ABSTRACT
ChamanNahal, a noted critic defines feminism as a mode of existence in which a woman is free of the dependence syndrome. The feminism as it exists in India today does not blindly follow its western counterpart but is in response to the issues related to Indian women, in a society where they play a variety of roles – that of a daughter, sister, wife, niece, aunt, grandmother, mother- in-law. But the same society denies them any individuality, identity and assertion. Indian women writers have now through their works, started questioning the age old traditions and patriarchal domination.
Shashi Deshpande occupies a unique position among contemporary Indian novelists in English. She has successfully delineated a realistic picture of
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They analyse their circumstances objectively and finally come to a new point of understanding which they had formerly ignored or rejected. They return more in control of themselves, confident and mentally mature. Rather than rebelling, Shashi Deshpande’s protagonists adapt themselves to a male dominated society and try to strike a balance between the social conventions, predetermined role of women and the contemporary issues. Considering marital relationship as worthy of maintenance they return, but at the same time they refuse to sacrifice their individuality for the sake of upholding the traditional role model of a woman as prescribed by society.
This paper is an attempt to portray through selected works of Shashi Deshpande a woman’s struggle for a visibility and a voice in this andocentric
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It makes a dichotomy between genders; masculine means power, domination, authority, independence and self-assertion and feminine means helplessness, subjugation, docility, dependence and annihilation of individuality. This categorization has led to the oppression, repression and suppression of women.
Simone de Beauvoir very aptly expresses this phenomenon when she says;
One is not born, but rather becomes a woman…………It is a civilization as a whole that produces this creature (282).
Women are treated as commodities to be used by men. A woman has no identity “apart from the one that man gives to her.”(260) Even in literature women are depicted as the inferior beings, passive and helpless victims at the mercy of men. The reason being that literary tradition is also primarily patriarchal. The concept of ‘proper woman’ as presented in the male authored text was of a selfless, self-effacing, submissive creature: who was prepared to internalize the idea of her own inferiority, an ‘Angel in the house’ who accepted without questioning the gender defined roles assigned to her by the patriarchal society. (Armstrong
Deja Patterson English 3 Honors 2nd Block Mr. Colagross 4 January 2016 Doubt Analysis: Oppression of Women It is said that as a woman you are suppose to stay home, clean up, breed and raise the children. Women were not allowed to hold a higher job or success than men because they might feel intimidated and their ego might actually shirk instead of being inflated. The concept of how women are suppose to portray, have been suppressing women into these roles by both men and women since the earth has been created.
For many centuries in our society women have been confined into a stereotypical idea of a patriarchal society. In today 's society the idea isn’t as much viewed upon with all the rights women have been given, but the concept still lingers in some of men 's minds. More so, than today, in the 19th century women were obligated to abide to the principle of gender roles and a male dominated culture. Women were seen as to be a slave and to act a certain way towards men as well as be able to gratify man 's lust of expectations of a perfect woman. These presumptions of women had been very much portrayed in short story , The Chaser by John Collier, in which a boy name Alan Austen seeks for a love potion from an old man, for a girl he likes name Diana.
After skimming through Volume 1 of The Norton Anthology Literature by Women, I noticed the reoccurring themes of patriarchy, women subordination, and the strength to be creative despite oppression. During the times that these literary pieces were written, women were constantly battling the patriarchy in order to get basic rights. During the earlier time periods, intelligence was seen as a sign of an evil spirit in a woman, resulting in miniscule amounts of literary works written by women. Women were not provided with equal spaces to creatively express themselves, as mentioned by Virginia Woolf. Moreover, they were not given the same publishing opportunities, many women either went anonymous or by a fake male name to have their works published.
While gender roles and stereotypes may seem innocent and almost nonexistent in today’s culture, they are still present and cause a major effect on the current and future generations. They set limits on both boys and girls talents and skills. They try to force men and women into certain job categories. They affect education by telling boys to go to school especially in college and limit girls education, They affect the way a person is raised in the family from their childhood and how they keep themselves by labeling traits and behaviors as female or male. Gender roles limit the dreams of boys and girls alike, such as boys who want to be dancers and designers.
In what ways are women abused and discriminated against inside literature and throughout history? In many patriarchal societies, men have held authority over women due to gender. This power imbalance between men and women sometimes led to unjust treatment of women; men exert their authority over many women in the play, The Crucible. In The Crucible¸ male characters intimidate women to achieve specific outcomes and mark their superiority. Elizabeth Proctor, the protagonist’s wife, shows the standard for Salem women as she is submissive and does not defy her husband or the traditional role as a housekeeper.
In a traditional culture at the time, the female image was inferior to men in many different aspects. Women have an inferior intelligence compared to men, inferior role in society, and inferior status. Later on, women were respected more as wives and mothers. Women remained in homes, raising children, and “rescuing men’s souls and leading them to the holy paradise” (). In his writing, Nathaniel Hawthorne creates a new female-image, one that focuses on remaining a pure reputation.
