The characterization of Elizabeth on her bridal boer after the monster slays her is showcasing the disastrous effects of the knowledge Victor gains earlier in the story. Mary Shelley uses imagery and direct characterization to fully portray this terrible event. Victor describes the scene as he thinks, “She was there, lifeless and inanimate, thrown across the bed, her head hanging down and her pale and distorted features half covered by her hair”(173). Later on, one can see the negative effects of the deaths of her and most of his loved ones, his suffering because of knowledge. When Shelley characterizes Victor, she uses imagery and descriptive language to show how damaged Victor is.
He developed a deep love for the noble, albeit impoverished, family. Seeking some kind of human relationship, to be more accurate, just any kind of contact, he first tried to talk to the oldest family member as he was blind and the monster knew that his hideous physiognomy, excites not only disgust but more so fear. However, the other members of the family returned unexpectedly, and drove him with stones from the cottage. Upon this, the monsters sorrow increased, and he cursed his creator and his own hideousness.
However, Victors reckless and unthoughtful actions pushes the monster into a state of rage and hatred that overrides his ability to stop from exacting revenge on Victor. Victor initially creates the monster thinking that it will be an amazing creature, built from the best human body parts Victor could procure. After he views the outcome of his work he is repulsed by it and abandons it, hoping that it would cease to exist. Not only did the monster survive, but it learned to speak, write, and read. After reading the book Paradise Lost, the monster thinks of its own situation and states the following:
Victor has finally accomplished his goal that he has brought the Monster to life. Unfortunately, he is promptly appalled by his creation because of the Monster’s appearance. It is described as horror and disgust which has pale eyes and rigid skin; hence, it makes Victor
“The source of the conflict between Victor and the monster starts when the monster knows that he has been the victim of foul injustice at the hands of humans and he wants Victor to correct these wrongs, and do in this way, justice” (Skuola.net). The unjust way to get back at Victor results in loss and brutal suffering from the hands of the creature. Shortly after Victor created the creature he abandoned the monster he made and ran away, hoping to never see the horrid thing again. The creature acts out and needs revenge against Victor because of the way his creator left him after just bringing him into the world. The way of revenge isn’t directly to Victor but to those who are meaningful to him.
A Key Passage Analysis: The Ascent is Precipitous… This passage taken from Mary Shelley’s horror novel, Frankenstein, on page 66-67 describes the atmosphere and ponderings of Victor Frankenstein as he solitarily ascends to the summit of Montanvert. After feeling grievance and despair as he blames himself for the death of both his brother, William and his servant, Justine, Victor attempts to find solace in the majesty of nature to repair his emotional state. However, his descriptions of the environment are somewhat grim and bleak, contrasting the pleasant and peaceful mood that being in the natural world typically evokes.
In the novel Frankenstein by Mary Shelley, the themes of betrayal, loneliness and helplessness all contribute to the meaning of the pain one feels when they can’t find meaning in life. For example, the theme of betrayal can hurt others is present in the novel, “Unable to endure the aspect of the being I had created, I rushed out of the room, and continued a long time traversing my bedchamber.” (Shelley, 35) When someone is betrayed they can feel attacked on an emotional level, since they no longer have a friend with them. Just like how Victor Frankenstein immediately left the monster he created. After being betrayed it can be harder for someone to trust others since they have just been left alone.
In Frankenstein the monster has so much hatred towards Victor and humanity and in “The Sniper” the man has a kind of hatred for the Free Staters. Also at the end of the story they both feel bad about what they have done and want it all to end and stop. This is shown
When his perfect companion dies, a sense of pathos is developed for Walton because the friend he has always wanted is no more. But, Frankenstein serves as a warning to Walton about the dangers of ambition and isolation. Walton’s loneliness was caused by his ambition, and by seeing the consequences of that path, he decides that risking his life is not worth the rewards. Robert’s loneliness takes the form of wanting a companion who understood him, and it originated from his aspirations of exploring a desolate
Why did you form a monster so hideous that even you turned from me in disgust? God, in pity, made man beautiful and alluring, after his own image; but my form is a filthy type of yours, more horrid even from the very resemblance. Satan had his companions, fellow devils, to admire and encourage him, but I am solitary and abhorred” (155). Goodness is all lost when the creature, driven by his desire for revenge, kills those dear to Frankenstein, in which the creation believes will therapeutically heal his personal recounting the pain of the mistreatment over the years. Even in the creation’s acts of kindness towards the family, because of the family’s reaction to the creature, this allows Shelly to reinforce that man is both ‘so virtuous and magnificent’, but also ‘vicious and base’.
Several traits distinguish whether a character is a Romantic and Gothic protagonist in a literature piece. Romanticism is described by the attraction of a human to the natural forces, often uncivilized, of the Universe. Instead of thinking rationally, a Romantic looks to imagination, which allows one to view the world in an idealistic light. Gothicism is a category of Romanticism, which focuses primarily on the obscure and supernatural forces of the Universe. Therefore, Romantic Goth characters have the talent to both see and feel the beauty in the dark and obscure, which often inspires them to react differently to a given situation.
Basic ambition is not essentially good or bad, but simply is. However, Promethean ambition, which involves a human pretending to be God. Macbeth by William Shakespeare and Frankenstein, written by Mary Shelley, significantly open up a sentiment of ideas regarding Promethean ambition. William Shakespeare introduces Macbeth as a combatant hero, who becomes king by altering God’s plan. When Victor Frankenstein is astray in his studies he isolates himself from human society.
In the book Frankenstein, by Mary Shelley, there is someone that fits many traits of a hero, even though he hasn’t done many good actions. This person is an almost perfect epitome of the classic definition of an epic hero. He fits many of the traits needed to be considered as a hero and acts arbitrary to what a hero is today. In the book, Victor is the obvious choice for the position. Even though he doesn’t have the attitude or personality of a hero, he has symbolic traits that decipher him from the creature.
In Frankenstein, Mary Shelly warns against the dangers of ego. Walton is shown to have a blinding ego from the beginning, disregarding danger, as well as having a distorted view of his goal. Victor doesn’t see his creation as hideous until it comes alive. He also undoes his entire message he has been warning against in his dying breaths. The Monster, while having the potential and beginnings of an ego, does not develop one.
Frankenstein Mary Shelley’s Frankenstein, is a novel that incorporates religious morals, scientific perspectives and political ideologies in a way that no other horror novel can. Whether it be paganist allusions reflecting morals from Paradise Lost; the cycle of the creator and the condemnations of his creation. Or the correlations with The Myth of Prometheus; the creator being punished for his creation. This remarkable piece intrudes the reader's mind with concepts like: alchemy, chemistry and electricity. The novel’s main character Victor decides to bring back the dead and create a creature of his own.