Another instance of how jealousy could blind one from distinguishing the truth would be how Othello cannot see past Iago’s deceiving lies. After just being manipulated to doubt his own wife, Desdemona, Othello speaks to himself, “this fellow’s of exceeding honesty and knows all quantities, with a learned spirit, of all humans, if I do prove her haggard.” Othello is constantly insecure of himself, though he never would imagine Desdemona cheating on him, Iago managed to “plant a seed” into Othello’s mind. Manipulating him that Desdemona is having an affair and he should keep a close eye on her. Now that Iago has managed to make Othello jealous, Othello would never see where and and when Iago is deceiving
Although Odysseus is a famous, intelligent and heroic figure, his loyalty to Penelope is nonexistent. This is revealed by his affairs with other woman, his extended journey home, and by the fact that he failed to make Penelope his priority. Loyalty is not a difficult concept, all Odysseus had to do to fulfill this was avoid other women, and put Penelope above his selfish ways. His failure to do this proves him to be an unreliable husband, who does not deserve his selfless and trustworthy wife. Loyalty is an essential part of marriage or any relationship and requires both people involved in the relationship.
In Their Eyes Were Watching God, Janie’s faults made her dependent emotionally towards men, but independent when finding her own happy ending throughout the book. From The Odyssey, Calypso desperately tried to find love and make Odysseus stay, but her flaws of attachment and having a higher level of authority over Odysseus in their relationship kept her from achieving real love with someone. Although Janie and Calypso are opposites when it comes to love, they do have similarities. Their relationships always ended the same way, with Janie leaving her husbands and Calypso being deserted by her lovers. They both tried to to find love, with some difficulties for each women individually.
Her only downfall was she was more infatuated with the idea of Black Jack and his exploits, rather than the man himself. Geary toyed with the idea of bedding her just to prove that he was not the legend she thought he was. They both respect each other and could have possibly explored more of a relationship. However, it was impossible due to the fraternization rules of the
In another quote the grandmother implies that the misfit is a good man by stating, "Yes it's a beautiful day," said the grandmother. "Listen, " she said, "You shouldn't call yourself the misfit because I know you're a good man at heart. I can just look at you and tell" (421). The grandmother doesn't know the misfit from Adam, yet she already gave him a persona that he has to match. Besides the grandmother has already called Red Sammy a good man, and by now it is already apparent that its feigned.
His motives are purely to trick Jane into marrying him even though he is already married. It’s worse than the first lie as this is committing bigamy, which is a crime. Now it’s not all terrible. It can easy to empathize with and see Mr. Rochester’s side, as he can’t get a divorce because his wife is insane. Also, he truly loves Jane, and she loves him too, so he’s not manipulating her into marrying him.
She describes Quint as “tall, active, erect” and “remarkably” handsome, making it clear that she finds him attractive, but she also perceives him as aggressive and terrifying. We might infer that her frustrated desire for the master is what prompts her to see Quint as a sexual substitute, as someone who is attractive but, unlike the master, available. However, Quint’s sexual availability is also terrifying, because the social consequences of sex with a man like him would be so destructive. The governess’s fear of Quint’s sexuality (or her fear of her own desire for him) seems to manifest itself as a contempt for his status as a servant, and throughout the story she dwells on the dangers and evils of his lower-class, servile, ungentlemanly
In Shakespeare’s tragic play, Othello, the play centers around the calamitous ruin of the marriage of Othello and Desdemona within Venice, Italy perpetrated by the villainous, vengeful Iago, a malicious man who vows to do anything within his power to destroy Othello’s state of being through psychological tactics of manipulation and dishonesty. Although, Iago was the sole mastermind in orchestrating the plot to bring Othello down, ultimately other characters within the play played a significant factor in the doleful death of Desdemona, centered around the commonality of deceit, jealousy, and miscommunication of the likeness of Othello, Michael Cassio, Roderigo, Emilia, and Desdemona. This was assisted predominantly by their own oblivious nature
Othello simply ignores Iago’s warning; he must choose between trusting his wife or Iago. Ultimately, Othello’s soldierly pride is greater than his love for Desdemona and he unconsciously craves information to feed his jealousy (“Othello” Shakespeare for Students 433). Jealousy destroys Othello’s state of mind. Othello is mentally weak because he does not trust his wife; therefore, when Iago destroys his trust in Desdemona, jealousy begins to infect his mind. Othello is ultimately placed between an angel and a devil who both demand his loyalty (“Othello.”
He demonstrated a love so strong that most would not understand. His love for Lucy was so pure and honourable. Although he loved Lucy more than anything, he did not want to marry her. He said, “In spite of the happiness he would bring you misery, bring you to sorrow and repentance, blight you, disgrace you, pull you down with him. I know very well that you can have no tenderness for me; I ask for none; I am very thankful that it cannot be.
His guilt is what is driving him to prove himself good. This leads her to decide she is not in a place to judge his actions or control his future, so she says to John, “Do what you will. But let none be your judge. There be no higher judge under Heaven than Proctor is!” (137).
Dichotomy is a very important characteristic in literature. Dichotomy is able to emphasize the contrast and add many deep layers to a story. In Emily Brontë’s Gothic Novel Wuthering Heights, Heathcliff’s embodies many contrasting philosophical components. Heathcliff personifies the role of a savage and a cultured gentleman. Heathcliff is also able to play the role of the victim and victimizer.
Cortlen Frazier Ms. Jo Weaver English 4 29 May 2017 The theme of destructive love within relationships in shakespeare's macbeth and Bronte’s Wuthering Heights are presented through jealousy and betrayal. Explore how the writers present destructive love and now they affect the relationships in macbeth and wuthering heights. Analyze the way in which shakespeare and bronte present the theme of jealousy and betrayal. How do women gain control in a relationship lady macbeth gains control in her relationship with macbeth by using various methods.