Danijela Akrapovic
ENGL 1104-70
John Berke
Film Analysis
Essay 2
2/10/2018
Film Analysis on Bonnie and Clyde
“Bonnie and Clyde” is a kind of a realistic, drama, comedy, tragic, gangster movie which was produced by Warner Bros and directed by Arthur Penn. This movie was released in 1967 and it was based on real-life events. Bonnie and Clyde were two criminals who were traveling around central United States robbing banks in hope of becoming rich and famous. Before they began being partners in a crime, Bonnie was a hot, blonde waitress who worked in a café and did not like her job because boys who came to the café usually wanted to take advantage of her. On the other hand, Clyde was a young handsome, small town thief who was robbing small stores and gas stations for a living. They both lived in hope to change their old, boring lives. They thought robbing banks will give them a fortune and publicity as they always imagined of. This movie is two hours long and the beginning of the film starts with a fast slide show of old tinted pictures of people in them. In the background, was played an old record song “Deep Night” by a singer Rudy Vallee. This song
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They started out robbing food stores and banks. Bonnie and Clyde were always meant to be together like in the modern day’s romance, a Romeo and Juliet, only those two were the bank robbers and they were killing everybody who would stand in their way. Along their way, they meet a man named C.W. Moss who was working at the gas station. Later on, they meet up with Clyde’s parolee brother and his sceptic wife Blanche who is the daughter of a preacher. Bonnie and Clyde stand out in their clothing, they were dressed perfectly as opposed to others in the film. Blanche was dressed in an unappealing, motherly way and C.W. was clueless about his style. It showed that Bonnie and Clyde had class and viewed themselves better than anyone
TBonnie and Clyde were desperate criminals, and I will tell you about where they were born, what their young life was like, and how they died, and all that stuff in between. They were in the Barrow Gang, and they committed a lot of crimes. The life and some of the people that they met on the way. I have some fun facts that are and aren’t fun that will be towards the end. You will learn things you didn’t expect to learn about these two criminals.
Classic western films dominated the screen in the 1960s, with major productions such as The Good, The Bad and the Ugly (1966) and Once Upon a Time in the West (1968) directed by Sergio Leone, The Magnificent Seven (1960) directed by John Sturges, and what is considered a well-known western produced in this area, The Man Who Shot Liberty Valance (1962) directed by John Ford and starring John Wayne and James Stewart as the main characters. While The Man Who Shot Liberty Valance meets all the criteria to classify it as a classic western, that being set in a culture structured around codes of honor and personal justice and gunslingers in every scene of the movie, the film lacks many characteristics to classify it as a well-rounded film. Set in the late 1800s, a senator by the name of Ransom Stoddard visits this town in the middle of nowhere with his wife to attend the funeral of one of his old friends Tom Doniphan. Many question the reasoning for the appearance of Ransom because not many know who Tom Doniphan was. With the local newspaper harassing him for answers as to who Tom Doniphan was, Ransom gives in and tells the tale through the use of flashbacks.
The show Band of Brothers was produced by Steven Spielberg and Tom Hanks who, at the time, recently had success with a World War II film entitled Saving Private Ryan. Spielberg and Hanks used their expertise on war films to craft the exceptional television series Band of Brothers which originally aired on HBO in 2001. The show follows “Easy” Company, 2nd Battalion, 506th Parachute Infantry Regiment, of the 101st Airborne Division, from the moment they begin their training to the moment their deployment ends. Throughout the show we see the men of “Easy” Company mature a thousand times over. The men experience love, loss, and death at rate that is inconceivable to someone that has never experienced the theatre of war.
The Abolitionists Growing up as a Christian I never could understand how people claimed to be saved or god’s servant but yet can discriminate against skin color. I was taught God is of love regardless of skin color, size or how the person looks. Such as Caucasians with African Americans and even so how could they attend church but yet have slave servants in their home? As shown in the documentary most of the film was a conflict about slavery and the few whites that was against it. Such as “Angelina Grimké” a Caucasians female Christian who despised slavery and watch her parents live with it with no moral or self-respected.
