Enchanted The movie Enchanted is a self-parody that plays homage to former Disney films. It focuses on Giselle, a princess who is sent away from her animated world of Andalasia, by an evil queen, to the action-packed city of New York. In the movie, director Kevin Lima utilizes different camera movements to invite the audience in and reveal details about the movie’s plot. Through the use of traditional animation and various camera movements, Lima was able to perfectly complement the film’s narrative to the visual story-telling. To begin with, in scenes that involved discovering the unknown and the transition from the animated world of Andalasia to New York City, camera tilts and pans were used. With the use of these …show more content…
Throughout Enchanted, there were many instances when Lima used zooms and close-ups when important objects came into frame. The first notable example is when the camera zoomed in on the Grandfather Clock as it struck twelve. This is significant because it is an ode to Disney’s film Cinderella, where Cinderella has until midnight to leave the ball before she is discovered by her evil stepmother and sisters. The next example is when Nathaniel is talking to the queen and then we he is watching the TV. In these two scenes, the director used a close-up shot so we see Nathaniel’s face of love and complicity at first, and then his face of sadness and uneasiness as he watches the soap-opera, where the woman says she can’t love a man who doesn’t love himself. In the television scene, the close-up is especially significant because at that moment, Nathaniel realizes the queen doesn’t love him and it in essence changes the whole plot of the movie. The final scenes where zooms are used with important objects are when the evil witch gives the poisoned apple to Giselle to eat and then when Giselle leaves her shoe. In the scene, where the evil queen gives Giselle the apple, the close-up shot was remarkable because the audience got to see the sadness and doubt in Giselle’s face and the excitement and
Similarly, in Corpse Bride, Burton uses a low angle on the bride when she rises out of the ground. When the audience sees the bride from this angle, one can imagine how Victor sees her, and begins to feel frightened by her, because she appears so much larger than a normal sized person. It is not until later in the movie does one realize that she is actually an average-sized person. This effect is achieved because of the angle on the bride when the audience first sees her. Additionally, Burton uses a long shot in Edward Scissorhands when we see the mob of people enter the forest.
Camera movement and angles are what captivate the audience to keep their attention throughout the entirety of the whole film. Sometimes a simple camera movement can make all the difference in the
Another type of transition that Tim Burton did is going from one place to another by blending the two images. This helps the reader know the previous idea is being transitioned into a different setting.
Film reviews are a big part of the movie world because that is what people look at to decide whether or not they want to see a movie or not. The film I picked to write about is A Cinderella Story directed by Mark Rosman and written by Leigh Dunlap. This movie made its debut in 2004. The setting of this film is in San Fernando Valley. In this film, there are a lot of people that make up the cast but I will just talk about the main characters.
The camera work highlighted the characters’ dialogues and emotion. Another example is the scene where Terry decided to tell Edie the whole truth (1:03:04). Their conversation is drowned by the horn of the steam boat but the viewers can easily know what they were talking about and feeling based on their expressions. Also at the last scene (1:45:00) where Terry was trying his best to walk to the dock the camera shifts from omniscient to Terry’s point of view. He was dizzy and was not seeing things clearly.
From its onset with its first feature-length animated film, Snow White and the Seven Dwarfs in 1937, Disney has grown to become a worldwide phenomenon today. But over the years, various parent groups, scholars and film critics have accused Disney for creating shallow, stereotypical princesses whose ultimate aim was to find her 'prince charming ' and live happily ever after. In her article, “What’s Wrong With Cinderella?” in the New York Times, Peggy Orenstein expresses her concern over the effect of princess figures like Cinderella on young girls ' perceptions of themselves and how they should behave (“What’s Wrong With Cinderella?”).
People of all ages throughout the years are very familiar with the concept of Disney movies. Some notable classics of Disney are “Beauty and the Beast” which was released in 1991 and “The Little Mermaid” which was released in 1989. Among the children, the Disney princesses left a good impression on them like Cinderella from “Cinderella”, Pocahontas from “Pocahontas”, and Mulan from “Mulan”. However, many believe that Disney movies serve as a good influence to young audiences but people should know that Disney also has its flaws. Disney have showed negative portrayals of Disney princesses in their films especially when it comes to their usual unattainable beauty ideal and portraying their princesses as inferior to men.
