Elysium is a cautionary tale of a society divided by socio- economic discrimination which evolves into a plutocracy. This is a direct result of the wealthy members of society controlling all the resources of Earth (including human resources) , but is only brought to the current state of society depicted in the film by the silence of the empowered members of that society staying silent in the face of injustice.
The establishing shot of the film is a bird’s eye view, which pans up to show the wasteland that earth has become. The buildings are in a state of disrepair, and the open land is covered in landfill waste. All the shots of earth are in shades of brown, further symbolising the dirty, decaying earth. Later, we are shown Elysium in a way that appears much more tranquil. The panning shots show the bright, natural greens and blues of plants and water in a balanced contrast to the pure and clean white buildings. These shots both serve to establish the disparity of life on earth and life on Elysium.
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Some instrumental music is present, symbolising the ever - present hope of the common people of reaching Elysium. In contrast, the soundscape is suddenly changed as soon as the shot leaves earth, with the more gentle instrumental music dominating the scene, symbolising the easier life on Elysium - a life free of sickness and oppression. The distortions of the string sections’ parts and bleeping of machines remind us of the technological superiority of
In this point of my analysis, I deal with the scene that one could argue most enriches the main subject of the story, namely hope. In this scene that is created by Darabont, Andy, who is at Norton 's office to receive some used books and sundries for the prison 's library, locks the guard in the bathroom and then starts playing a recording of ‘Canzonettasull 'aria’ from the opera The Marriage of Figaro. As Verstraten argues, filmmakers use music as narrative tool(153) that not only challenges the audience 's emotions but also carries the theme of the movie. In this scene the music is intradiegetic since Andy connects the public speaker system to the record player so that all of the prisoners can hear the music. In her book Music in American Crime Prevention and Punishment, Lily Hirsch explains that this scene “also highlights another utopia musical ascription related to the contested idea that music is a universal language” since all the prisoners are feeling connected, enjoying the music while hope is revived within their
Throughout the movie, Parenthood, the three main parenting styles were displayed throughout as, the dictator, permissive, and democratic. The dictator form of parenting, also known as the authoritarian parent sets strict rules and guidelines and will not changing them or give any leeway. Children that have authoritarian parents usually have low self-esteem and trouble to do things on their own when they get older. Then there is the permissive parent, who rather than setting rules and guidelines, opts out of this, their discipline is not seen and if they do set rules, they don 't punish when the rules are broken. There is also a balance of good parenting seen in the democratic form.
The Life of Farmworks The movie, The Harvest, reveals the hardships that farm workers go through in the perspective of three teenagers. The main characters of this movie is the three teenagers, whose names are Zulema, Perla, and Victor. Within this movie, we get to see an insight of what is their day to day life, their struggles, and what they want to do. Even though, they are all similar in a way they are also different from one another.
Released September 29, 1950, Sunset Boulevard is a film noir of a forgotten silent film star, Norma Desmond, that dreams of a comeback and an unsuccessful screenwriter, Joe Gillis, working together. Ultimately an uncomfortable relationship evolves between Norma and Joe that Joe does not want a part of. Sunset Boulevard starts off with an establishing shot from a high angle shot with a narrative leading to a crime scene shot in long shot (a dead body is found floating in a pool). The narrative throughout the film established a formalist film. Cinematography John F. Seitz used lighting and camera angles in such a way to create a loneliness and hopefulness atmosphere.
Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.
The 1995 film adaptation of Sense and Sensibility, directed by Ang Lee and originally written by Jane Austen, has timeless elements in its composition. Starring Emma Thompson, also the screenwriter, and Kate Winslet as Elinor and Marianne Dashwood, the movie tells of two heroines and their struggle between balancing idealism and reality. As young, female adolescents of the 1800s, they are responsible for finding husbands that can support them financially; and following their father’s death and loss of money, this becomes even more emphasized. But, they come to struggle when having to choose between what their hearts crave, and what their minds know is best. Elinor’s ideal partner is the initially dull Edward Ferrars, who is discovered to be secretly engaged
Throughout the course of one’s life, there is a constant search for some form of happiness. We may not always realize we are on the quest for it, but it’s part of human nature. In “Silver Linings Playbook” we see this happen throughout with Pat and Tiffany, who are both searching for happiness. The film is relatable to us all in that many times we go looking for happiness only to come up empty-handed.