The filmmaker Stanley Nelson has a stunning accomplishment in “Freedom Riders,” a documentary that chronicles a crucial, devastating episode of the civil rights movement, an episode whose gruesome visuals impinged on the perception of American liberty around the world. Commemorating the 50th anniversary of the freedom rides, the film (to be shown Monday on PBS) is a story of ennobled youth and noxious hatred, of decided courage and inexplicable brutality. In May 1961 the Congress of Racial Equality sought to challenge the segregation of interstate travel on public transport and sent forth activists, both black and white, and many of them students, on a bus journey through the South, where they were received with violence that law enforcers
Madison Avenue advertising executive Roger Thornhill’s (Cary Grant) life changes drastically after he is kidnapped and mistaken for a spy named George Kaplan. After a successful escape from attempted murder by Phillip Vandamm (James Mason), Roger Thornhill begins a journey to search for George Kaplan. On his itinerary, he meets the beautiful Eve Kendall (Eva Marie Saint). A romantic relationship is started between the two, leaving Thornhill to believe that Even Kendall would cooperate and help him to meet Kaplan.
Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.
Bad Day at Black Rock Kathryn Abbott October 29 2015 DRAMA 3030 The unexpected arrival of a stranger to a small, Midwestern town creates a feeling of scepticism and suspicion, and through this the explicit meaning is revealed: Fear of the unknown and the moral and physical deterioration of a town left to its own devices. The film exemplifies these concepts through the use of mise-en-scène, and vivid cinematographic elements. The blood red coloured train stands out against a muted background.
The film ‘Good Will Hunting’ directed by Gus Van Sant is a movie which follows the life of Will Hunting who is gifted with astonishing skills for maths but whom suffered with a fear of abandonment. He developed a defense mechanism which affected his ability to create long lasting relationships. An important extract from the movie is the scene ‘ It’s not your fault’. This scene conveyed the impact of childhood traumas, the effects of suppressed emotions and the idea of soulmates. These ideas were manifested through the use of various film techniques, such as camera shots and movements, music and dialogue.
Those that believe Casablanca is not film noir usually perceive Film Noir as a genre. Noir is not a genre; Noir transcends genres and behaves more accurately as a style of cinema. As styles go, there can be variations of them as we see now with Post-Noir and Neo Noir, noir elements in a different time period of film technology which makes these films slightly different than the style of classic film noir. Themes of cynicism, impending doom, loss, jeopardy of life accompanied by visuals dominated by shadows, strong lines, and overall darkness to the image make up film noir’s style. Noir is not absolute, the beauty of this style is its vulnerability to variation, which is why Michael Curtiz’s Classic Casablanca is film noir.
Bonnie and Clyde first started a gang of 5 people to commit bold robberies, these robberies made headlines around the country. After the other three members Blanche, Jones, and Buck were captured from the time of March 1933 through June 1933, Bonnie and Clyde continued on without them.
INTRODUCTION “We conclude that in the field of public education the doctrine of ‘separate but equal’ has no place.” -Chief Justice Earl Warren Separate But Equal, directed by George Stevens Jr, is an American made-for-television movie that is based on the landmark Brown v. Board of Directors case of the U.S. Supreme court which established that segregation of primary schools based on race, as dictated by the ‘Separate but Equal’ doctrine, was unconstitutional based on the reinterpretation of the 14th amendment and thus, put an end to state-sponsored segregation in the US. Aims and Objectives:
These three convicts manage to stay one step ahead of the law while finding themselves in all sorts of trouble. It was nominated for 35 other awards, one of which was for best screenwriting. Released in December of 2000, this film won 7 awards, some of which for best soundtrack and score, album of the year, as well as best cinematography. This film does a great job of capturing the essence of the dusty and dirty depression era.
The critically acclaimed film, Goodfellas, is a gangster crime drama that features an incredible amount of talent. Household names such as: Robert De Niro (Jimmy Conway), Joe Pesci (Tommy DeVito), Paul Sorvino (Paul Cicero), and promising stars like Ray Liotta (Henry Hill) and Lorraine Bracco (Karen Hill), attracted numerous Oscar and Golden Globe nominations. That type of cast power, linked with the signature talent of Martin Scorsese as a director, made for cinematic gold. Unquestionably, the actors and actresses did an excellent job augmenting the verisimilitude of this film and compelling audiences to empathize with their characters. But the cinematography in this film plays just as large a role in having audiences feel what the characters
In the film 12 Years a Slave the editor, Joe Walker, makes use of a couple of techniques and styles that adds to the film in its own way. Long shots – Joe kept the long shots as long as he thought was necessary to add to the subject matter and the feeling he wanted to bind with the story. At the end of the film there’s this extremely long shot where Solomon is practically staring at the camera for about a minute and a half. The timing of that shot is so perfect because it’s not too short so you don’t have enough time to think about what just happened or too much time to overthink the situation. Closer to the end of the shot he lets the sound fade slowly and rapidly gives you a wakeup call when the next shot starts off where Solomon and the rest of the slaves are busy working in the field.