Rama Mehta’s Inside The Haveli(1977) presents the story of the protagonist Geeta’s identity-crisis in the cross-culture content. Brought up in Bombay, Geeta the independent young women struggles to maintain her modern identity in a traditional world of haveli of Udaipur, where she is married. Therefore, the novel projects a woman’s story or a journey of a woman. Inside The Haveli is a novel that defines a few bad customs like purdah- traditions, narrow-mindedness, women exploitation, girls’illiteracy and child marriage prevailed in a Rajputana haveli of Udaipur in Rajasthan, India that is symbolic of prevalence of all these bad customs, rituals and rules in all over India. The novel is an attack on traditinal mam dominating society. Almost whole story revolves around the haveli where females are deprived of their right and liberty and where the birth of a girl- child is considered bad. Feminism entered in literature in 1960’s. It seems that Rama Mehta’ Inside The Haveli was inspired or influenced by idea of feminism. I am projecting Geeta as a protagonist from a feminist point of view. Rama Mehta occupies a significant place among others women novelists. In Rama Mehta’s Inside The Haveli. Geeta(mouth piece of Rama Mehta) protagonist in modern educated young woman. She is crushed under the weight of a male dominated and tradition-bound society, she protests against this, her protest makes the novel more emotional. There are many parts and points where we can see how
A close reading of the opening paragraphs of Cartagena illustrates how Nam Le employs an anguished juvenile gaze to excuse the anti-feminist portrayal of women in the story. An adolescent narration grants freedom for sexist representations, and one-dimensional female characterizations, because, as a literary technique, it changes how readers engage with a text. A vulnerable lens is exploited by Le in multiple stories across the entire The Boat collection, functioning to justify all the subpar female characters within them. In the passage, the language that is used in relation to girls, restricts, dehumanizes, and strips them of value.
As Yaa Gyasi most sagaciously notes in her first novel, “We believe the one who has power. He is the one who gets to write the story. So when you study history, you must ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too.
Gertrudis’s story emphasizes the importance of following the heart's desires and being independent of tradition. Tita’s shift in character furthermore proves that traditional practices that oppress and harm her should be challenged to become free from the constraints of tradition. These two sisters' journeys to happiness and freedom are personal revolutions that challenge traditional society. This story is about societal issues from the past and present. It portrays the societal restrictions and expectations that are put on women.
In today’s society, feminism and equal rights for women are both very strong and opinionated topics. Some think that men should be ranked higher than women, some think that women should be ranked higher than men, and some think both genders should be ranked as equals. In the novel, Song of Solomon by Toni Morrison, women are somewhat left behind and forgotten about. The men in the story represent strong roles, and have a much larger influence to the novel as a whole, rather than the female characters, who don't have as much of an impact. It has to do with both the time period in which the novel takes place, and also how the author wanted the book to be.
Click. Click. Click. I was holding my large bag of laundry obsessively pressing the elevator button as if that were going to make it come any faster. I decided to walk to my friend’s dorm with a large bag of laundry in my arms, because my dorm did not have air conditioning.
Furthermore, the author uses elaborate details in this short story to make the segments about tradition more descriptive. According to Pfeiffer, “the author infuses her works with vivid and distinctive features of Indian culture . . . .” An example of the culture is when Lilia’s mother brought out a plate of “. . . mincemeat kebabs with coriander chutney” (Lahiri 458). Jhumpa Lahiri’s “Indian identity is certainly not marginal in her work . . .”
In the story, the women are oppressed by the society. This is narrated through the delivery of the main antagonist’s id, the gender inequality in enforcing laws and the marginalization of women. As a result of Rasheed’s id, Mariam and Laila are consistently physically and emotionally
Government Arts College for Women, Thanjavur. Abstract: Identity crisis or search of identity has received an impetus in the Post-Colonial literature. Man is known as a social animal which needs some home, love of parents and friends and relatives. But when he is unhoused, he loses the sense of belongingness and thus suffers from a sense of insecurity or identity crisis. In the field of Indian English Literature, feminist or woman centered approach is the major development that deals with the experience and situation of women from the feminist consciousness.
According to an Arizona Law Journal from 1994, “Feminism is the set of beliefs and ideas that belong to the broad social and political movement to achieve greater equality for women” (Fiss, 512). This quote is salient because feminism is a “broad social and political movement” meaning that striving for gender equality can be achieved in a plethora of ways. In the novel Sula, author Toni Morrison utilizes characters like Hannah and Sula Peace to create a feminist novel as both characters are the antithesis of conventional women who are oppressed and dependent upon men. This novel takes place in a town in Chicago referred to as The Bottom from 1919-1965 during a time of racism and sexism when women were seen as property.
These observations involving the Indian social system and the debts owed to Tej by the family are important in helping the audience understand the context of the choice that Lalit makes to trust Ria
Choose one or two examples of media texts and explore how they might challenge or disrupt Mulvey’s concept of ‘the male gaze’. With the rise of the internet and social media, “feminism” has risen to its absolute peak. When asked what the term feminism actually is, the definition will vary based on the respondent. Ask an ordinary man, and the response would probably refer to women attacking or trying to over powering men, which has become a common misconception. In theoretical terms, “feminism” can be used to described as a movement for the equal rights and protection of women in economic, social, cultural and political aspects (Merriam Webster, 2016)
Ariel Dorfman’s “Death and the Maiden” is a work of drama that aims to provide a social commentary on the social after effects of a post dictatorial regime. Dealing with gender roles, the ambiguity of the truth, and the role of justice - Dorfman provides an outlet for victims of war crimes to question their own experiences, as well as forcing an entire society to ponder questions that seem unanswerable. Through the use of the motif of light, contrasting scene choice and an important final dialogue, Dorfman creates a moving work that leads the spectator to wonder: viewing Paulina as a victim of a patriarchal society, do her strifes and emotional conviction make us more or less sure of the authenticity of her accusations? A pivotal part of
First, we should define feminism. Basically, feminism is a philosophy that advocates equal rights for women and men. The more feminists seek to overthrow any sign of male dominance in our society, to the point where they disapprove the biblical roles of husbands and wives, defending abortion, and so on. Modern feminism is a forged solution to the real issue of the inequality of women. Feminism assumes to itself the right to demand respect and equality in every aspect of life.
The God of Small Things by Arundhati Roy depicts the inner lives and hardships women in a patriarchal society face. Roy provides a reflection of the social injustice in India in the form of abusive and tyrannical males who abuse women - both physically and psychologically. The novel is a vehicle for the author to express her disillusionment with the postcolonial social conditions. This response will critically analyse the lives of the female characters in Roy’s novel, specifically Mammachi and Ammu and explore the ways they have been marginalised.
The narrator holds a strong belief that Ramani is being controlled by the widow and acting in ways she wants him to. The widow is described