“The Writer”, written by Richard Wilbur, is a poem that requires thorough reading before you can understand the real plot. The surface plot of “The Writer” is about a father who hears his daughter furiously typing at a typewriter. He then has a flashback to an incident with a trapped starling and watching it as it fails countless times until it finally succeeds in escaping. The real plot uses the same elements but is artfully hidden in the poem structure, word usage, figurative language, tone and imagery. Richard Wilbur’s use of figurative language help add to the effectiveness of key points: “From her shut door a commotion of typewriter-keys / Like a chain hauled over a gunwale.” (5-6) By comparing his daughter’s aggressive typing to a hauled chain through this simile; he vividly appeals to the reader’s sense of hearing. He also hints at the intensity of his daughter’s subject through her typing, revealing a portion of the true plot. Richard a powerful simile again while describing the dazed starling: “Batter against the brilliance, drop like a glove / To the hard floor or the desk-top,” (23-24). The imagery of a dazed starling battering against a window and fall heavily to the floor or desktop, appeal to the reader’s sense of sight and emphasizes the starling’s, …show more content…
Richard opens “The Writer” with vocabulary describing his house as a ship. “In her room at the prow of the house” (1) “Like a chain hauled over a gunwale” (6). This selection of vocabulary compares their state of living to that of a ship sailing along the sea of life after an impacting event. By putting his daughter at the prow it can be assumed that she is sailing and the hauled chain over a gunwale could be her lifting the anchor to set sail. The entirety of the opening shows his daughter moving on from something traumatizing and almost gives away the whole plot’s real
Through the use of anaphora, metaphor, and informative figurative language, Barry portrays the work of a scientist as challenging and complex. Barry begins by using patterns of repetition and anaphora in the first paragraph. He does this to strengthen the traditional recognition that certainty is good and uncertainty is bad. Providing these antithetical concepts of uncertainty v. certainty, or good v. bad, also strengthen his claim that the work of a scientist is challenging and complex. Next, Barry complicates our understanding of the nature of scientific research through the use of metaphor throughout the essay.
James Maloney’s 1996 novel, A Bridge To Wiseman’s Cove, is a creatively crafted and achingly honest exploration of the transformative power of love that continues to be relevant to young Australians. James Maloney uses the main character Carl to show us some problems that people are facing in their everyday life. James Maloney has creatively crafted this book using figurative language and has wonderfully used a range of other literary devices to explore his characters and themes. His use of imagery, for example, is used frequently throughout the book and is based around water and animals, ‘a black snake ready to pounce…’ (p. 54).
As readers, we must paint a picture in our minds to understand a story from a characters perspective. By doing so, we can infer their true feelings and emotions. Authors often use literary elements and techniques to do so. In "Ultramarine," written by Malcolm Lawry, the utilization of metaphor, simile, and personification contribute to the stories picture of Dana Hilliot's life as he ventures off into the world for the first time as a sailor. To begin, Dana talks about how long the days are.
De ‘Crevecoeur uses an subjective positive tone to describe his view of America, and a negative tone to describe Europe, both of which convey his vision of the New World. Throughout this work, he describes both areas in ways that cannot be proven to be entirely factual, and thus are his views and opinions. This can be seen first in the passage; “If he travels through our rural districts he views not the hostile castle and haughty mansion, contrasted with the clay-built hut ad miserable cabin” (310). De ‘Crevecoeur did not live in these two extremes of society in Europe, and therefore doesn’t have personal evidence to back up his claims. In addition, he uses subjective adjectives like hostile, haughty, and miserable.
Macy Scharpf Chin Honors English 9, Period 4 23 January 2023 Past events can often define the actions someone takes and who they are in the present. If society takes the time to analyze these actions, individuals can figure out the feelings of one another in a certain moment. “Speak” by Laurie Halse Anderson delineates the thoughts and feelings of a teenage girl, Melinda, as she navigates the highs and lows of high school, while carrying the weight of a past traumatic event. In the passage from the book, “Speak”, author Laurie Halse Anderson uses different types of figurative language such as similes and metaphors, as well as repetition to reveal Melinda’s negative thoughts on her past and current feelings about high school.
