It was the year 1952, in Saigon, South Vietnam, two friends, a British reporter/journalist, Thomas Fowler, and an American CIA agent, Alden Pyle, get trapped into a love triangle with a Vietnamese lover, Phuong. The relationship between Fowler and Pyle is strange because although they are friends, ultimately they are opponents due to the fact that they are both going after the same woman. In many ways, Fowler appears to look down upon the much younger Pyle.
Thomas Fowler visibly comes across as an opportunist, based on his inability to be with his wife who is back at their home in England and therefore results to starting a love affair with Phuong, who is thirty years his junior. Fowler is menacing, straightforward, and is exceptionally full of hostility. Fowler seems to lack emotion, with his regular use of opium being a numbing solution, “Opium makes you quick-witted – perhaps only because it calms the nerves and stills the emotions. Nothing, not even death, seems so important.” (Greene 17) He has disturbing memories from the war, opium possibly soothes this distress. Fowler’s relationship with Phuong is strictly physical to the readers, but his vulnerability begins to show through towards the end of the novel. He is not one to form an opinion, and that easily aggravates those in his life, such as his wife. “Why should I want to die when
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Little does he know that Pyle is much more intelligent than he allows others to see. Although, Fowler and Pyle seem to be polar opposites, their ways of deceit allow them to share a common characteristic. Pyle traveled to Vietnam to work for the American Economic Aid Mission; this is a cover because his main objective is a CIA agent. Pyle is strongly determined to bring America’s form of government, democracy, to Vietnam and destroy their Communism. He believes in the need of a “Third Force” in Vietnam and strongly believes that General The is this
In A Viet Cong Memoir, we receive excellent first hands accounts of events that unfolded in Vietnam during the Vietnam War from the author of this autobiography: Truong Nhu Tang. Truong was Vietnamese at heart, growing up in Saigon, but he studied in Paris for a time where he met and learned from the future leader Ho Chi Minh. Truong was able to learn from Ho Chi Minh’s revolutionary ideas and gain a great political perspective of the conflicts arising in Vietnam during the war. His autobiography shows the readers the perspective of the average Vietnamese citizen (especially those involved with the NLF) and the attitudes towards war with the United States. In the book, Truong exclaims that although many people may say the Americans never lost on the battlefield in Vietnam — it is irrelevant.
Men went through so many tasks during the Vietnam War physically and mentally. The beginning chapters focus on training for war and being prepared for the worst. For example, when there is a sergeant in a room with the marines. The sergeant walks to the chalk board and writes “AMBUSHES ARE MURDER AND MURDER IS FUN” (36-37). The
“The Sacred Willow” portrays four generations of a Vietnamese family that stretches from the traditional mandarin culture of northern Vietnam, the French occupation, the Vietnamese war, to life in the US. A main portion of this book is centered around the narrator Mai’s father Duong Thieu Chi and his struggle of working in the government while raising a family during the time of French Occupation. Throughout Mai’s accounts, her father’s internal conflict between good and bad as well as modern and traditional are highlighted to symbolize the 20th century Vietnamese sentiments towards their country and their call for independence. The books begins by Mai retelling her great grandfather and grandfathers’ lives which are important because it gives reasoning to explain how the French occupation drastically changed her father, Duong Thieu Chi’s life, career, and decisions.
It startled him. It came from a deep place inside of him”(168). The fishermen have connected to Chay’s memories of Cambodia, and they have caused Chay to remember what happened there. The fishermen cause Chay to remember his sister being shot and his brother being taken away to fight. Any person would be enraged and angry after experiencing this.
In 2013 when Viet Thanh Nguyen began to write The Sympathizer, it had been 40 years since the Vietnam War. It had been 40 years since French and American military involvement ravaged a once beautiful countryside and littered lush forests with napalm. It had been 40 years since 2 million people were displaced from their country and left to die in the Pacific Ocean. In those 40 years, many works were published about the Vietnam War. These stories came from many, contrasting, perspectives.
