The Black and White World of The Two Towers Tolkien’s The Two Towers is a continuation of his book The Fellowship of The Ring. The company is now facing new enemies and making new friends. Within The Two Towers Tolkien is straightforward with good and bad people. It is as if it’s in black and white. Tolkien has it where there is no evil without good. That for the bad to happen there has to be events or “falls” to happen. (Mathison) He shows his strong contrast of good and bad between Gandalf and Saruman. He also shows the gruesome setting of Mordor compared to the shimmering place of Rohan. With all of this he adds more detail with figurative language. He bolden’s the contrast of good and bad by using imagery, similes, and metaphors. Gandalf …show more content…
It is filled to the brim with figurative language. This is what helps make it so easy to tell good from bad. Tolkien uses this to straightforwardly show the book as if it was in black and white. He even uses it to show how strong and weak the characters of good and bad are. “You thought I remained in Meduseld bent like an old tree under the winter snow” (527.) This is where king Theoden reveals how strong he is. That he isn’t just some old man that is hunched over, but that he is a great and powerful King. He merely appeared as a hunched over old man because he was just under the influence of Wormtongue and his nasty lies. This shows where evil doesn’t just happen. It was the influence that diverted Theoden’s path. Gandalf describes Saruman countless times with having a claw like hand. He also compares Saruman’s heart to a creature called a Huorn. These are dark trees that stand in the deepest of forests. They are deadly and merciless. “His heart is as rotten as a black Huron's” (586.) Tolkien already shows that Saruman is a great deal of evil, but he doesn’t just say how he has done bad things he says how he is basically heartless just like a black Huron. That there is also no changing for him. While there is a lot of figurative language showing the terrible parts of those who are evil there is many parts highlighting the brightness of those who are good. With Gandalf for the company he is shown brightly as the good force. His laugh was like sunshine too them. “He laughed, but the sound now seemed warm and kindly as a gleam of sunshine”
Back then perspectives were very different, so the response to J.R.R. Tolkien’s book back then would have been very different in comparison to it were to be released tomorrow. If The Hobbit was released today, written the exact same way, it would get a lot more hate and judgement to have whole races categorized as the bad guys. Tolkien’s book does not include enough diversity in personalities within any race to get by in today’s sensitive and judgemental society. Another controversial segment in the book was the physical and mental separation between all the different creatures. The typical creature in the book would live with their race days away from any other races, isolated to their own kind.
In the story The Hobbit there are many different characters like Bilbo Baggins, and Gandalf The Great. There are many characters, the author portrays each of them differently through dialogue. One characters Thoren ii Oakenshield, son of the Thrain son of Thoror. He has many scenes when he is a good and wise leader, and others when he is a foolish and selfish leader. He is selfish with money and wealth when he tries to find the Arkenstone.
hough Tolkien expresses many traits through the characters in the book The Hobbit, there are many that stand out, such as the traits that Tolkien considers positive, negative, and what is better, strength or intelligence. A trait that Tolkien considers positive is bravery, a negative trait is being argumentative, and Tolkien values intelligence more than strength. First, a trait that Tolkien considers positive is bravery. In the text, Bilbo was told to go investigate the strange red light.
Figurative language is often used in “The Jilting of Granny Weatherall” because it shows Granny’s hallucinations. The flowery language that often personifies inanimate objects illustrates the intensity and detail of Granny’s hallucinations. For example, “Hapsy melted from within and turned flimsy as gray gauze and the baby was a gauzy shadow…” (398). Using the words “melted” and “gauzy shadow” give the reader a comprehensive picture of what Granny saw. Also, the figurative language used outside of Granny’s hallucinations help the reader understand how events occur in the story.
In writing, authors use the illusion of good v. evil in a form of color scheme: white is good, black is evil. However when we take a look at Joseph Conrad 's book, Heart of Darkness, the color lines seem to have faded, and reversed roles in a sort of way. The book is based on imperialism of the Congo and the true horrors of what happened during the time. Since this book is based off of true events it can get to be pretty devastating to see how people were treated. The use of colors is inversed to what is normally established as a precedent of good and bad to show that imperialism is evil.
