Frankenstein Dynamic Character Essay Knowledge of the formerly unknown can lead to change in one’s character. This truth can be seen in both Dr. Victor Frankenstein and his monster in Mary Shelley 's novel Frankenstein. This novel tells of an intelligent scientist who becomes obsessed with his work. He puts all other necessities below bringing life on seemingly unanimated life, which he later learns was more dangerous than expected. The story also features a monster, created from lifeless matter, who is abandoned by his creator. Because of this desertion, the monster comes to the unknown world with open arms, only to be tossed away by its cruelty. Because of both characters new understanding of subjects they were previously ignorant to, they …show more content…
After having formed this determination, and having spent months in successfully collecting and arranging my materials, I began” (Shelley 48). It is evident through this action that Victor is very cautious with creating his monster. Victor is very attentive and is determined to make the monster of the perfect stature, he even spends several months out of his two year endeavour to acquire the ideal parts. If Victor was not such a careful person, he would not have cared about the construction of the quintessential being and would have simply taken the first pieces he found as his recipe. Although Victors meticulous attitude is clear in his picky actions, his later interaction portrays a change in his character from meticulous to negligent. This carelessness is exhibited when he finally creates life in his being. Because of his immense fear, shown in his interaction with the horrifying monster, Shelly excellently alters Victor’s character as very careless. Victor tells of this confrontation by saying, …show more content…
At first, Victor and the monster are both admirable characters in their own way; nevertheless, both characters make a transition to become negative individuals. In the beginning, Victor can be seen to work hard, and is very intelligent. This brain-power could have been used to drastically impact the world of science, but, since Victor abandoned his masterpiece, it did the exact opposite, bringing harm upon those who roam the world. Because Victor made such a quick decision and left, his character was changed dramatically. Likewise, the monster is, at first, seen to be a being of peace, despite all the wrong humans have done to him. His consistent helping and admiration of humans makes the reader think he will always be a peaceful being. He could have used his kind actions to help the world, and even help the cottagers poverty; however, he quickly vows to destroy all humans. Thanks to Mary Shelley, the reader can learn that one should ponder on later actions instead of simply following their first, natural
Consequently, Victor creates a monster that later ruins his life and the lives of those around him in the story mostly due to his poor variety of decisions. These facts proves that Victor’s downfall is most likely caused by his failure of balancing his ego by allowing his Id and superego get to him. In the novel
Victor falls ill with anxiety, and as a result of Victor’s neglect the monster begins to destroy his life. Even when the monster confronts Frankenstein, threatening that he “will glut the maw of death, until it be satiated with the blood of [Frankenstein’s] remaining friends, 102" Victor does not acknowledge the problem he has caused, the literal embodiment of his anxiety. He does not attempt to confront the monster head on or alleviate his loneliness, both a form of acknowledgement and thus a healthy way to respond to his fears. Instead, he once again pretends the monster doesn’t exist which only further enrages and empowers him. Once again, this mirrors the fact that when fears and anxiety go undealt with they will only grow and confirms that the monster is the embodiment of this
Victor first begins creating the monster, working tirelessly for selfish reasons. His body suffers tremendously and he drags himself along treating his body like a slave. He states: “My cheeks have grown pale with study, and my person had become emaciated with confinement.” (Shelly 33)
Frankenstein Lit Analysis Rough Draft Since the beginning of time, Man has always pursued knowledge, but this pursuit is always kept within certain boundaries, especially while searching for the truths behind the creation and origin of life. As this quest for knowledge continues, men can become consumed with the perilous thoughts and ponderings required to attain this wisdom. In her novel, Frankenstein, Mary Shelley explains how the pursuit of forbidden knowledge can become dangerous through symbolism, allusion, and foreshadowing proving each effectively to the reader. Employing symbolism as her first technique, Shelley uses this in the way many other enlightenment authors do. The strongest use of symbolism is prevalent while Victor is contemplating
”(Millhauser). This violent rejection is a repetition of Victor’s lack of acceptance for the monster and attention to his family. Victor knows that the monster will never be able to live within society and that his ability to create life is the only hope the monster has of achieving companionship. Victor's own aversion to companionship surfaces as he, “ fails to give him the human companionship, the Eve, the female creature, that he needs to achieve some sort of a normal life.” (Mellor).
