Frank Romero As An Extraordinary Chicano Artist

Frank Romero as an Extraordinary Chicano Artist During the 1960’s and 1970’s an influential event known as the Chicano Art Movement emerged as a consequence of the conditions the country was facing at the time. Chicano art developed at the same time the Chicano Art Movement was emerging in the 1960’s. Art was employed as a way of mass communication through the Chicano Movement which took effect at the United States-Mexico Border during those years. There were not that many sources to spread messages back then, but this does not impede artists to find a form of expression and raise awareness of the horrific country’s situation which desperately needed to bring light and change positively. The Chicano art has been merely commanded by Mexican

Along this movement, there were numerous artists stimulated to diffuse an awareness of their culture’s history at the moment intervening on certain political issues ranging from land grands to equal opportunities. Feasibly, it is impressive how a few of the most famous pieces were those that depicted chronically the existence of Mexican society in the United States which concerns problems just as immigration and rejection of human rights. Freedom was assumed by many people as apparently it was not granted in the political activism which was happening, this allowed a massive quantity of artist to connect their feelings and thoughts into the problems occurring due to political commanders. The era’s art style was projected in a different manner, but several of the most famous were big mural art pieces that frequently conveyed a story varying on the artists

Police’s reaction upon those antiwar manifestations in the prominent city of Los Angeles was a portion of an immense wave of violence going against minority societies which Frank Romero struggled during his whole life. It consumes years and years in the lives of artists for them to analyze and visualize their future paintings of these ruthless circumstances appearing in the daily life oh his community. The famous artist states, “That stuff is hard for me to do, it hurts, it’s frightening” (Romero 2). It is comprehensible that artists with such experiences suffer from trauma or certain type of mental shock because of the abhorrent situations they witnessed. Romero made a comment about his art, “My work is about the things I like and enjoy doing. It is about the color, the application of paint, the way things feel. It’s about being Hispanic and living as an artist in Taos, Los Angeles, and Mexico. Folk art, heroic scale, Edward Hopper, George Catlin, public art, the great theme of transportation, and heroic women are all concerns of mine. My art is about life in the present and about living in a continuum where past con…” (1). Moreover, Romero’s vivid and colorful paintings commemorate Los Angeles culture lowriders accompanied by “rascuache” making