During times of crisis, women have been marginalized continuously, and although many would like to think so, conditions for women have not changed much over time. Unbroken by Laura Hillenbrand and The Book Thief by Markus Zusak both reflect that. Women in literature and in real life who deserve lead roles are often forced into supporting roles. Most people understand this but few acknowledge it. Strong female characters such as Liesel in The Book Thief, Penelope in The Odyssey, and Antigone in Antigone need to be honored the same way strong male characters are.
Societal Expectations are not Barriers Two inspiring pieces of literature called Macbeth by William Shakespeare and “The Yellow Wallpaper” written by Charlotte Perkings Gilman share one eminent theme, which is the suppression of the female gender. Societies often place barbaric labels on those who seem unworthy rather than fight the judgments that are concrete and see for themselves. Social ideas during the two diverse time periods demonstrate how women are not seen as powerful figures and insanity progress within those who are stereotyped. Women are seen as creatures that are ineligible to think for themselves in.
As with all theories, this feminist approach to Louise Halfe’s “Body Politics” does not come without its flaws. While it can be argued that this poem criticizes the performativity of feminine gender roles in a patriarchal society, this cannot be proven definitively without knowing the author’s original intentions. Furthermore, the poem does not give its readers enough information to conclude that the society the women live in is in fact a patriarchal society. This becomes evident, as there is no reference to any masculine figure – so any assumptions about the masculine-dominant culture are purely speculative. It is possible that Halfe wrote this poem in an attempt to challenge the gender binary, however one stands to question how successfully she is in doing so.
Furthermore, Feminist Criticism provides a better view of literature because it shows that women can be powerful. When Emilia finds out that her husband has been plotting an evil plan she says,” Tis proper I obey him, but not now”(Othello V.2.195). Emilia refuses to help her husband after she finds the cruel intentions he has despite the expectation of women always being submissive to their husbands. Women also have a voice and feelings, they are capable of defying their husbands commands when they know what he expects is simply wrong. In a literary article,The Role of Women in Othello: A Feminist Reading states that,” Society weighs heavily on the shoulders of women; they feel that they must support the men and defer to them, even if the actions of the men are questionable” (Literary Articles).
Exposing Foundations: Psychoanalysis and Gender in Mulvey and Butler Woman… stands in patriarchal culture as signifier for the male other, bound by a symbolic order in which man can live out his phantasies and obsessions through linguistic command by imposing them on the image of woman still tied in her place as bearer of meaning, not maker of meaning. 6 In “Visual Pleasure and Narrative Cinema” (1975), Laura Mulvey points out that psychoanalytic theory can “advance our understanding of the status quo, of the patriarchal order in which we are caught” (2). To understand why woman is only “the bearer of meaning, not the maker of meaning” in this order, I will turn to a very small fraction of Lacan’s psychoanalytic philosophy. Here we find that
It can be said that society has always been quite judgmental, and at times misguided when it comes to women. The negative perceptions that society has towards females are often times directly related toward her actions. What a female does seems to degrade her identity and capabilities in the eyes of some men. In the poems “The Lady’s Dressing Room” and The essay “A Modest Proposal” by Jonathan Swift, we can see both authors use of tone, form and style to develop their works. These poems are mainly driven by men’s attitudes towards women.
Not only did men see women as unintelligent, they also saw them as weak and compliant. What made this worse was that women of higher status would have a lot of free time since they had servants to do everything. They would spend their time strolling around or doing ‘feminine hobbies’; this affirmed mens’ notion that that women were idle and did not do much, so they treated them this way. To see how dire their situation was, one must must only have to read A Midsummer Night’s Dream. While fictitious, this story does show one bit of truth, the way women were being treated during this era.
The gender roles of Jane Austen’s time, and the mirroring of them in Persuasion, are good examples of how hard it can be to resist inequality amongst sexes. Gender inequality is a social issue that recurs throughout the novel. Most of the characters that face gender inequality comply with their oppression. Moreover, the characters that are oppressed by gender inequality have come to expect such injustice. Jane Austen’s Persuasion demonstrates true-to-life examples of how both women and men accept their “role” in society, accept and expect it.
Feminist literary criticism’s primary argument is that female characters have always been presented from a male’s viewpoint. According to Connell, in most literary works, female characters often play minor roles which emphasize their domestic roles, subservience and physical beauty while males are always the protagonists who are strong, heroic and dominant (qtd. in Woloshyn et al.150). This means that the women are perceived as weak and are supposed to be under the control of men. Gill and Sellers say that feminist literary criticism’s approach involves identifying with female characters in order to challenge any male centred outlook.