First person shooter (FPS) is a type of video game in which the player aims and shoots at targets, and the graphics displayed are seen from the viewpoint of the shooter. In the article “Origins of the First-Person Shooter”, Alexander Galloway is trying to contrast the differences between the first person perspective in game and film, by offering few examples throughout the history of film.
In order to explain the unique of FPS, Galloway discusses two kinds of film shot. The point of view (POV) which is quite common in filming and an unusual shooting style-subjective shot. POV is a short scene that shows what the character is approximately looking at or looking in some direction. The subjective shot is a more deep shot, It "can see exactly what the character sees as if the camera “eye” were the same as the character"(p.1073). But the subjective shot is often considered to be jarring and unnatural in filming.
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It 's a film that shot through the character, Phillip Marlowe 's, eyes. But it failed because the effect is weird. Why? Galloway states that it 's because the character eyes in the film are limited and it can 't really tell a complete
. Then there is a head shot of Red placing one bullet in the gun. After, there is a head shot of Red placing the gun to his head and pulling the trigger. Rudy quickly changes his mind about being in charger once Red puts the gun to his head. The next scene reveals only Red and Shorty knew that there were no bullets in the gun, because Red did a palm trick.
Camera movement and angles are what captivate the audience to keep their attention throughout the entirety of the whole film. Sometimes a simple camera movement can make all the difference in the
In this paper I hypothesize that A Voyage to the Moon was most innovative in cinematography and editing. Although mise en-scene was the main focus of the film, I hypothesize that mise en scene wasn’t as innovative as the other two. As mentioned earlier, mise en scene made A Voyage to the Moon easy to understand and follow along. In the first scene of the film, this power
The article “Do Video Games Kill” written by Karen Sternheimer responds to one of the most sought-after question; are video games the cause for “young killers”? (220) Sternheimer believes the influence of video games on today’s youth maybe spiraling out of control. She focuses most of the blame on the media, politicians and the Juvenile Justice System. Sternheimer suggests that there are other factors to blame for violent behavior: poverty, the neighborhood, unemployment, family violence, divorced parents and mental illness (218). While juvenile crimes have declined, and personal backgrounds effect actions, it cannot be proven that video game violence has no to little effect on America’s youth.
With Rear Window (1954), Alfred Hitchcock proved himself to be one of the best directors of suspense thrillers filled with mystery and humour. He himself called the film his most cinematic one because it was told only in visual terms (Morrow), but it was also a challenging “editing experiment” as the entire film was shot from one place, Jeff’s apartment that overlooked his backyard. The Film follows L.B. Jeffries “Jeff” (James Stewart), a photographer confined to a wheelchair in his apartment after breaking his leg at work. He spends his days watching his neighbours and eventually suspects that one of them killed his wife. His caretaker, his girlfriend Lisa and his detective friend, at first unconvinced of his suspicion, eventually join him in his voyeurism and help him to solve the crime.
The story I read was The Outside Shot by well known author Walter Dean Myers. It takes place at a modern day Montclare college in Indiana. The setting is critical to the story due to the fact that Lonnie may be shaving points because of Fat man.
Similarly, the cinematography of Casablanca also strives to shape the viewer’s attention to the time and space of the story. The film employs a handheld movement of the camera in certain instances, to display the mise-en-scene in a genuine manner that emphasizes the setting and time of the movie. For example, evaluate the scene in the film when the camera sought to illustrate the workings of Rick’s establishment. The handheld movement of the camera explores the club in a manner that brings the viewer’s attention to the viewpoint camera. The point of view of the camera, at this point of the movie, demonstrating a human experience of observation, and fixates on investigating war uniforms of characters and their actions.
By interweaving the use of eye level and close-up shots, the viewer is able to partake in two different outlooks within seconds of one another. For instance, when Jane “fails” her boss the viewer is immersed in the sympathetic position (00:07:15). This shot strives to create an intimate moment between the audience and character, by zooming in to capture every detail of Jane’s hand and eye movement that reveals her emotional disconnect due to her hostile treatment at work (00:17:30). Nonetheless, seconds later the viewer is forced into the passive position. Having her co-worker help construct an apology letter, in regards to her failure, and then immediately walk away while stating “You okay,” displays his decision to disregard Jane’s emotional distress (00:18:33).
Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.
Film takes photography to another level. Film, or the cinema “is objectivity in time.” For the first time with film “the image of things is likewise the image of their duration, change mummified as it were”. Bazin argues "only the impassive lens, stripping its object of all those ways of seeing it, those piled- up preconceptions, that spiritual dust and grime with which my eyes have covered it, are able to present it in all its virginal purity to my attention and consequently to my love.
Shot Analysis: Citizen Kane Orson Welles, director of “Citizen Kane”, is well known for his unusual directing methods that defied conventional cinematic techniques. Welles provided his audience with original forms of cinematography, narrative structures, and music. The scene I chose to analyze is extremely important to the plot of the film because Kane begins to realize that he is going through some serious financial problems. During the scene, Kane maintains a sarcastic mood, until he finally decides to surrender and signs the papers that transfer the ownership of his media empire to Mr. Thatcher.
For example, during the book burning scene, a variety of high to mid-low shots are used to position the audience in the crowd or as one of the speakers up front. In addition, the way the objects in the scene are positioned and the frame are composed creates an intimidating effect. All the large Nazi flags are positioned symmetrically around the town square, yet the camera is framed slightly off centre, making the whole shot feel off and like something is wrong [Fig. 5]. This certainly shows that Percival utilizes Percival employs cinematic techniques such as camera angles and the framing of the shots used to communicate and allow the audience to explore the power of the human spirit when dealing with adversity in his film The Book
These aspects include gloomy, dark atmosphere, or a sense of horror and dread. In this scene, Coraline’s Other Father shows off the garden to her, which is revealed to be in the shape of her face. This scene uses all the movie techniques in collaboration to allow for the scene to have a peaceful affect on the audience. The camera techniques that are used in the scene are called a long shot, overshot and the camera pans horizontally to the right.
Furthermore, the shot styles between the films are reflective of each other. The extreme close-ups, slow moving camera, and mis-en-scene are impactful in creating atmosphere. In the third film, the slow moving camera takes on a presence rather than a character, which embodies the omens that are essential to the films
Shutter Island, a psychological thriller, directed by Martin Scorsese incorporates techniques throughout to reveal the truth in Shutter Island. The film, based on a missing patient investigation, turns out as a cover up psychological experiment designed to bring Edward (Teddy) Daniels back to sanity concludes to be the truth. This essay discusses that by analysing certain scenes, including the opening scene, Teddy and Chuck addresses Dr Cawley, and whislt Teddy and Chuck interview the patients. These three scenes assist to expose Shutter Island through film techniques such as camera angle and mise en scene.