Transcendence is the existence or experience beyond the normal or physical level. And Wally Pfister, Oscar winning cinematographer, showed this meaning in his movie “Transcendence” starring Oscar nominee Johnny Deep as DR. Will Caster, Rebecca Hall as Evelyn Caster, Paul Battani as Max Waters, Clifton Collins as Martin, Kate Mara as Bree, Cillian Murphy as agent Buchanan and Oscar winner Morgan Freeman as Joseph Tagger. The science fiction/action movie talks about building super intelligence, creating intelligent machines that could be able to solve the most incredible challenges, to save mankind and to evolve the future. This plan was made by Will Caster, his wife Evelyn and his best friend Max Waters in order for the intellectual machines to be smarter than any man alive in history of time. Evolution with technology. A group of people were against this strategy of evolution and decided to protest against it, they would do anything to stop the plan elaborated by Caster and Waters because they believed that evolution with technology will not be the beginning of the future but the end of it.
Due to a tragic accident, Dr. Will Caster had little time to live and his wife Evelyn couldn’t accept the fact of him dying. The only solution was to input his mind and memories inside of PINN (Physically Independent Neural Network). At first, Max did not indulge the execution of this human testing but it wasn’t up to him to take the decision, Evelyn was the decision maker. She
Everyone needs a superhero, someone to be inspired by, or to want to be like that certain individual. Bigger, Stronger, Faster is a documentary directed by Christopher Bell that presents the widespread use of steroids in sports as a sign of winning at whatever cost it takes to be better. The Bell brothers have been drawn into perceiving that performance enhancing drugs is the way to realizing the American Dream. This documentary demonstrates various interviews with coaches, politicians, doctors, and bodybuilders. Bigger, Stronger, Faster informs people the use of steroids and issues of taking steroids.
“Imaginary Witness” Hollywood and the Holocaust “Imaginary Witness” Hollywood and the Holocaust is a documentary directed by Daniel Anker that explore the treatment of the Holocaust in Hollywood film and how it dealt with the holocaust. The documentary starts with the 1920s talking about the lack for portrayal in Hollywood movies about the rising Nazi threat back and the uneasy relationship between the Hollywood studios, also to explore the history of the holocaust in Hollywood films. Moreover, there were some compelling portrayal of life under the Nazis and how it affected the Jews. It determinately split into two parts: how the Nazi Germany was presented on Hollywood screens before the war and how the Holocaust was depicted on Hollywood screen after the war.
In 2010, a poll taken from over 1000 people named Darryl Kerrigan of The Castle as the favourite Australian movie character with 23% of the votes (Hayes, 2010). The accolades kept flowing for the 1997 film, with over a third of those interviewed thinking The Castle best represents the real Australian culture (Hayes, 2010). These results raise an interesting question. How does a film taken in 11 days with a budget of half a million dollars capture the hearts of more Australians than a Hollywood blockbuster? What is it about Darryl and his family, and the story of the Kerrigans that Australians can relate to?
Under their Thumb Questioning the credibility of the Queensland Police Force is unheard of, but when an Aboriginal man is found dead in his cell, who is held responsible? Director Tony Krawitz uncovers this tragedy in his documentary, The Tall Man writes Paige Smith. On November 19th, 2004 at 10:20 am Cameron Francis Doomadgee was taken into police custody and forty-five minutes later was found dead in his cell. Senior Sergeant Christopher Hurley was the arresting officer. This occurred in an established Aboriginal community off the coast of North Queensland on Palm Island.
Madison Avenue advertising executive Roger Thornhill’s (Cary Grant) life changes drastically after he is kidnapped and mistaken for a spy named George Kaplan. After a successful escape from attempted murder by Phillip Vandamm (James Mason), Roger Thornhill begins a journey to search for George Kaplan. On his itinerary, he meets the beautiful Eve Kendall (Eva Marie Saint). A romantic relationship is started between the two, leaving Thornhill to believe that Even Kendall would cooperate and help him to meet Kaplan.
