Goya in Bordeaux is a Spanish historical drama film by Carlos Saura that revolves around the life of the Spanish romantic painter and printmaker artist, Francisco Goya. The movie took place in Spain in 1999. The film mainly focuses on how the artist spent the last few years of his life in a voluntary exile in Bordeaux, France with his wife Leocadia and their daughter Rosario between the years 1746-1828. The artist had a reputation for being a liberal, who couldn’t stand the corrupt regime of Ferdinand VII. The film shows a lot of flashbacks of the artist’s life while having a conversation with his daughter that showed the main highlights that occurred during his lifetime as an artist, particularly his discovery of the ways in which he wanted to paint, his lifelong celebration of imagination and his relationship with the Duchess of Alba. Throughout the movie, the mysteries that surround the artist’s life are shown to unveil the dreams and demons that have driven him into exile and are displayed passionately by the artist in his life works. When watching the film, I begun to realize that the director of the movie shows his audience how it is Francisco’s …show more content…
However, as you watch the movie, it becomes clear that Goya had many intellectual flaws of the Romantic Movement. Such as his passion for the Duchess of Alba that haunted him for the rest of his life. I also realized that his deep desire for holding onto the past kept him from living in the present. What the artist needed to understand is the implication that he survived a deadly disease, not understanding this implication meant that he is possessed by fear and longing which is what showed in scenes where the Duchess of Alba would appear and he would lose himself. The fact that he was possessed by fear and longing, is what made his work so
In today’s society many successful artists portray their personal life experiences, historical movements, events they witnessed etc. through their art work. Frank Romero is an American Chicano artist, who created the master piece of The Death of Ruben Salazar. Through Romero’s painting we see how Ruben Salazar’s death occurred and the historical event behind it and the impact it, had in the East Los Angeles Community.
The article “Mythic Visions of the Borderland Rudolfo Anaya’s Bless Me, Ultima” by Şen, Hasine, points out how Antonio’s dreams are generated from his life afflictions. The author discusses Antonio’s battle with himself. She focuses mainly on how Antonio’s questions are based on his dreams and afflictions. She also discusses how Antonio is making not only a physical change, but also a spiritual change (Hasine 175). All of Antonio’s dreams make him suffer and question if what he has been taught all his life is morally correct.
It is important for other cultures to view Chicano art to see the daily struggles, at times they are often bypassed and forgotten. There is a part of San Francisco where these murals exist and where the Chicano culture is much alive, this is known as “The Mission”. Through the analyzation of these
Throughout the essay, many references and comparisons are made to other films. Also incorporated in the essay is the use of advance terminology; Giving indication that the author is very knowledge about film. Haslem mentions in her essay “Neon Gothic: Lost in Translation”, “In many ways Coppola’s film exhibits marks of classic European art cinema. Specifically, in her interest in stillness rather than action, Coppola recreates a similar impressionistic resonance that was initially established by filmmakers like Carl Dreyer in The Passion of Joan of Arc (1928) and elaborated by Michelangelo Antonioni in films like L’Eclisse (1962) and L’Avventura (1960)”
This film also has a great aesthetic way of presenting characteristics of the movie as a whole, for example when filming Brenton Butler, they made sure that almost throughout the movie entirely he did not speak to put more emphasis on the first impression of Lestrade and Poncet’s of Butler as a completely detached individual; showing how Butler’s voice was denied by the injustice of the Florida legal
The artist combines iconography reminiscent his catholic upbringing and homosexuality throughout his work as his primary motif. The conflation of these symbols is particularly present within the photographic-performance piece
The film “Argo”, directed by Ben Affleck, re-enacted the events of the Canadian Caper during the Iranian Hostage Crisis (1979-1981) in Tehran, Iran. Not all 53 hostages were captured as six American diplomats escaped and were taken into the care of Ken Taylor, the Canadian Prime Minister at the time, in the Canadian embassy. Taylor and the Canadian government created a plan to help the diplomats escape, however, they needed an intelligence force to back them up, which they didn’t have. The C.I.A was contacted to help Canada get the diplomats back to Canada safely with fake Canadian passports. The C.I.A created the fake movie called “Argo” as well as a fake studio and script.
