Guilt can either be an emotion that makes a person feel remorse for his or her’s actions toward another, or can be the conduct involving the executions of such crimes and wrongs. In the novel, “Frankenstein” by Mary Shelley, both definitions of guilt were the common theme. However, the main problem was whether the creature or the creator, Victor Frankenstein, were guiltier for their actions. The one presumed to be more guilty was Victor Frankenstein who created the monster in the first place causing his family pain and failed to take responsibility for the monster’s actions. Although he didn’t directly kill his family, the monster is guilty too.
There is one big question in Frankenstein by Mary Shelley that everyone asks and that is “Who is more human, Frankenstein or his creation?” and the answer to that is his creation. The reason the creation is more human than Frankenstein is because Frankenstein is neglectful and cruel to his creation. Frankenstein does not take any responsibility for his creation and acts like his creation is nothing to him. Frankenstein condemns the creature to loneliness and persecution.
Thus the reason he states that the trial is a “wretched mockery of justice.” The death of both William and Justine then lie on Victor Frankenstein’s shoulders. It is tragedies like William’s murder, Justine’s execution, and Elizabeth’s murder that force Victor Frankenstein to ponder the consequences of creating his monster. When Frankenstein has to face these consequences, we can see that he becomes a remorseful and miserable
He was deemed a “modern day” mad scientist. This statement is inaccurate as no evidence suggested that he had planned on using the beast for evil purposes. He had also tried to correct his mistake after discovering what an error he had made by not creating another monster in addition to his first one. However, did he make the right decision?
In the novel, Frankenstein, by Mary Shelley, the two main characters, Victor Frankenstein and his creature, both display a sense of moral ambiguity. Each character has committed both good and evil alike, and neither knew the consequences of what they had done. However, Victor Frankenstein is generally the morally ambiguous character by his treatment of his creation and his own imperious personality. He wanted to be able to help science by recreating life or bringing it back, but at the same time, he did not want to consider the consequences of doing so. Victor tries to prove himself as a good moral character in the relationship between his creation and himself.
(84)” He realized that he has a creator that does not want him. He realized that he had not gained any knowledge from his Maker. Frankenstein was alone, but he put all these things that he learned into an opinion that lead him to destroy his creator 's life.
Are Victor and The Monster Likeable Victor has created a monster, an “abhorred devil” who torments him throughout Mary Shelley’s Frankenstein. Indeed, the creature commits several horrid acts, which drives Frankenstein to pursue him into the Arctic. Yet the creature does not inspire the same fear or revulsion in the reader; instead he gathers sympathy. While Frankenstein may beg to differ, the reader connects with the monster because he is isolated from the world and surprisingly has a gentle heart.
The creature lacking love sees himself as a monster, “Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust?” (Shelley 93). As the creature continues to face rejection, he becomes the (humanly) monster that Victor’s negligence creates by killing those who are closet to his creator. The murders that he commits are a direct result from being shunned by society and his creator.
The monster depicts his otherness when he wonders: “Was I, then, a monster, a blot upon the earth, from which all men fled and whom all men disowned” (Shelley 85). The monster evidently remains in isolation and is dehumanized. The monster attempts to get integrated into his society but his appearance and lack of social skills hinder his success. The monster strives to be accepted but is incapable of acceptance. The monster reiterates this feeling of isolation as he says: “I felt as if I were placed under a ban- as if I had no right to claim their sympathies – as if never more might I enjoy companionship with them” (Shelley 108).
However, society does not see the good in him, they only see the outside and react to his misleading appearance. While the persona of the creature is looked at as the “monster” in Frankenstein, the character’s personality, psychology, and nature well define him as a human being that deserves compassion and love as opposed to the hatred and fear that society provides.
This shows that the monster is close to being a human because if he had feelings then he wouldn’t have cared about having a friend, saving someone, or about anything that requires emotion. When it comes near the end of the novel the monster tells Victor that if he meets his demand to make him a companion he would leave humanity alone. The monster explains that everything including Lucifer had some form of company, but he is forced to be alone. Victor feels a conflict with creating this new being, he wants it done so that the monster will leave everyone alone, but he doesn’t want to doom humanity if he creates a new monster that may end up the same way as his first one and they decide to have kids. After creating it and completing the deal, he tears the new creation apart causing the monster to be forever alone.
By allowing himself to not be righteous, the professional is tampering his occupation. He is committing an inexcusable error. Moreover, Although Mathis did not apparently hurt anyone by falsifying the autopsy reports, he committed a grave injustice for he consciously did not tell the truth. According to the scholarly article written by Dr. Feinstein, “the search for truth” is both “a professional and a moral objective” in science, and any act against truth is particularly “repugnant”. The only acceptable error is the non-deliberate one (Feinstein, 475).
The adaption from book to film is a hard fraught translation, in which many themes and fundamental ideas can be lost. This is apparent in the adaption of Mary Shelley’s novel Frankenstein into the 1931 film directed by James Whale of the same title. While the two stories are of the same premise, they are fundamentally different in later story elements, ideas, and themes. Even though the film inspires horror and intrigue like its novel counterpart, it lacks the complex moral arguments and depth of the book it is based upon. Whale’s Frankenstein ultimately fails as an adaptation of Mary Shelly’s work, because the removal of the narration and moral conflict present in the novel, which causes the film to lack overall emotional depth.
Have you ever been held responsible for the tragedies caused to others? For most the answer is no, however, for some, their actions have led to the misfortune of guiltless lives. In the novel, Frankenstein by Mary Shelley, because of the absence of attention and teaching, the reanimated creation Frankenstein is unstable; Victor Frankenstein is who to blame. Two events that he should be accountable for are not training his creation to know right from wrong and abounding the monster which led to the murder of innocent people. Firstly, Shelley uses conflict of “human” versus nature to demonstrate the major idea that Victor Frankenstein is responsible for the loss of innocent lives.
Grace Cochrane Mrs. Schroder English IV Honors 8 December 2016 Duties and Responsibilities of a Creator The kind of responsibilities that come with being a creator can have life changing effects on both the creator and his creation. Mary Shelley’s “Frankenstein” demonstrates a situation in which the creator neglects his responsibilities and duties to his creation; leaving his creation lonely, confused, and angry. Throughout “Frankenstein” Shelley compares the relationship between Victor Frankenstein and the monster to God and Adam.