Forests have long been significant in literature. Dark, enchanted, haunted woods carry a special meaning and signify an important stage in any journey.To enter a forest is to go into the realm of fears, which can be as dangerous as it can be enlightening. Thus enchanted woods present a test to characters’ abilities, a challenge to their courage and, as a result, lead to important inner transformations: if a character enters such a forest, they won’t be the same on leaving it as before they entered. In Chapter 8, Spiders and Flies, Tolkien uses imagery, figurative language and diction to describe a and ominous setting for this chapter in The Hobbit.
Tolkien uses a large amount of imagery in his writing which can be seen through setting or places
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Infact many of his pieces includes examples of similes, metaphors, and personification. These different forms of figurative language help the reader create a "mental picture" inside the mind. For example,”They walked in single file. The entrance to the path was like a sort of arch leading into a gloomy tunnel made by two great trees that leant together, too old and strangled with ivy and hung with lichen to bear more than a few blackened leaves. The path itself was narrow and wound in and out among the trunks.” The figurative language used gives a basic rundown on the setting. It explains the unattractive features of Mirkwood. Tolkien compares the trees as a an arch, to give the right mindset of what their situation is. He uses common comparisons to relate to the modern world yet it still fits in with his unique writing style. Tolkien exemplifies the mysterious yet troubling feeling that radiates off the forest by including many creatures that are united with the darkness,“They slept all closely huddled together, and took it in turns to watch; and when it was Bilbo's turn he would see gleams in the darkness around them, and sometimes pairs of yellow or red or green eyes would stare at him from a little distance, and then slowly fade and disappear and slowly shine out again in another place. And sometimes they would gleam down from the branches just above him; and that was most terrifying. But the eyes that
Tolkein has managed to keep the idea that the Hobbit is set in another world because of his use of setting. He describes his surroundings so in detail, that it makes you feel like you are in the setting as well. When it says in chapter 7. It says, “ The air rushed over him and he shut his eyes… The sun was still close to the eastern edge of things.
Back then perspectives were very different, so the response to J.R.R. Tolkien’s book back then would have been very different in comparison to it were to be released tomorrow. If The Hobbit was released today, written the exact same way, it would get a lot more hate and judgement to have whole races categorized as the bad guys. Tolkien’s book does not include enough diversity in personalities within any race to get by in today’s sensitive and judgemental society. Another controversial segment in the book was the physical and mental separation between all the different creatures. The typical creature in the book would live with their race days away from any other races, isolated to their own kind.
In the two scenes on pg 61-65, Wiesel uses the stylistic technique such as imagery to give the reader the feeling of being in that scene and imagine it. Another stylistic technique is metaphors and diction give a better feeling of the story and give it more dramatic. An example of his imagery is when Wiesel said: “He was still alive when I passed him, his tongue was still red, his eyes not yet extinguished. ”This quote helps the readers make the words Wiesel uses to create an image of them and picture it in their mind.
The main use of imagery is to appeal to the reader’s senses to give a full picture and description of what is happening at a certain point in a text. In “The Contents of a Dead Man’s pockets, an example of this is, “ Without pause he continued--right foot, left foot, right foot, left--his shoe soles shuffling and scraping along the rough stone, never lifting from it, fingers sliding along the exposed edging of brick.” This piece of the texts paints a clear picture in the mind of the reader and shows a very suspenseful tone. Imagery plays a big role in the story’s tone, and we can see it as very exciting and
The Book Thief is a novel set in the era of the Holocaust. Liesel Meminger has to survive through hard times after being left in foster care by her mother. The overall theme of the story is that words can have a powerful effect, especially with a different tone of voice, inspiring a multitude of feelings in people, such as fear or hope. Words always manage to seem underwhelming, but twisting them in the correct way yields results. For example, page 110 features a speech from a Nazi official: “‘We put an end to the disease that has been spread through Germany for the last twenty years, if not more!’
