Legends are traditions that are told through stories and has been embellished through retellings.
Myths are stories that are usually based on religion and have supernatural characters or creatures that also explain some sort of natural phenomenon.
Fairy Tales are fantastic element that has magical and imaginary creatures and usually have conflicts between good vs evil.
Hawaiian Folklore is is a mixture of various aspects of Hawaiian mythology and various urban legends that have been passed on regarding various places in the Hawaiian islands. Hawaii began with the people worshiping volcanic gods, but also followed the gods of the Hawaiian Lore. The culture itself has all three elements of folklore (myth, legend, and fairy tale) but mythology
…show more content…
The culture will change without oral tradition, because Hawaii wouldn’t have the stories that built them to be a community. Hawaii would be lost without their gods that they follow. Religion has been a very important part of the history of Hawaii and a major step in shaping the domination of Hawaii both in past and in present time, so without their gods to follow the people will have no religion to value.
The culture of Hawaii without folklore would lose their mythology traditions. “Religion and mythology were interwoven in Hawaiian culture; and local legends and genealogies were preserved in song, chant, and narrative” (ulukau.org). WIthout folklore they would lose the traditions of the strong bringings as a community.
Our culture today has folklore in everyday occurrences. Within the three elements of folklore there are stories told through these elements to our culture. These stories were told throughout my childhood, and they shaped the culture which I live in today. The Menehune and the Night
…show more content…
Both stories have powers that others of their kind do not have. In “Charlie's Bedtime Story” Heihei has the power to speak, and then in the “Sacred Spine” Mo’o has profound powers.
These fairy tales reflect the culture by giving the children stories to read and pass on to the next generations. These stories are made up, but give the culture values and ideals to respective to their society and culture.
These stories are for entertainment. In Hawaii these stories are told to let the children be entertained. That goes for all fairy tales they are made up stories not to teach a lesson. Normally these fairy tales don’t have values, but let allow the children to be entertained.
The Sacred Spine was originated in the 1500s in the little lake at the summit of the West Maui Mountains. This where the people thought that a dragon was down under the water. Charlie's Bedtime Story was originated in Hawaii and the point that the author wanted to get across to the people is that everyone has a purpose in
One way Hawaiians were impacted negatively was their cultural beliefs. One cultural belief that they believed in was that marriage between family was not allowed and was sinful. In Hawai’i, this type of marriage was common. Marriage between family kept the sacred bloodline pure and preserve the mana of the gods. In the story, “Cultural Conflict The Story Of Princess Nahi’ena’ena”, on page 3 it says, “She missed Kauikeaouli...
The history of the Hawaiian Islands began when the first Hawaiians arrived in Hawaii thousands of years ago. They had an advanced society with rules and laws. As a young man Kamehameha was a strong leader. He was a successful warrior and defeated many chiefs in battle, and ultimately became the sole ruler of the Hawaiian Islands. As King he ruled over all the Hawaiian Islands and brought peace to his kingdom.
In the second and third chapters in Basso’s book, Wisdom Sits In Places: Landscape and Language Among the Western Apache, he discusses and explores the fundamental Western Apache tradition of place-names and story telling. He focuses primarily on storytelling in the second chapter and place-names in the third. Basso tells of his experience working with Nick Thompson, an informer of Apache culture and friend of Basso for more than 25 years Thompson informs Basso that learning the place-name of the area is an extremely important first step in learning about Apache culture. As Basso really identifies in his third chapter, place-names are extremely important in Western Apache storytelling. Western Apache storytelling can be divided into four narrative categories: myth, historical tale, saga, and gossip.
