In the first Act of A Midsummer Night's Dream, main characters are introduced in a way that sets the tone for the rest of the play. Egeus' first speech, found on lines 23 to 46, is a perfect example of this; through his speech themes of domination and control, and his accusatory themes, he affirms the accepted positions of power of his time. Language and grammar used here all give the reader an important first impression. Starting with the first line, Egeus states "Full of vexation come I". By placing the phrase "full of vexation" first, the vexation — vexation over the disobedience of his daughter — is emphasized. Such disobedience would be vexing due to its disobedience to the great chain of being, which demands obedience to fathers. A need for order is reasserted in the second line with the use of highly possessive phrases such as "my child" and "my daughter". Egeus uses the possessive ‘my' frequently, and always to establish a chain of command. This is most often seen when Egeus uses phrases such as "my child" (line 24, 28, 30), "my daughter" (line 24). These statements place Egeus above his daughter, commanding respect and, more pertinently, obedience from her. However, Egeus also frequently uses the phrase "my …show more content…
Despite placing the blame for this situation on Lysander, saying that it was with cunning that he "flinch'd my daughter's heart, turn'd her obedience...to stubborn harshness"(line 37,38) and that he "bewitched the bosom of my child" (line 28), Egeus does not suggest that any punishment should be put forth for Lysander for interfering with the planned marriage. This could be that because Lysander is not part of Egeus' family, Egeus does not have control over Lysander; it could also be that Egeus believes that a truly obedient daughter would follow her father's command regardless of any other person's
Act 2 from Macbeth is a very captivating and significant section of the book. It encompasses of King Duncan’s murder by Macbeth, so he could become King. Prior to the killing, Macbeth had an excentric hallucination of a blood-stained dagger that epitomised, to Macbeth, to go and murder Duncan. The next day, Macbeth blamed Duncan’s attendants for the killing. In fear of being killed Duncan’s sons, Malcom (who was heir to the throne) and Donalbain, flee the country.
Friar uses personification along with other literary devices that helps the reader understand the theme. In Romeo and Juliet, Shakespeare uses elements of language in Friar Laurence’s speech to convey the idea that everything is both good and evil. In the first half of the soliloquy, Friar talks about the sky in a way that demonstrates how it is good and evil, like the light of the sun and the darkness of the moon. Friar starts his Soliloquy by saying, “The grey-ey’d morn smiles on the frowning night, Check’ring the Eastern clouds with streaks of light” (2.3.1-2).
A Midsummer Night’s Dream not only because of the literary insight it gives, but also the detail it illuminates in the flaws of Lysander
William Shakespeare’s “Romeo and Juliet,” discusses how people have both a monstrous and honorable side. Shakespeare demonstrates this by using syntax and figurative language in the soliloquy, “Romeo and Juliet”. In the soliloquy, a monk by the name Friar Laurence, talks about how everybody has a guilty and innocent side. In the story, the Montague and Capulet family are fierce rivals. The rivalry shows the dark side while the love of Romeo and Juliet shows light side of both families.
The Tragedy of Macbeth written by William Shakespeare deals with the concepts of power, ambition, evil and fear. One particular scene in the play seems to deal with more of the concepts of fear and power, as well as feeling nothing. In Act 5, Scene 5, Shakespeare uses differing types of figurative language to add to the somber tone and dark nature of the scene/play. In this scene, Macbeth is preparing to go to war with the people who were once on his side.
Some people feel that it`s quite challenging locating differences between a written story and its film, though, however, some people find it considerably simple to detect differences between the pair. A Midsummer Nights Dream was undoubtedly great cinematic film made in 1999. However, the written play of A Midsummer Nights Dream was much more detailed and more informational. The differences I noticed were the following: The Indian boy and his role, the setting, characters and examples of similarities. First of all, the primary anomaly I noticed implies the Indian boy and his role during the piece.