Those that believe Casablanca is not film noir usually perceive Film Noir as a genre. Noir is not a genre; Noir transcends genres and behaves more accurately as a style of cinema. As styles go, there can be variations of them as we see now with Post-Noir and Neo Noir, noir elements in a different time period of film technology which makes these films slightly different than the style of classic film noir. Themes of cynicism, impending doom, loss, jeopardy of life accompanied by visuals dominated by shadows, strong lines, and overall darkness to the image make up film noir’s style. Noir is not absolute, the beauty of this style is its vulnerability to variation, which is why Michael Curtiz’s Classic Casablanca is film noir.
Two scenes that stuck out to me in the movie Cinderella Man were major keys in showing what it was like in the Great Depression and how it affected people. Although in these scenes James did not talk much at all the actual events that took place showed what he and his family was going through. The first scene chosen was when James was trying to get a job, back in these times there would a crowd of people behind a fence or barrier and the person looking for workers would hand pick people to do the said job. In this scene people are behind a fence trying to be picked for they job because it was very hard to get work so many people were poor and were paid very badly. The man looking for workers picks seven people for the designated job and someone yelling out "I've been here since 4".
I gained some insight from this piece of artwork. I chose to start with this video due to my background knowledge on the Virgin of Guadalupe. However, I obtained so much more knowledge after viewing this. The thing that was most striking to me was when Juan Diego presented his cloak to the bishop, not only did the requested roses fall, but also the image of the Virgin of Guadalupe. Next, I observed the Sun Stone documentary.
Analysis of: City of God The movie “City of God” that was directed by Fernando Meirelles and Katia Lund and released in 2002 is a film of despair, offering a one dimensional view of urban culture, in Brazil where social divisions appear too wide to-bridge, and where millions are too brutalized by violence and poverty to contribute to any process of change. It is a story about two kids, Rocket and Lil Ze, growing up in the City Of God favela in Rio de Janeiro, Brazil. Lil Ze, a child who wanted to prove himself, became a merciless drug lord, who killed raped, robbed, and threatened in order to gain power. The other kid, is Rocket, witnessed the violence going on in the neighborhood around him and became a photographer.
The animated tale Gnomeo & Juliet is a children oriented movie which adapted from William Shakespeare’s classic tragedy work, Romeo & Juliet. The story is introduced to the audience by a little gnome reading a prologue on a stage with a lighting focuses on him, saying "The story you are about to see has been told before. A lot. And now we are going to tell it again. But different.
His brush work is so expressive and unique, unlike anything the people had seen before. Before, painting was focused on having precise brush strokes so that the piece was photorealistic, but now it is all about adding to the tone of the piece. His work is not focused on sharp edges but rather using the strokes to move the viewer’s eye all around the piece. For example, in his piece Saturn Devouring His Son, 1819-23, Goya captures the form in these broad expressive brush strokes. These strokes contribute to the overall emotion of the piece by allowing the viewer’s eye to move around the composition entirely , revealing the horrifying subject of the piece.
This piece of art confirms the power and the emotional state of everyone that was captured during this horrifying day for Spain. Francisco Goya paints a Spanish worker with his hands up just moments before he was massacred on the hill they call Principe Pio hill. This Spanish man speaks out for all those Spaniards who were murdered. His arms straight out on each said of his head represents Jesus Christ’s crucifixion. He wears a white shirt that represents an angel trying to prove his innocence.
An awful movie I’ve got seen Gone Girl is an awful movie I’ve got seen since its plot is illogical and the characterization of some roles is inconsistent. The movie narrates a unordinary “loving story”, the plot of which is unordinary, suspense and thrilling, while the theme of this movie has nothing to do with it. At the end of the film, Amy came back, standing in the bathroom with her whole body covered with blood, spit out the so-called truth of marriage imperturbably and even remorselessly.