprobative individual since it kills his brother and foists Justine’s execution, thus he acts inimical towards it throughout the whole novel as he invectively exclaims, “Abhorred monster! Fiend that thou art! The tortures of hell are too mild a vengeance for thy crimes” (93).
He was resentful of the circumstances of his father’s death but it isn’t until Act 1, Scene 5 that his anger causes him to abandon who he truly is. He attempts to throw away his hate of deception in order to avenge his father’s death. His obligation bestowed upon him by his father’s ghost, which he does not resist, begins to overshadow his obligation of morality. Despite this, it still takes Hamlet a long time to take action which suggests that he struggles with which obligation he should fulfill. Hamlet is more than devastated about his father’s death.
And the worst part, Troilus watches the scene play out. He witnesses the love of his life with another man. If only he wasn’t there, Cressida’s ultimate betrayal wouldn’t have lead to Troilus’s heartbreak and death. You see, love is not victorious, especially in this famous story. If love was victorious, then the nationality difference wouldn’t be too great a challenge for the love of Troilus and