Evolution of Film Noir
“Black Film”, is the translation per-se, to the meaning of Film Noir. The specific mood of film has been argued as unable to label and identify with a specific genre, therefore, arguably, it has morphed into it’s own self-proclaimed genre. It is a mood, a style, a point of view, a tone of a film. A genre by definition of Foster Hirsch is, “determined by conventions of narrative structure, characterization, theme, and visual design.” Stimulating enough, Film Noir contains all three characteristics in fullness. Typically associated with criminal activity, antiheroes, and paranoia, it takes on a distinct style of filmmaking, yet still functions within a repetitive narrative and visual structures. Classic noir film settled
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The fallout of this Republic was said to be because the people of France were, “a profoundly divided people living in a terribly dangerous universe” (Glenn 34). Historians have noted that although there were several contributing factors that lead to the weakening and ultimate demise of the Republic, the Algerian Conflict was the straw that broke the camel 's back. This conflict brought an unforeseen guerilla warfare onto post war France that tore apart the political system. Additionally, another impact that the Algerian Conflict brought with it was the return of Charles de Gaulle, a man who occupied an executive position who took advantage of his favor with civilians and the military, thus giving him a way to introduce his own form of government. De Gaulle proposed a presidential model who would have more centralized power and for every seven years would be elected by popular vote. Gaulle’s return combined with the establishment of the Fifth Republic ensued a drastic political revolution that was the inspiration for Jean-Luc Godard’s second feature film, Le Petit Soldat 1962. The films is an account of the events that occurred 1958, two years prior to when it was shot. The dark plot line of the attempted assassination of an Algerian sympathizer and the torturing of a character involved with the French National Bureau, Godard’s film was banned in 1960 and would not be screened again until 1963, however, the significance of the film would still not hold the same during that time. When interviewed about the taboo of making a film on modern pretences, Godard replied with, “Why not make something current, why do you have to consider present events as something taboo?” He continued with, “I spoke of what concerned me, a Parisian in 1960 belonging to no party...And what concerned me was the problem of war and its moral repercussions” (Glenn 40-41). His stance would continue
The French created a republic to solve every problem that occurred with Kings. People, known as Radicals, wanted a republic which had no king and the people voted for their own representatives. A new constitution called a Democratic Constitution arose in France when the republic was made. The constitution placed power in a single legislature called the Representative Assembly and every man could vote for whom they wanted their representatives to be. The king had people who wanted to get rid of his
I am going to focus on the cinematic element of sound because I think it is a very important element in film when it comes to producing the whole effect of a scene. In the film High Noon, Will Kane goes to see Martin Howe at is home. Will was the marshal of the town, but as of today he no longer is. Yet, he is preparing to face a criminal he arrested that just got out of jail recently.
The genre of this film was hard for film critics and viewers to decipher. The closest description of a genre for this film would have to be a journalistic investigation biographical film. This allows for the mystery, the journalistic and the biographical elements which
Cinema in the early 20th century evolved in many ways. The addition of sound, the development of the Production Code Administration to view films before release, and the development of many new and exciting modernizations in how cinema was produced, viewed, and discussed. In the mid 20th century the motion picture Citizen Kane challenged the traditional narrative and technical elements of classic Hollywood cinema. Citizen Kane challenged the traditional narrative by use of story telling and flashback as well as new technical elements such as the use of deep focus, also known as Mise-en-Scène, to shoot many scenes within the film and the wipe motion to change scenes within the film (Barsam & Monahan, 2013).
The movie "On the Waterfront" is an example of Film Noir which literally means black or dark film. Movies like this were more serious and explored more realistic and depressing subject matters. The movie was mainly about the struggle of the working longshoremen in Hoboken, New Jersey against the gangsters who bullied and extorted money from them. The protagonist of the movie is Terry Malloy.
The people of France tried to resolve issues peacefully but the king cared only about his power and acted at the expense of the citizens. According to the French Revolution portion of the Encyclopedia Britannica Online, the bourgeoisie wanted to have political power and the peasants did not want the feudal system to continue (French Revolution 2). A large meeting was held to discuss and solve issues, but, “rumors of an ‘aristocratic conspiracy’ by the king and the privileged to overthrow the Third Estate led to the Great Fear of July 1789.” (French Revolution 2). With the king of France being unwilling to actually resolve any conflicts, the only choice that was left was to overthrow the government as a whole and rebuild it into being a more fair and just system.