Along with her struggling, Wilbur says, “I remember the dazed starling/Which was trapped in that very room” (Wilbur 19). This line shows that the bird has been struggling to break free and live its own life, and this runs parallel to what Wilbur has been saying of how his daughter is. “The suggestion of a friendly singing bird trapped and seeking freedom fits the young writer 's situation. The fable of the trapped starling is very literary indeed,” is also what a literary criticism article thinks about Wilbur’s references to the starling in comparison to the daughter (Ramanen 1). Later in the poem, Wilbur says, “It lifted off from a chair-back,/Beating a smooth course for the right window/And clearing the sill of the world” (Wilbur 28-29).
Our first reading of EN101, Fredrick Douglass’ “Learning to Read,” helped our class to better understand the privilege of being a writer. Douglass lives in Hugh Auld’s household for roughly seven years. During this time, he is able to learn how to read and write, though Mrs. Auld is hardened and no longer tutors him. Slavery hurts Mrs. Auld as much as it hurts Douglass himself. The mentality of slavery strips her of her inherent sympathy for others, making her hardened and cruel.
Author’s lives inspire their writing in many ways. An illustrious writer, Edgar Allan Poe, experienced continuous sufferings throughout his life. The heartaches he faced transferred into his writing. Poe’s works are dark and traumatic, such as “The Pit and the Pendulum.” He uses the unthinkable and shapes short stories out of them.
You're walking down the empty street. No one has walked down this road in years. The people aren't gone, but there are more ghosts like than people, just floating through this world, but not you. You are still human, but that might not be the safest choice. Suddenly bright flashes of light wash over you.
As a college student, Emily Vallowe wrote a literacy narrative with a play on words title: “Write or Wrong Identity.” In this work, she told the story of how she believed her confidence as a writer developed; however, she was becoming dubious as to her distinctiveness as an author. Although I have never been a self-proclaimed wordsmith as Ms. Vallowe obviously had been for years, I related to her journey. Not only did she grow up in Northern Virginia like I did, she never considered herself an inept writer—a possibility that I could not fathom about myself. Then, at some point, we both began to question our own ability and to question who we really were.
1. The line “We lived on a combination of irregular paychecks, hope, fear, and government surplus food” is a hyperbole and zeugma. The word that creates the zeugma is the word lived, as the narrator uses the word lived to mean different things in the same context. The narrator actually lived off of paychecks and government food, but did not literally live off of hope and fear like the line suggests. The line is also a hyperbole because the author did not literally live off of the hope and fear, as you cannot sustain yourself with emotions.
Overall her appearance distinguishes her as an innocent and civilised young lady of the British upper-class. However, the non-diegetic sound of the typewriter draws contrasts between her physical appearance and emotional perspective. Sound is fast-paced and symbolises her manipulative nature and her ability to bend the truth
3 The story of “A&P” by John Updike adopts the uses of figurative language to embellish the critical moments of transitions of people’s lives, particularly in the life of Sammy. Updike utilizes crafts of plot, character, setting, point of view, theme, and symbol to constitute the story, and to project the idea of "life passages. " Also, Sammy undergoes a series of events that enables him to transition as a person in his life. 3
Birthday Party by Katharine Brush can be categorized as an ambiguous short story. According to Webster’s Dictionary ambiguous means, “able to be understood in more than one way,” shows that Brush’s narrative can be taken as many different ways. In Brush’s short story she uses symbolism, point-of-view, and characterization to make the narrative one that leaves the reader trying to find the underline meaning of the text. Symbolism in the passage is used by the cake “with one pink candle burning in the center” (Brush 7). Brush uses the small candle to make the reader go into deep thought about what the candle really symbolizes.
One of the greatest impacts the novel The Kite Runner had was the insight it gave readers into some of the less visible aspects of afghan culture. I choose to analyze the passage on page 105 of The Kite Runner to show the reader how the first-person perspective, plot, and use of figurative language are tools used perpetuate the theme of irony present throughout the novel and by doing so give the reader a better appreciation for the use of such irony in the novel. I think that part of the key to understanding some of the tragic irony present in The Kite Runner is taking note of its presentation in the first-person perspective. The novel is first person throughout which means that of the plot we as readers see while mostly factual is never objective