The ancient Hawaiian religion is polytheistic, with hundreds of deities being a part of their beliefs (Hardy, 2022). The god I will focus on is Lono, who, from Hawaiian mythology, is one of the four major gods; Kane, Ku, Lono, and Kanaloa. Some of these gods take on similarities or have slightly different names to other gods in places across Polynesia. In other Polynesia islands, these gods may have
The traditions of ancient Polynesia hold both polytheistic and animistic religious structures. They worship several deities as well as ascribe to the spiritual beliefs of things existent in nature, such as water and trees. The cosmology of the Hawaiian people and the Māori from New Zealand recognize multiple gods and goddesses, and many of them are female deities. Worship of deities for every element was found in both cultures; fire, water, air and earth all had gods or goddesses that ruled those elements. Evident in both Hawaiian and Māori culture is a female deity believed to rule fire.
Every culture has legends which identify their characteristics. Although, both of Hawaii and Mongolia have big culture in legend, there are some similarities and differences. One of the most popular legends in Mongolia is Erkhyn Mergen. Erkhyn Mergen was the best archer in ancient time. One day, seven suns rised.
Since many commoners were not familiar with the new land system, they didn’t get land but instead it went to many foreigners. With all the foreigners coming to own property and to live on Hawaii, their culture automatically was mixing with Hawaiian ways because the whites were abundant. Now that we have covered the cultural effects of the Great Mahele, we will now move on to the political effects of
There are two kinds of people, the people who persist and try without giving up, and the people who make up excuses for why they aren't doing anything. In the short story “Two Kinds” by Amy Tan, and the biography “The Red Headed Hawaiian” by Chris McKinney, the characters and people show culture by going back on what they know, and their traditions. In these two stories, it takes about how Jing-Mei and Rudy Puana are trying to find confidence and having to adapt to a new culture. Rudy Puana in “The Red Headed Hawaiian” struggles with trying to adapt to the new culture of the mainland, while also keeping his Hawaiian culture. The culture on the mainland is more family oriented, with family dinners every night.
Understanding the culture of a nation, people, or group one must immerse themselves and experience the nation’s arts, beliefs, customs, practices, values, and social behaviors. By attending a cultural event, an individual is able to experience firsthand the diverse offerings of culture and artistic expression found in a community. At the moment I reside in upstate New York, Albany to be exact and there are no cultural events to attend; well none that are occurring the remainder of my Humanities course. I decided to choose a place I always wanted to visit, do some research online to learn a little about their culture. I chose Hawaii as the place to visit and after some probing, I become aware of how rich their culture is.
The folk tales and beliefs told from years ago still exist today, and have impacted many ways of
By taking over quickly, a lot of aspects of Hawaiian culture got distorted
In Polynesian culture there are 3 dramatic aspects of their society that are signicant, these are common more in Hawaiian culture that I will examine in my information report. These 3 aspects include the Hawaiian economy, the culture of the locals and the food consumed in the country. Hawaii is located west of the USA in the central pacific, although it is not joint with the United States it is governed by the US and is situated in North America, USA. There is no place on earth like Hawaii. Whether you're a new to the country or returning, the six unique islands offer distinct experiences that will astonish any traveller.
Who can speak for a people? I will attempt to shed some light on these questions, using the writings this week of Sahlins, Obeyesekere and Borofsky. I feel the most important question of the three is who can speak for a people, in this case, the Hawaiian people. In this week’s reading, How “Natives” Think, Marshall Sahlins is focused on the question of whether the Hawaiian people were “victims of magical thinking and their own traditions” (p. 1) when they perceived Captain Cook “as a manifestation of their returning year-god Lono” (p. 1).
Disney, alike many other popular storytellers, want these known stories to be friendly, animated, and with an intended audience of children. This is ironic because a retired professor of German and comparative literature from the University of Minnesota, Jack Zipes, directly compares this theme to a news interviewer that “the Grimm’s did not collect these tales for children. They collected these tales to show what life was like. And they wanted to reveal what they considered the divine truths of the tales.” It is obvious that Disney does not have the same motive as the Grimm’s did.
Also in the Hawaiian legend, they bring up Maui's parents but in the Maori legend, they don't even talk about them. The ,moari legend seems to have some hate in the relationship and also a lot of tension. The Hawaiian legend seems more laid-back peaceful and there's nice