In “Aesthetic of Astonishment” essay, Gunning argues how people first saw cinema, and how they are amazed with the moving picture for the first time, and were not only amazed by the technological aspect, but also the experience of how the introduction of movies have changed the way people perceive the reality in a completely different way. Gunning states that “The astonishment derives from a magical metamorphosis rather than a seamless reproduction of reality”(118). He uses the myth of how the sacred audience run out the theater in terror when they first saw the Lumiere Brother Arrival of the train. However, Gunning does not really care how hysterical their reaction is, even saying that he have doubts on what actually happened that day, as for him it the significance lied on the incidence--that is, the triggering of the audience’s reaction and its subsequence results, and not the actual reactions and their extent. It is this incident, due to the confusion of the audience’s cognition caused by new technology, that serves as a significant milestone in film history which triggered in the industry and the fascination with film, which to this day allows cinema to manipulate and
The Maltese Falcon, a film categorised as Film Noir and The Searchers, a Western genre film, are both from different genres but both reinforce and challenge dominant social and cultural beliefs and values throughout each film. Each genre can be broken down into; codes, conventions and narrative conventions. Codes are aspects of the text that help the audience make meaning.
Classical Hollywood film style is structured narratively with a clearly defined conflict which is introduced early in the film, then a problem arises where the characters are forced to work through the problem, and at the end of the film the problem is resolved. Film makers rely on style- structure, narrative, & visual elements – to effectively tell their story. Classical Hollywood films are filmed in a control environment where the director is in control of what is happening in the film. The goal of classical Hollywood film style is to make it as realistic as possible, where the film is believable to the viewer. The films flow with ease, all resulting from crucial editing.
The genre is merely a translation of the fears, anxieties and issues of the present day. Classic science fiction thriller, Blade Runner, is an example of this notion. In the 1980s, there was
The most pressing undertaking confronting the new president remains Algeria. In the short term the circumstance there turns out to be worse instead of better. Yet, inside of four years it is solved, with the absolutely inverse result from the pilgrims' trusts of de Gaulle. The normal shield of French Algeria manages Algerian independence. In September 1959 de Gaulle offers Algerians a decision once violence in the state has stopped (Gascoigne, 1993).Inside of four years of the arrival of peace they are to have a free vote on three possible alternatives for their future: full political integration with France.
German Expressionism has influenced thousands of films and filmmakers since the art movement began in the 1920’s. It is known for its dismissal of the standard conventions of Western filmmaking for a more off-kilter style of storytelling. Some film historians consider Metropolis (1927) to be one of the most groundbreaking German Expressionist films ever made. However, there are many instances throughout Metropolis in which it deviates from the eccentric Expressionist style. There are many obvious occurrences of expressionism during Metropolis, for example the opening machine sequence, but conventional Western techniques are also common in the film.
This essay will examine the historical accuracy of the film Les Miserables in terms of the social, economic and political conditions in French society post French Revolution. The film Les Miserables depicts an extremely interesting time in French history (from about 1815-1832.) Even though the story line does not depict every detail and event that occurred during the time period as well as the fact that some aspects are dramatized for entertainment purposes, the film effectively spans thirty years of economic, political and social aspects of French Society. However it also manages to bring in references to the past, the French Revolution (1789-1799) and the impact it had on the society portrayed in the film.
Two films, although created years apart yet have a lot in common, including their content of it’s narrative techniques. Both films, even though black and white with strokes of genius of cinema offer a vast stretch for study. I will be looking at Sir Orson Welles “Citizen Kane” (1941) and Akira Kurosawa’s “Rashomon” (1950). We see in Citizen Kane he values for the American life. The three abstract themes that constantly follow through Citizen Kane are Wealth, Power and Love.
First of all, It is important to understand the causes of the war. One Important reason was France’s quest for Hegemony. Hegemony is defined as “leadership or dominance, especially by one country or social group over others” (Oxford), and was attempted by Louis XIV through economic, social, and military domination of Europe (Black 74.) This struggle for domination stripped France of its essential resources, and deprived French citizens of basic needs (Schwartz). This lack of resources caused the French citizens to feel abandoned by the government and left them wanting reform.