An example that can identify Victor as being the true villain in the story is Victor's lack of thought and deposition when he sees the creature he had created. He states that he is “Unable to endure the aspect of the being I had created, I rushed out of the room and continued a long time traversing my bedchamber, unable to compose my mind to sleep”(Shelley 59). This quote exemplifies how Victor immediately despises the creature based on its looks and abandons it rather than taking the creature under his wing to give it guidance and care. It also demonstrates the ambition of creating new life for scientific achievement, without considering the consequences. Another example that we see victor lack a sense of guidance and responsibility is his talk with the creature he states that he “consents” to the monster's request and will “deliver into your hands a female who will accompany you”(Shelley 159).
Victor’s creation is described as a “monster” in the story of Frankenstein. He is immediately considered to be evil because he has committed murder, even though he meant no harm. He wrongfully forges his identity according to how others see him; as an evil monster. He forges his identity on how others view him, which is an evil monster (Lall 36). At this point, he is growing out of the mental stage of an infant and is beginning to learn how to take care of himself.
“Nothing is so painful to the human mind as a great and sudden change.” (Mary Shelley Quotes). Mary Shelley publishes Frankenstein in 1818. The novel includes many interesting events. By her choice of words readers are hooked to think Victor is the antagonist.
Dangerous Minds- Rough Draft Knowledge has the capability to be used for both good and evil. In Mary Shelley’s Frankenstein, there is a consistent message throughout the novel showing the dangerous and destructive power that knowledge can have. Two key characters, Victor Frankenstein and his monster, are shaped through their obsessions with knowledge and the power and responsibility that it brings. Ultimately, Victor’s downfall is a result of his uncontrollable thirst for knowledge, and is brought about through the monster which is the embodiment of his obsession. Victor is a brilliant scientist who figures out a way to create life from death using galvanism, or electricity.
Frankenstein: Lack of Parenting Parenting is needed in every child’s life. It is one of the most important things that will help a child grow. In the same way though, children need good parenting.
It is interesting to note how he calls these cottagers his “friends”, though he does not know them. Shelley does this with a dual purpose, to show that the monster has incorrectly grasped the concept of friendship, and, more significantly, that he develops unhealthy attachments, especially to that which he does not have, which is the affection and approval of others. The monster constantly laments his loneliness during these times, stating “Satan had his companions, fellow demons, to admire and encourage him, but I am solitary and abhorred” (Shelley 119). Although the monster is new to this world, he is smarter than he appears, as he makes a very thought out plan to get the cottagers to accept him,
Mary Shelley’s novel Frankenstein, shows how a character who is portrayed as a tragic hero, in the beginning, can become the monster in the end. Victor and the Monster in Mary Shelley’s captivating novel showed how rival enemies share striking similarities. The similarities between the two tragic characters are driven by their dreary isolation from the secluded world. A large difference is that they were both raised in two completely different environments but understood the meaning of isolation. Physical differences are more noticeable rather than their personalities.
This unquestionably exhibits his egocentric conventions as he places himself above everyone else even in matters of life and death. Furthermore, if Victor himself is willing to take responsibility for her death then it becomes unambiguous as to whether he should be held accountable for the actions of his creation. Throughout the story, the monster struggles with the repercussions brought about by his creator which leave him in turmoil. He does eventually overcome these obstacles, although it is undoubtedly too late.
The fictional horror novel of Mary Shelley’s Frankenstein is driven by the accentuation of humanity’s flaws. Even at the very mention of her work an archetypal monster fills one’s imagination, coupled with visions of a crazed scientist to boot. Opening her novel with Robert Walton, the conduit of the story, he also serves as a character to parallel the protagonist’s in many ways. As the ‘protagonist’ of the story, Victor Frankenstein, takes on the mantle of the deluded scientist, his nameless creation becomes the embodiment of a truly abandoned child – one left to fend for itself against the harsh reality posed by society. On the other hand, Walton also serves as a foil to Victor – he is not compulsive enough to risk what would be almost
Simultaneously, Victor failing to take responsibility for his own creation leads the creature down a path of destruction that manufactures his status as a societal outcast. The creature's dissolution from society, his search for someone to share his life with, the familiarity with intense anguish, his thirst for retribution, each of these traits coincide with Victor as he is depicted throughout the novel. Victor unknowingly induces his own undoing through his rejection of the creature. Shelley foreshadows his downfall by stating that “the monster still protested his innate goodness, blaming Victor’s rejection and man’s unkindness as the source of his evil” (Shelley 62) The creature essentially places Victor at fault for the creature becoming an outcast of society, by expressing this Shelley constructs a very austere portrayal of man’s contact with outsiders.