Pink + White Written by Frank Ocean prod. Pharrell Williams
Frank Ocean demonstrates his love for time and memory and the possessing qualities that are involved in thoughts that are good and bad within his song Pink + White. Within the song, Ocean shares his world through the past memories of a relationship while explaining his deep passion for a specific person. These two preoccupations intertwine Ocean’s own happiness that exemplifies the heartfelt ups and downs that come with people and feelings. These thoughts are preserved in a binary bright to dark with subliminal meaning in between.
Through a binary of optimism to disposition, for example, “glory from above,” found in line nineteen, and “it’s all downhill from here,” communicates that through the good, there could be bad. Within the song, Ocean speaks about a possible intimate feeling or relationship with someone he was involved with that explains the happenings and effort given yet the repetitive downfall that seems to follow along with it in the end. One strong example of Ocean’s view of love is a repetition of “you showed me love,” being one line that is repeated twice in the song. This showing of compassion to one person demonstrates his compatible comprehension and how he might possibly be involved with someone that he sees so highly. Making use of the word “showed” conveys the view of past tense, in which, if love was showed, then there is no longer any compassion between the two any longer. According to
Essay Outline (5%) 1. (Introduction) a) Thesis statement: In her poem “Nineteen”, in which she remembers about one summer, Elizabeth Alexander mentions the need for continuous psychological transformations, which are triggered by the curiosity of differences and the desire of learning from others. b) Plan of development: Through the use of symbolism, tone and contrast, Alexander puts the emphasis on the coming-of-age of the persona, which is significant regarding her personal growth. 2.
In one line, he states, "... the seas rise and smack the shoreline like a fist". This simile describes the
John Brehm does not mean a geographical body of water, but rather that the way people are unsure about faith and the level of believing, as though one is drifting on water without the reassurance of firm ground beneath his or her feet. The comparison made is people’s faith to a full body of water. In realism world, a sea is a wide and deep body of water as far as the eye can see. The author in this poem intends to give a reader a clear image of people’s faith which is like an unending body of water which is always full. John Brehm also goes further to use the
It was only then that I could forget how big the sea was, how far down the bottom could be, and how filled up it was with things that couldn 't understand a nice hallo. (42) Here, the motif of water personifies the closeness of their relationship.
I think the narrator is saying that like the sea his mother is dark and intimidating like her people who are also fishing people. In my opinion I think the mother makes the mood of the story dark and melancholy. She wants so much out of her husband and children, and when they don’t do what she wants she doesn’t talk to them. The mother puts too much pressure on the family to do what her family did. I can understand that the mother didn’t want to be alone, but as a mother you should want you kids to do better than you did and want them to succeed in life.
Essay #1: “I was very young when I learned about love. I was still a flower in bud, you could say. And after that I had so many experiences that the pure water of my mind turned completely the color of sensuous love, like the water in the Uji River where it turns yellow from all the mountain roses on the banks. I just followed my desires wherever they went-
In the 1800’s, the societal niche of married women was clearly defined: they were meant to devote every aspect of their lives to their husbands and children. Edna Pontellier, the protagonist in Kate Chopin’s The Awakening, struggles to adhere to these standards, and eventually rebels against them. The harsh standards placed on Edna and other women in the novel are like the cages around the metaphorical birds Chopin uses to represent them. Edna's unhappiness in her societal role is realized in the ocean, which symbolizes this awakening and her attempt to escape the gender roles of the nineteenth century.
In the first stanza, Harwood tells about a memory that was told to her by someone else. It was a memory of her father taking her to the beach. The uncertain tone in the first half of the first stanza and the definite tone in the second half of the stanza emphasises the importance of the emotions she felt at the time of the event rather what happened. The imagery of the beach is portrayed as fearful - ‘sea’s edge’ can represent the danger of life and mystery
This moment is paramount because the ocean serves as the antithesis of the recurring fire motif which sets forth the chain of events that unfold throughout the novel. Gyasi writes, “It’s not just because I’m scared of drowning. Though I guess I am. It’s because of all that space. It’s because everywhere I look, I see blue, and I have no idea where it begins.
She watches from her dreams as the waves crash and fall, carrying with them the ship. An image comes to mind. A hand at sea, although it could mean a shiphand, is an impossible rising area of water shaped as a hand, it waves the ship both literally and figuratively toward its destination, which is no longer sleep, but land. Progression in the poem is apparent. I feel intrigued and mesmerized, simply wanting to know where else the poem travels.
He’s claiming his love to be the best of his time, and even though both ended in failure, they left a mark in history. When he states, “that vulnerable elephantine dream of transport, a fabric Titanic on an ocean of air?” He’s explaining how massive yet fragile love can be. He compares it to a fabric Titanic; fabric may be beautiful but it is not sturdy, it is delicate and should be handled with care. Thus, he is claiming love is not easy and not always sturdy.
The beach symbolize the childhood that jerry was living in because when he was at the beach he didn't care about nothing anybody said to him. “they understood that he was a foreigner strayed from his own beach, and they proceeded to forget him. But he was happy. He was with them.” (3) .
Become Ocean was performed by the South Dakota Symphony Orchestra under the direction of Delta David Gier. This evening was dedicated to being the 95th anniversary of the South Dakota Symphony. The theme for the evening related to water, whether that be the rolling tides of the waves, a bird swooping down to catch something, or a personal reflection that people made through associative listening. The music played had a serene and airy feeling that helped enhance the depiction of becoming one with the ocean.
In this song, the speaker is portrayed as a man who is hurting from his past relationship and so he tries to figure out what made things change and where they went wrong. Throughout the song the speaker reflects on how he was feeling while they were still together and now that they are apart. The song was written as a message to the antagonist, the woman that the speaker loved, and now, is no longer with; he wants answers and he wants her to know how he feels and just how much she hurt him. The speaker lets us know that the pain he is feeling from this broken love of theirs is internal by stating, “To hear that tears me up inside and to see you cuts me like a knife” (Poison).
This creates an internal conflict of her feeling alone and broken, causing great emotion. This song shows hope for her to find another man as great as him because he found a women that gives him more, “guess she gave you things I didn’t give to you.” Adele wants the butterfly feeling to last forever, although she wished it would be with him. This song is very honest and the artist wants to release someone from her mind who hurt her, but it is not that easy. Adele uses similes such as, “never mind,