In the short story “Treasure of Lemon Brown”, the author uses figurative language to describe the setting in the story. One example is this, “The dark sky, filled with angry swirling clouds reflected Greg Ridley’s mood.” You can picture that it's probably night time outside and that it might rain. There may be a lot of clouds blocking the sun to make it look
The theme that the author is portraying, is that sometimes in life it's hard to do things that seem impossible, but we as humans can do anything if we put our minds to it. The figurative language that was present within the book was incredible. As a result, my options were limited. The first figurative language that symbolizes the importance of a forest was described, “This forest eats itself and lives forever” (5). This particular quote gave non living things, humans characteristics.
There was undergrowth—a mat of brambles and bracken. There were no obvious paths. Dark and light came and went, inviting and mysterious, as the wind pushed clouds across the face of the sun.” (355) The "thing" in the story was symbolized as the terror
It can help emphasize specific ideas that he wants the reader to think about. For example, he uses imagery to depict scenes vividly. An example could be when he writes “Never shall I forget those flames that consumed my faith
The novel, “The Book Thief”, written by Markus Zusak shows the nature of human beings and their actions during what was arguably the most catastrophic time in human history, the reign of Nazi Germany. He demonstrates the impact that words have had on the the nation, the world, and a young girl named Liesel Meminger. However, to portray this, he utilizes a narrator which can explain events in a way no other living being can- ‘Death’. Throughout the novel, Death describes the life-changing events that Liesel is forced to undergo, but he highlights how she is able to power through them and achieve an outcome so great. Most of all, he explains how is eventually able to understand the true meaning of words, and how they have the capacity to be so simple, yet unimaginably powerful.
Rowling took mundane elements from everyday life and used them through allusion to create an unique and interesting world. It was through these simple objects such as the forest, broomsticks and mirrors that a deeper meaning could shine through. The Forbidden Forest is a forest near Hogwarts that is home to mythical creatures such as centaurs and unicorns. In this place, “secrets are kept and mysteries are unravelled.”
Tolkien illustrated the image of hobbits by stating, “They are inclined to fat in the stomach, they dress in bright colors (chiefly green and yellow); wear no shoes, because their feet grow natural leathery soles and thick warm brown hair like the stuff on their heads; have long clever brown fingers, good- natured faces, and deep fruity laughs.” (Tolkien 4).
Tolkien’s highly intricate imagery of malignance makes apparent the uncertainty encircling the company and sets the frightful mood over which Bilbo’s courage must prevail. His ominous description of Mirkwood Forest explains the hesitation in the company to pass onto the realm where “The entrance to the path was like a sort of arch leading into a gloomy tunnel”(153). The imagery evoked by “Trees … too old and strangled with ivy… to bear more than a few blackened leaves” (153) places the reader in the foreboding atmosphere in which the company is presently ensnarled, and effectively forewarns of sorcery, monsters and misery at play. Days into the forest, constant hunger gnaws at the company, leading them to disperse round and round in an entranced dream-like state. Then, somewhere in the pitch-dark night, Bilbo strikes dead a most nefarious enemy.
“The Lord of the Rings, The Fellowship of the Ring” was the first part of the amazing three part trilogy that was written by J. R. R. Tolkien. In 2001, Peter Jackson released this tale as a film for all to see. This film shows the journey of Frodo Baggins and his eight companions, traveling to Mordor to destroy the great ring of power. Being a huge fan of these movies myself, I was grateful for the chance to give this film a critical analysis. There are several main concepts in the film that are highly relatable to Norse Mythology.
The cool, upland air, flooding through the everlasting branches of the lively tree, as it casts a vague shadow onto the grasses ' fine green. Fresh sunlight penetrates through the branches of the tree, illuminating perfect spheres of water upon its green wands. My numb and almost transparent feet are blanketed by the sweetness of the scene, as the sunlight paints my lips red, my hair ebony, and my eyes honey-like. The noon sunlight acts as a HD camera, telling no lies, in the world in which shadows of truth are the harshest, revealing every flaw in the sight, like a toddler carrying his very first camera, taking pictures of whatever he sees. My head looks down at the sight of my cold and lifeless feet, before making its way up to the reaching arms of an infatuating tree, glowing brightly virescent at the edges of the trunk, inviting a soothing, tingling sensation to my soul.