Film Analysis Of The Movie: Amadeus

Amadeus is a 1984 American drama film, it is directed by Milos Forman. This film is a fictionalized biography of Wolfgang Amadeus Mozart. The two main characters in this film are Antonio Salieri and Mozart. Mozart is a very smart, creative, hardworking guy and has God gifted natural talent. He amazes every individual with his magical composing techniques.

He left an enormous mark in the world of music, and will never be forgotten. Wolfgang Amadeus Mozart is the best composer to live and play. Even with other composers like Ludwig van Beethoven and Joseph Haydn, Mozart exceeded expectations. His musical prowess was one-of-a-kind, and he was brought up as that. His father, Leopold Mozart, was a phenomenal violinist, and great performer.

The melodies in The Magic Flute always linger on hours after I have listened to them. What is more, the conductor of the version I listened to, Riccardo Muti and the Wiener Philharmoniker excellently executed performance of this beautiful,masterful work. Lastly, The Magic Flute contains one of my favourite arias ever written because of how dramatic it is but more importantly how technically demanding it is and it is none other than the famous Queen of the Night aria (translated to English), ‘Hell’s Vengeance Boils In My Heart’ and specifically the version sung by Edita

After watching the recording version of Shrek the Musical, I consider that it is a successful production if the purpose of this musical is to amuse audiences and bring them an enduring audio-visual feast. As a musical that is created based on a blockbuster, the basic story framework is without novelty – an ugly but kind-hearted ogre experiences lots of dangers with a friend, saves the princess like a hero and wins her heart in the end. However, I have to admit that Shrek the Musical does a fantastic job to convert a movie into a Broadway show, considering the high level of complexity and difficulty for a team to humanize animated characters and imitate scenes. There are a lot of details, including Pinocchio’s growing nose, in the musical that show off the elaboration. Undoubtedly, the scenery is one of the brightest spot in this musical.

This was a huge problem as he did not have any money to treat her. In the time Constanze was sick, Mozart grew ill himself. He knew he was dying because he had collapsed on his own desk, the same desk he wrote his music on. His final masterpiece which was unfinished was called Requiem. Mozart gave all the required information about Requiem to his student, and told him to finish it after he dies.

Each time the singer sings king of kings with the two “forevers” and “hallelujahs”, it rises higher and higher until it reaches the top of the soprano voice range at a high D. This is a magical experience both to sing and to hear it being performed. Handel could have easily kept the king of kings section the same note every time but it wouldn’t be as great it is with the different variations of the notes. Also, up until this point before the king of kings section, you have accented every part of the word hallelujah possible with the different voice sections as separate parts but the pinnacle point of the whole piece is when everyone goes into unison and accents all the parts of hallelujah together (NPR,2008). This ending, is quite beautiful and

Sebastian Pennett Bryan Braint (Alix, Section 8) English 160 A October 3rd, 2014 Critical Essay Part One: Aaron Vs. Cassius ​ In the play Julius Caesar and Titus Andronicus there are two very similar characters in both plays, yet at the same time surprisingly different. Aaron in Titus Andronicus is considered the puppeteer of the play, he is known for his conniving manipulation and his downright hatred for humanity. Throughout the play Aaron destroys many lives in hopes of desolating Rome and all of its citizens as a form of vengeance. However in Julius Caesar, Cassius is known for his manipulation and love for Rome, who would do anything to protect Rome. Cassius ends up taking advantage of Brutus and his power and ends up convincing Brutus

It starts off with music and this gives the film a powerful beginning and entry. The music in the beginning already sets the atmosphere and scene which is Great Gatsby’s big party. When Gatsby ring comes into focus there is a chime of some sort – something sounding like glass being tapped or a bell being hit – this is non-diegetic sound (the sound on screen does not match the scene), we do not see the actual chime taking place. Jazz music which is known as aged music which aids in the time frame of the movie. This plays in the background of the scene.

At the same time, Richmond is approached by ghosts that will guarantee his victory after he says a prayer. This scene shows how the alliance with prayer and religion ensures victory in the play. As the play comes to an end, Richard is met by the ghosts of the people he betrayed. The individual ghosts sentence him to death on the battlefield. In Act 5, the ghost of King Henry VI condemns Richard for killing and puncturing the body of "God 's King".

Banquo shows that he is suspicious of Macbeth's motives, and Macbeth ends the conversation by wishing Banquo "Good repose" (2.1.29), a good night's sleep. However, after Macbeth kills the king Duncan. He is so unnerved that he cannot move.Staring at his bloody hands, he tells his wife that as he left the King's chamber, he heard two men in another room: "There's one did laugh in's sleep, and one cried 'Murder!'" (2.2.20). To him, it's as though those men, even in their sleep, could see his bloody murderer's hands.