Regret is a powerful emotion that has the ability to scar someone for the rest of their life. Moments of regret can come from relationships, self-made decisions and life changing events. The idea of regret also applies to “A Marker on the Side of the Boat” by Bao Ninh and “On the Rainy River” by Tim O’Brien. Although these two literary pieces are very different in many ways, both authors describe the experience of the Vietnam War as a time of regretful decisions that negatively impacted people of both the American side and the Vietnamese side. Both authors tell a story about a character that recalls of flashbacks of the war, where they grieve over the past decisions that have affected them for the rest of their life.
He fought a war in Vietnam that he knew nothing about, all he knew was that, “Certain blood was being shed for uncertain reasons” (38). He realized that he put his life on the line for a war that is surrounded in controversy and questions. Through reading The Things They Carried, it was easy to feel connected to the characters; to feel their sorrow, confusion, and pain. O’Briens ability to make his readers feel as though they are actually there in the war zones with him is a unique ability that not every author possess.
Rather, the significance of O’Brien’s work is his utilization of a metafictional novel as a representative vehicle for the Vietnam War. Within The Things They Carried
He feels this way because he has spent a majority of his life with his family, and his one friend Henry Clerval. He has been for the most part sheltered, and does not seem to know how to function in society. Instead of
In the chapter when he describes the man he kills, he talks about the state of the dead body by saying, “His jaw was in his throat, his upper lip and teeth were gone, his one eye was shut, his other eye was a star-shaped hole…the skin at his left cheek was peeled back in three ragged strips, his right cheek was smooth and hairless, there was a butterfly on his chin, his neck was open to the spinal cord and the blood there was thick and shiny and it was this wound that had killed him” (O’Brien Chapter 11). This brutal and horrifying imagery displays an irrefutable element of truth to O’Brien’s writing. Not only does this imagery highlight the truth to his writing, but it also sheds light on the brutal truth about the war in Vietnam. By using imagery as such a strong rhetorical device in his writing, he gives the average person a taste of just how barbaric and cruel Vietnam felt for the people who experience the war first hand on either side of the fighting. Tim O’Brien gives a very detailed and intense description of his time fighting in Vietnam during their war with America.
The older man 's behavior contrasts with that of the persona who is young and has barely experienced life. Whereas the speaker is eager to discover life and have new experiences to escape her reality, the older man avoids his truth by focusing on mundane details of his experience in the Vietnam War. Furthermore, the older man was once a young man himself, surely eager to have new experiences, as he enrolled in the army. Instead of having these desires fulfilled, his memories of the war have caused his view of the world to greatly deviate from that of the persona and
Even after all these years, O’Brien is still unable to get the images of Vietnam out of him head, specifically of the man he killed. In the novel, he repeats the description of the man numerous times, almost to the point of excess, saying,“he was a slim, dead, almost dainty young man of about twenty. He lay with one leg bent beneath him, his jaw in his throat, his face neither expressive nor inexpressive. One eye was shut. The other was a star-shaped hole” (124).
I find Ho Chi Minh’s letter far more persuasive than Lyndon B. Johnson’s. Using ethos, pathos, and logos, he forms a solid argument that supports Vietnam’s stance on the war. He appeals to one’s emotions by expressing the injustices faced by his people, writing, “In South Viet-Nam a half-million American soldiers and soldiers from the satellite countries have resorted to the most barbarous methods of warfare, such as napalm, chemicals, and poison gases in order to massacre our fellow countrymen, destroy the crops, and wipe out villages.” Words such as “massacre” and “barbarous” highlight the severity of these crimes, and invoke feelings of guilt and remorse in the reader. Chi Minh uses ethos to support his logos, or logical, views on the
The soldiers in the Vietnams war were there for different reasons, some soldiers were forced against their will and some were there by choice. Because of that, each soldier has their own thoughts about the war, O’Brien has interpreted that “The twenty –six men were very quiet: some of them excited by the adventure, some of them afraid”. This clearly shows how the men
In contrast, O’Brien’s novel is written chronologically, and the use of fantasy flows throughout the book. Each scene follows the characters throughout their time in Vietnam, as O’Brien recounts stories from his service there. While the fantastical events that occur in The Things They Carried are clearly more believable than in Slaughterhouse-Five, O’Brien points out that in fact, many parts of the novel are fictitious. O’Brien writes “It’s time to be blunt. I’m forty-three years old, true, and I’m a writer now, and a long time ago I walked through Quang Ngai Province as a foot soldier.