Frankenstein Obsessive Nature Analysis

In Frankenstein by Mary Shelley, we see how revenge can lead to obsession. In Chapters 23 to the end, Victor is so obsessed with getting revenge on the monster for killing Elizabeth and everyone else. His obsession with revenge starts on his wedding night when the monster killed Elizabeth. He then states while talking to the magistrate: “That cannot be; but all that I can say will be little avail. My revenge is of no moment to you: yet, while I allow it to be a vice, I confess that is it the devouring and only passion of my soul. My rage is unspeakable, when I reflect that the murderer, whom I have turned loose upon society, still exists. You refuse my just demand: I have but one resource; and I devote myself, either in my life or death, to

Victor is the type of person that cannot handle responsibility well. We first see this in Chapter 3, after his mother’s death, “My mother was dead, but we had still duties which we ought to perform; we must continue our course with the rest and learn to think ourselves fortunate whilst one remains whom the spoiler has not seized.” This can only make sense if he stays with his family, however, he decides to run to Ingolstadt. He later isolates himself at the school. This indicates that his nature is to run from the problem. It explains why he decide to run from his family when they need him the most.

The process Frankenstein obtained in constructing the creature he has planned for was based on his determination, obsession, and commitment. For instance, in chapter four it states, “To examine the causes of life…. I became acquainted with the science of anatomy, but this was not sufficient; I must also observe the natural decay and corruption of the human body”(Shelley 18). This proves how he was committed towards his work since he studied constantly with little bits of rest. Clearly, showing his obsession was not letting him stop until his work was complete. As to why it states, “And the same feelings which made me neglect the scenes around me caused me also to forget those friends who were so many miles absent, and whom I had not seen for

In the novel “Frankenstein” by Mary Shelley, the main character Victor Frankenstein is portrayed as a pathological narcissist throughout the entire story, he has this personality trait because of a traumatizing event that occurred in his youth changing his ideology to pursue a way to be better than death itself and play as a god.

In Jeffrey Jerome Cohen’s Monster Culture (Seven Thesis), Cohen analyzes the psychology behind monsters and how, rather than being a monstrous beast for the protagonist of the story to play against, “the monster signifies something other than itself”. Cohen makes the claim that by analyzing monsters in mythology and stories, you can learn much about the culture that gave rise to them. In Thesis 1 of Monster Culture, Cohen proposes that “the monster’s body literally incorporates fear, desire, anxiety, and fantasy”, specifically the fear, desire and anxiety of the cultures that gave rise to it;; fFor example, vVampires, undead, represent a fear of death. Monsters are born of an intense fear, desire, or internal conflict, “at this metaphorical

Shelley, Mary. Frankenstein. Ed. Hunter, Paul J. Norton Critical Edition. New York: W.W. North & Company, 2012. Print.

This brings us back to Frankenstein, Victor 's relationship with his parents friend, and Elizabeth translated by good words, Shelley uses quotes to emphasize the importance of human relationships (especially, family 's relationship) and how important they are to a person 's well-being “My children, my firmest hopes of future happiness were placed on the prospect of your union. This expectation will now be the consolation of your father. Elizabeth, my love, you must supply my place to my younger children. Alas! I regret that I am taken from you; and, happy and beloved as I have been, is it not hard to quit you all? But these are not thoughts befitting me; I will endeavour to resign myself cheerfully to death, and will indulge a hope of meeting you in another world”(24).

Often in a literary work, authors use minor characters to emphasize specific traits and characteristics of a main character. In Mary Shelley’s best selling novel Frankenstein, the monster is a minor reflection of Victor Frankenstein. Victor’s personality traits from when he was a child, and as an adult, are carried over and placed into his creation unintentionally by Victor himself. As the monster grows older, his comparison to victor becomes more and more evident, and their likeness creates a conflict between the two characters.

Because of this, Elizabeth had to play all feminine roles towards Victor: mother figure, sister, and wife. While Elizabeth becomes like a mother, Victor had already formed a friendly bond with her. Victor describes Elizabeth as “gentile and affectionate” (20), motherly characteristics, but Victor would never be able to see Elizabeth as a mother. Elizabeth and Victor had grown up together since the age of four. She was the only one who could make him forget his troubles, and he was the only one who could console her after the death of William and Justine. Victor and Elizabeth had a strong bond, but it developed differently from the bond Victor shared with his mother. Victor describes his marriage to Elizabeth as “the last moments of [his] life during which [he] enjoyed the feeling of happiness” (pg.163). While Victor’s mother brought sadness, Elizabeth was able to bring joy to him. Elizabeth could stand in as a replacement relationship, by being a friend and wife, but she could never fully replace the mother-son bond that Victor lost when his mother died.

The novel Frankenstein by Mary Shelley is a bildungsroman, coming of age, novel because it recounts the psychological and moral development of its protagonist, Victor Frankenstein, from youth to maturity, when he recognizes his place in the world. Victor Frankenstein realizes in a single moment that man cannot alter death without consequences.

Nature is the predetermined traits that people are born with, while nurture is the influence that affects people after they’re born. The debate surrounding Nature V. Nurture is how much of a person’s traits is predetermined and how much is influenced by the environment. Mary Shelley's believes in nurture more than nature.

In the novel, Frankenstein by Mary Shelley, ambition evolves into a form of obsession with revenge. But the result of vengeance is a curse to human life and its longevity. Both main characters in the novel, Victor and the monster become obsessed and let vengeance be their downfall.

A writer named Nikita Gill once said “When you see a monster next, always remember this. Do not fear the thing before you. Fear the thing that created it instead.” This quote can be related to the novel Frankenstein where instead of the actual creature being perceived as the monster, the person who created it deserves to be called one. Using the archetypal lens, Victor can be seen as the real monster in Mary Shelley’s Frankenstein from his cruel characteristics, continuous patterns of monstrosity, as well as symbols and themes involving nature.

In the book Frankenstein written by Mary Shelley. Mary Shelley was born August 30, 1797 in London England.. She was best known for her novel Frankenstein. Mary’s mother died shortly after her birth.. Mary died on February 1, 1851 due to brain cancer, She was buried at St. Peter's Church in Bournemouth. There was no flash of lightning, no bolt through the head, no scientist crying "It's alive!" (Oh, and the monster wasn't named Frankenstein).Famous English poet Lord Byron challenged everyone to write the scariest, freakiest, spookiest story they could come up with. Mary Wollstonecraft Godwin wasn't just any eighteen-year-old. She was the daughter of two seriously smart people:William Goodwin and Mary Wollstonecraft. Victor Frankenstein uses

In their early years, both characters grew up experiencing very different beginnings compared to one another. Victor was a sheltered child with a very pleasant and jubilant upbringing. Even exclaiming that “no human being could have passed a happier childhood than myself” (Shelley