One of the factors that define Inception are the conflicts that appear in the film. A major conflict is the battle between Cobb and society. In Inception, faceless corporations are trying to kill Cobb, while the U.S. government is trying to imprison him because of a crime that he didn’t commit. These are examples of the “person against society” conflict, which can be considered as a characteristic of science-fiction. On the other hand, there is another significant conflict; the struggle between Cobb and himself, because of the belief that Mal’s suicide was his fault.
INTRODUCTION “We conclude that in the field of public education the doctrine of ‘separate but equal’ has no place.” -Chief Justice Earl Warren Separate But Equal, directed by George Stevens Jr, is an American made-for-television movie that is based on the landmark Brown v. Board of Directors case of the U.S. Supreme court which established that segregation of primary schools based on race, as dictated by the ‘Separate but Equal’ doctrine, was unconstitutional based on the reinterpretation of the 14th amendment and thus, put an end to state-sponsored segregation in the US. Aims and Objectives:
O Brother Where Art Thou? is a film that will take you on a perilous journey with Ulysses Everett McGill and his simpleminded cohorts. This film may be set amidst the early 1930’s Great Depression era, but it still has a Homer’s Odyssey feel to it. Down in the dusty and highly racial south, Everett recruits a couple of dimwitted convicts, Pete Hogwallop and Delmar O’Donnell, to help him retrieve his lost treasure and make it back home before his wife marries another suitor.
In the film adaptation of the novel, Hitchhiker’s Guide to the Galaxy by Douglas Adams, some of the original aspects that make the novel so timeless are not included in the movie. However, due to the vastly different medium that film is and the abstractness of the novel, it makes sense why some things would have to change in order for the story to transfer to the screen successfully. While many die-hard fans of the novel denounce the film version of their beloved story, others celebrate the presence of Adams’ wit in the movie especially through the cartoon representations of the guide entries. First of all, the Hitchhiker’s Guide is pictured much differently in the movie than in the novel.
Throughout life we are told to express our individuality and swim against the stream of the general population to put emphasis on the characteristics that make us, in short, individuals. Cherishing what makes an individual special and different is what establishes roots in creativity and self expression, however there is a forced false sense of comradery in today’s society that takes the form of involvement with the masses; peer pressure forces many people to fall into the mold of an average character. The Academy award winning film, “The Incredibles” displays the themes of expressing one’s true self and special qualities, and in contrast repression by society to fit a basic mold. These themes are elaborated on through the development of the main characters and expressed further through the supporting roles and their dialogue and endeavors.
Death of a Salesman has been extremely influential in regards to theatrical performance and it has been performed by multiple different theatre groups. It has also been made into a movie, which has actors such as Dustin Hoffman as Willy Loman, John Malkovich as Biff Loman, and Kate Reid as Linda Loman. All of these actors’ performances were true to the character and were extremely realistic. It was easy for the audience to get caught up in the characters that these actors portrayed. Throughout the movie, Dustin Hoffman, John Malkovich, and Kate Reid all provided an outstanding performance by ensuring that their facial expressions, body language, and emotions always shined through all the while they were creating realistic characters that were easily believable by the audience.
4.4.1. Argo (2012) Argo is a 2012 Academy Award-winning biographical drama which deals with real-life events during the 1979 Iran hostage crisis. The story follows CIA agent Mendez (Ben Affleck) who is trying to rescue American diplomats from Iran by pretending to be a film producer.
Adversity in “The Intouchables” “My true disability is not having to be in a wheel chair. It’s having to be without her.” (The Intouchables). Lines like that are just a piece of the great undertaking directors Olivier Nakache and Eric Toledano took when they decided to be part of The Intouchables.