A Raisin in the Sun PBA Unit 2 Cinematography and filmmaking are art forms completely open to interpretation in many ways such lighting, the camera as angles, tone, expressions, etc. By using cinematic techniques a filmmaker can make a film communicate to the viewer on different levels including emotional and social. Play writes include some stage direction and instruction regarding the visual aspect of the story. In this sense, the filmmaker has the strong basis for adapting a play to the big screen. “A Raisin in the Sun” is a play by Lorraine Hansberry that debuted on Broadway in 1959.
Dead Poets Society Transcendentalism is about life in which nature and the soul connect. In the movie Dead Poet Society, one of the characters who shows transcendentalism in Neil Perry. In the movie the students quoted poems and had their alone time with nature. They also relied on themselves and sought the spiritual side of things.
Released September 29, 1950, Sunset Boulevard is a film noir of a forgotten silent film star, Norma Desmond, that dreams of a comeback and an unsuccessful screenwriter, Joe Gillis, working together. Ultimately an uncomfortable relationship evolves between Norma and Joe that Joe does not want a part of. Sunset Boulevard starts off with an establishing shot from a high angle shot with a narrative leading to a crime scene shot in long shot (a dead body is found floating in a pool). The narrative throughout the film established a formalist film. Cinematography John F. Seitz used lighting and camera angles in such a way to create a loneliness and hopefulness atmosphere.
The film 13th directed by Ava DuVernay targets an intended audience of the Media and the three branches of the United States government with an emphasis that mass incarceration is an extension of slavery. It is intended to inform viewers about the criminalization of African Americans and the United States prison boom. 13th uses rhetorical devices in its claim to persuade the viewers by using exemplum in the opening seconds of the film. President Barack Obama presents statistics, saying “the United States is home to 5% of the world’s population but is home to 25% of the world’s prisoners.” Also the film uses a hyperbole in talking about the movie Birth of a Nation produced in 1915 which portrays a black man as a violent savage who will kill white women.
Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.
The Incredibles is a fantastic example of transcendentalism due to the presence of both nonconformity and individualism. Nonconformity could be used as another word
Cinematography is critical to the success of any movie. Cinematography uses composition, lighting, depth of field, and camera angles to determine what the audience sees. Casablanca’s cinematography directs the audience’s attention, shapes the audiences feelings, and reveals the theme of the movie. Cinematography directs the audience’s attention and acts as the viewer’s eyes. The cinematography highlights Casablanca as a dangerous place filled with deception.
INTRODUCTION “We conclude that in the field of public education the doctrine of ‘separate but equal’ has no place.” -Chief Justice Earl Warren Separate But Equal, directed by George Stevens Jr, is an American made-for-television movie that is based on the landmark Brown v. Board of Directors case of the U.S. Supreme court which established that segregation of primary schools based on race, as dictated by the ‘Separate but Equal’ doctrine, was unconstitutional based on the reinterpretation of the 14th amendment and thus, put an end to state-sponsored segregation in the US. Aims and Objectives:
O Brother Where Art Thou? is a film that will take you on a perilous journey with Ulysses Everett McGill and his simpleminded cohorts. This film may be set amidst the early 1930’s Great Depression era, but it still has a Homer’s Odyssey feel to it. Down in the dusty and highly racial south, Everett recruits a couple of dimwitted convicts, Pete Hogwallop and Delmar O’Donnell, to help him retrieve his lost treasure and make it back home before his wife marries another suitor.
Throughout life we are told to express our individuality and swim against the stream of the general population to put emphasis on the characteristics that make us, in short, individuals. Cherishing what makes an individual special and different is what establishes roots in creativity and self expression, however there is a forced false sense of comradery in today’s society that takes the form of involvement with the masses; peer pressure forces many people to fall into the mold of an average character. The Academy award winning film, “The Incredibles” displays the themes of expressing one’s true self and special qualities, and in contrast repression by society to fit a basic mold. These themes are elaborated on through the development of the main characters and expressed further through the supporting roles and their dialogue and endeavors.