There are many different techniques used in “Charlie and the Chocolate Factory”, involving the use of the camera. For example, when the oompa loompas are singing about each naughty child, the scene is shot as a pan or a long shot. By using these techniques, it may show the size of the oompa loompas or their dances to express their emotions together, this attracts the viewers. The use of the camera movements, produces a more interesting effect. Tim Burton knows how to use camera movements to his advantage in all of his films created.
Disney: The Rise of Animations The animation of movies and television have been constantly evolving and changing the entertainment industry. Disney is one of the top industries that has been expanding their business through their box office animation movies. Disney is one of the top animated studios alongside: DreamWorks, Warner Bros Animation, Studio Ghibli, Blue Sky Studio, and Illumination Entertainment. Disney’s Snow White and the Seven Dwarfs was the first full-length animated film.
The movie “Ever After” by Andy Tennant, and The short story Cinderella by Perrault, are both very different takes on the story of Cinderella. Perrault’s version of the story is the story that most of us have grown up with. It’s captivating and magical, but also it’s very one-dimensional, with a “magic pumpkin” and a “fairy godmother”. While, Tennant’s version is by far more realistic in nature, there is no magic pumpkin, but there is a prince who becomes her husband, an evil stepmother, and a pretty, kind hearted girl who slaves away doing as her stepmother demands. The “fairy godmother” does not randomly appear from no where, in “Ever After”, instead she is replaced by the great inventor Leonardo Da Vinic.
The film Vertigo by Alfred Hitchcock employs various clever camera movements and sequences which seem to portray the main character’s state of mind. Right from the opening sequence the cinematography in this film had me intrigued. The viewer is show the red filtered eyes of a mysterious woman which zooms into a black void where animated colored rings spin and zoom to a menacing and mysterious sounding score, all of this provides the foundation for a film about illusions. The film also does a good job at using an unreliable main character who is oblivious to the trickery going on around him. The character of Scottie is flawed through his naivety and his investment in romance.
Abstract Most of us have grown up watching Disney films but never really thought of what they exactly mean to us. Our understanding of what it means to be a Disney princess is probably one of the reasons to what made us subject to the regulation of cultural values. Cinderella and other similar Disney princesses may be recognised as a part of an individual’s childhood but the values and ideas it conveyed can still be reflected in our decisions and behaviour as adults. Many young girls perceive Cinderella as a role model and create expectations and beliefs based on what is portrayed through her unfortunately these expectations are not fulfilled and ends in dissatisfaction.
These aspects include gloomy, dark atmosphere, or a sense of horror and dread. In this scene, Coraline’s Other Father shows off the garden to her, which is revealed to be in the shape of her face. This scene uses all the movie techniques in collaboration to allow for the scene to have a peaceful affect on the audience. The camera techniques that are used in the scene are called a long shot, overshot and the camera pans horizontally to the right.
The final scene uses a lot of close up shots to capture the emotions of Romeo and Juliet, we see a lot of anguish and hopelessness in Romeo’s face when he sees Juliet dead, and we see joy in her face when she first opens her eyes and sees Romeo, but that quickly morphs into shock and heartbreak when she sees him dying. The use of close up shots was very effective because it allowed the audience to really feel the emotions portrayed in the scene. A long shot was used in the inside of the church to capture all the interior details of the church. After they are both dead, an overhead shot is used to show them lying next to each other to symbolise their eternal love and peace in each other. In the Great Gatsby, we see a long panning shot of his house, and the lake to show how abandoned it looks.
Wes Anderson usually has the same Robert Yeoman and their styles mashed together can be seen throughout this film. Yeoman likes use the same shots and camera movements repeated in Andersons films. The first is the symmetrical item and actor placement that I had already discussed in the previous paragraph. The pan movement is used thought the film. The camera will often be focused on one person then swiftly pan over to another area or character to show different perspectives of the room.