Man's Actions The fans of J.R.R Tolkien are well aware of his trilogy the lord of the rings, and as a reader, I always wondered about Tolkien personality, personality and such makes one's character and that is a heavy influence in their writing. From what I have read so far Tolkien's impression on me is that he is a daydreaming man that has an endless imagination, that has made his work beloved by millions around the world. I'll be going over my sources in how they discuss the influence that friends had on Tolkien’s writing and the inspiration that life events & his morals had on Lord of The Rings It's common knowledge that fans know that JRR Tolkien has served in a war, World war one to be precise and we all know how war affects most people. War is something significant in one's life one that will never go away, you see the brutal violent deaths of your close comrades, almost die in multiple occasions yourself, you know what true fear is like.
One example of figurative language in Laurie Hale Anderson’s book “Speak” is when Melinda decides to rid her garden of all weeds, and does some spring cleaning after it finally stops raining during May. Around the same time, Melinda is realizing that she wants to make some new changes in her life and in this figurative language example, Melinda’s life is her garden. She decides first to rake the leaves “suffocating the bushes” ; Melinda is ridding the demons from herself on the first layer of her skin. She says that she has to “fight the bushes (her problems)” and the bushes don’t like getting cleaned out but it is something one has to do if one makes
Diction and imagery are very important components to a story. It is the way that the author displays their feelings through the character. Homer uses very vivid shifts in tone, sometimes creating room for the reader to learn a lesson. In one of Homer’s famous books, “The Odyssey,” he uses diction, imagery, and tone to show that everything does not always go as planned. Wishing to escape the cyclops’ bondage, Odysseus tries to get out of trouble and assumes that he and his men are safe by lying to the Cyclops.
The presentation of Good vs. Evil is one of the main themes in the novel, Dracula. The portrayal of good and evil is seen in each character throughout the book. The characters considered “evil” in the novel are Dracula and his vampire brides. Dracula converts humans into vampires and has immense power over certain individuals. Everything he does demonstrates that there is no good in him at all.
There are clear parallels between the use of fact and fantasy in the authors’ works, however, there are clear contrasting uses as well.
When adapting pop culture into different forms of media, it is necessary to change a variety of aspects to fit individualized nuances of each medium. The transformation of The Lord of the Rings, by J.R.R.Tolkien, from a novel onto the screen is not an exception to this notion. However, Peter Jackson, the director of the popular film series, is known for staying fairly accurate to the original plot of the book. After all, when creating a film based off a novel, the director is not creating something completely his own, rather, he must stay accurate to the plot, in order to observe the wishes of the author and the expectation of his fans. While for the most part Jackson succeeds in his mission to fortify the narrative, rather than stray from
TASK 1: FILM STUDY ESSAY Lord of the Rings (2001-2003) and the later released The Hobbit (2012-2014) are fantastic fantasy adventure films directed by Peter Jackson. It is obvious that the underlying theme is the continual struggle between good and evil, but the techniques that Peter Jackson uses make it easy to identify between the contrast of good and evil. In this essay I will be talking about the techniques that are used to make the difference clear between the good and evil forces. For reference to identify between the good and evil, I will be using the Dwarves and Orc’s.
Gandalf could even be considered, “Saruman as he should have been.” (Robertson,
Nasty, disturbing, uncomfortable things” (4). This refusal is borne out of a life which, up to that point, has been of second breakfasts, smoke-rings, and morning letters. His dismissive tone, however belie his adventurous Took blood. Later, in an attempt to quell the dwarves’ suspicions and introduce a lighter mood, Gandalf’s tone shifts from oratorical to comical, even sympathetic as he reassures them that though Bilbo “gets funny queer fits, (but) he is one of the best-- as fierce as a dragon in a
Next, to discuss the myths and legends common in an epic, portrayed in this novel through the characters. Narnia itself is full of magic and legend, but it is the inhabitants of Narnia, both good and evil, that really show this tale’s mythological side: “Ogres with monstrous teeth, and wolves, and bull - headed men ; Spirits of evil trees and poisonous plants;… Cruels and Hags and Incubuses, Wraiths, Horrors, Sprites, Orknies and Ettins.” This long description lists some of the evil mythological creatures to inhabit Narnia, some beyond