In “Oedipus the king” translated by David Grene, a dialogue between different characters in which the idea of tone, attitude, and diction is amplified throughout this text using many rhetorical strategies and shifts supporting more emphasis to the text which brings it to life, as it also provides the tools for the audience to live through the text, and live through it’s reality. In the beginning as Oedipus mentions “I pity you, children” in a way it conveys not the the idea of sympathy, but the idea of sharing pain or close emotional feeling; providing the idea that words are often very good vehicles of communication. Oedipus uses children as a hook to grab people’s attention providing a patronizing yet audacious tone. As the text goes on Oedipus questions the priest “Why do you sit here with suppliant crowns?”
Throughout history, men have always dominated. They never let a woman rise to power or have the same rights. This sexism has been ingrained in society for thousands of years, so much so that it has defined some of the most famous works of literature, including A Midsummer Night’s Dream. This play was written during the Elizabethan Era, an era in which a woman had all the power imaginable (Queen Elizabeth), and yet, women were still severely discriminated against. Women had no say whatsoever in their society; they were not allowed to vote and they had very few legal rights (Papp, Joseph, Kirkland).
In our scene, lines 42-179 of Act One, Scene One, the characters who try to force love upon others are seen antagonistically, while Hermia and Lysander, who strive for true, naturally occurring love, are seen as protagonists whose love should be defended. The overlying message of the play is that love should not and cannot be forced. Theseus, Egeus, and Demetrius use their power, both as nobles and men, to try and force Hermia into marrying Demetrius. Egeus, in an attempt to bully Hermia into marrying Demetrius says, ‘‘‘She is mine, and all my right of her I do estate unto Demetrius’’’ (1.1.97-98). He sees his power as Hermia’s father as a way to force her into a marriage that will benefit him.
He makes it clear that the couple will do anything to be together. After Egeus denounces his daughters chosen love, Hermia talks to Lysander, agreeing to leave Athens with him in order to get away from the law code that allows marriage to be prohibited. To Lysander, Hermia says, "Keep word Lysander; we must starve our sight / from lovers ' food till morrow deep midnight" (1.1.221-223). Hermia says that both she and Lysander will do anything to be able to stay together, even flee their lives and all they have known.
Emotions are like an infection in the play ‘A Midsummer Night’s Dream’. An infection that spreads to the purest of characters and the most vile ones. Shakespeare writes beautiful and well-thought-out scenes about questioning people’s emotions and how irrational people can be the cause of chaos. Emotions run high throughout the play and envy, anger and devotion to love lead the characters to act irrationally and go against their better judgment. Jealousy is an amazing example to start off the chaos inflicted by this emotion.
Today, men and women have equal rights, but that does not mean life has always been simple for both genders. When Shakespeare writes A Midsummer Night’s Dream, there are roles, behaviors, and expectations for the dominant men and submissive women. This literature portrays the major changes in the lives of both sexes throughout the years, which shows the advances women gain with time. The gender issue of men being dominant and women being submissive used in the drama, A Midsummer Night’s Dream, shows the differences in the roles, behaviors, and expectations appropriate for each gender and is an example of an outdated stereotype.
“And though she be but little, she is fierce” -William Shakespeare. In today’s day and age, one of the greatest topics of debate is gender roles. It is evident everywhere, from cyberspace to the streets of home, from online petitions to marches across the country such as the Women’s March. Shakespeare lived in the Elizabethan Era of England, where Queen Elizabeth I, the virgin queen ruled.
What is Hermia Like? She is described as an independent individual who wants nothing but to follow her heart, but here’s the catch… That is not what her dad wants for her! She is better yet characterized as Feisty;She knows what she wants and does what it takes to get it, she was even prepared to give up on her family and way of life to marry Lysander. In this play she can be Defensive (Compelled to fight for her love and was willing to fight her friend) “
In William Shakespeare’s A Midsummer Night’s Dream, the female characters' desire to question the law of Athens and select their own husbands drives most of the conflict in the play. In a way, Hermia, Helena, and Titania are the protagonists of the play because each of their desires are being thwarted by the patriarchal structure of the society in which they live. The way the women try to overcome such hurdles does not sit well with the men. Accordingly, the men get on edge when their patriarchy is disrupted, so they make strict laws to try and keep the women under their control.