For instance, Frankenstein is now apologetic for his creation, because “ the beauty of the dream [has] vanished” Frankenstein looks a the creature with such “breathless horded disgust,” he no longer wish for creation to exist (Shelley 70). Frankenstein feel s ambulant because of his actions, he now regrets the making of his creation. Victor Frankenstein is now feared of the hideous creature he has created, no longer wants the recognition of creating this creature, this creature isn’t even socially accepted because of his appearance. As a result, Frankenstein in the real monster of the novel, because he has regrets for the created a creature without facing the fact that it would eventually have to socially interact with others. The actions of Frankenstein creating this frightening creature, created a wretched outcome, because the creature was overwhelmed with such hate that the creature had killed people whom Victor Frankenstein cared for.
A principal topic in Frankenstein is prejudice and it is exceptionally conspicuous all through the book. Bias intends to pre-judge an individual and sadly the monster is dependably pre-judged adversely. The creature understands this himself and says to the group of onlookers, “unfortunately, they are are prejudiced against me.” (Shelley 179). This demonstrates to me that he comprehends that he is not acknowledged into society but rather doesn't really know why.
David Collings corroborates this view in his Psychoanalytic criticism of Frankenstein by acknowledging that the monster wants to “enter the social world, belong to a family, converse, and have a sexual parOne clearly identifiable human feelings that the monster experiences throughout the novel is remorse for the actions he has taken. This becomes more notable as the story progresses especially when the monster states that his “heart was poisoned with remorse” (Shelley 186). In this vital statement said by the monster, his intense regret for his murders is clearly conveyed. He even goes to the extent to metaphorically hyperbolize his feelings of remorse by stating that they have “poisoned” his heart. He adds on by saying
This rejection that Victor placed upon him makes him feel miserable. Naturally a parent is suppose to love their child and accept any image the child gives off and the child will give love and affection back. But there is a lack of this relationship between the creation and the scientist which causes anger within the creature. Furthermore, the author italicized “you” to emphasize how the creature places the blame on Victor for his countenance and abandonment, highlighting these two key concepts. Also, he compares himself to Satan, and feels as if they both associate as the worse.
Victor Frankenstein has made a beast, a "despised fiend" (Shelley 90) who torments him all through Mary Shelley's Frankenstein. For sure, the animal confers a few loathsome acts, which drives Frankenstein to seek after him into the Arctic. However the animal does not rouse a similar dread or repugnance in the peruser; rather he earns sensitivity. While Frankenstein may can't help disagreeing, the peruser associates with the creature since he is disengaged from the world and-shockingly has a delicate heart.
Society is well-known for pushing those who are outsiders or strange away from society. This is prevalent to the examples in Mary Shelley’s novel, Frankenstein. The monster who was created by Victor Frankenstein who wanted to be the first to create life was appalled by the sights of the his creation. Frankenstein’s monster is judged based on his appearances and is often ostracized by society, just as anyone in modern day society can be shunned or pushed away due to their looks or how they think. The most outstanding example of ostracism that occurred throughout the novel is based on the monster’s physical features and structure.
Doctor Frankenstein’s Biggest Regret The greatest minds have the potential to cause the greatest harm. This is evident in Mary Shelley’s novel Frankenstein, as the main character, the brilliant Doctor Frankenstein, through discarded body parts creates a monster, which results in harming the people that mean the most to him. In Doctor Frankenstein’s innocent efforts to figure out the key to life, he ultimately unlocks a tragic door for himself and others. Behind this door, he finds that the knowledge he searched for should have stayed hidden, exemplifying his tragic flaw.
In some aspects, Frankenstein is similar to The Story of Edgar Sawtelle. In both novels, playing God plays a key role in the storylines and has a significant impact on the characters. In Frankenstein, Victor tries to play God by creating life. However, this action winds up hurting him, since his abandoned creation seeks revenge on him for the injustice he causes in the monster's life. It is clear that Victor can not handle the responsibility of playing God, since shortly after finally creating the monster, “breathless horror and disgust filled my heart” and he is “unable to endure the aspect of the being” he creates.
We are made aware of the inequality that the monster previously experiences during his reunion with Frankenstein. Instead of being welcomed in the warmth of open arms, the monster is greeted with much disdain from his own creator. With much animosity, Frankenstein goes on to refer to the monster as, “devil”, “wretch”, “monster”, “daemon” and even a “vile insect” which can further indicate the amount of disgust he holds against the monster, as well as the superiority that he holds over his creation. The monster pleas for Frankenstein to listen to the story of his developmental journey before taking any actions based on assumptions. With much deliberation, Frankenstein agrees to do so.
Frankenstein’s desire to possess forbidden knowledge lessened the pain he felt after his mother’s death. His uncontrollable grief contributed to the frantic rush in which Frankenstein created his monster, leaving it hideously mismatched and enormous. “Many of Frankenstein’s faults are evident in the appearance of his creation” (Creator’s). Frankenstein built Creature using dead and decaying body parts that added horror to the already terrifying size of the monster, easily allowing judgement of Creature’s character just based on his outward appearance.
In many novels throughout literature, enemies often share striking similarities. They push and pull at each other to the point where they lead to the each others undoing, yet they share tremendous likeness. In the novel Frankenstein, by Mary Shelly Victor Frankenstein and his creature are two sides of one person. Both despise each other, and in doing so they are despising themselves. There is a power struggle between the two adversaries, which leads to both Frankenstein, and his creature ending up alone.
Because Frankenstein abandons him, the monster searches for nurture, finding a family to watch from afar. However, the monster believes he “requires kindness and sympathy” and attempts to converse with them in hopes to receive nurture (118, Shelley). Yet, as he speaks with the De Laceys, he gets “dashed to the ground” and “struck violently with a stick” (121, Shelley). This depicts male violent tendencies that dominate feminine nurture. Thus, the nurture that the monster desperately needs is replaced with violence, indicating another example of societies’ failure to foster the monster.
Frankenstein and Bane are two people whose lifestyles are as common as they get. They both come from loneliness and only desire is to be noticed and loved. The two, seem as monsters on the outside, but in the inside they 're as pure as it gets. Frankenstein was a monster with numerous of emotions. People thought of him just to be a monster, but if you really knew him from the inside you would know it wasn’t true.
Frankenstein 's monster, from the story Frankenstein, is an example of a byronic hero. A byronic hero is usually a loner who might be rejected by society, have a troubled past, self-destructive, and usually misunderstood. Frankenstein 's monster is an excellent example of this, as he starts the story being brought to life through impossible ways (Shelley 42). Almost immediately, his creator despises him and eventually abandons him, giving him the rejected aspect of a byronic hero. As the monster progresses in the story, he eventually begins trying to befriend multiple people, just by knocking on their cabins only to be attacked by them and chased away (Shelley 78).
Mary Shelley, in the last pages of Frankenstein, expresses that loneliness is the source of anguish. Shelley supports this with the juxtaposition of happiness and despair, biblical allusion, and parallel structure in order to point out that one’s affliction is caused by a lack of compassion and companionship. Shelley’s purpose is to show the result of perpetual loneliness so that she may better point out the necessary requirements of meaningful existence. Shelley first uses the juxtaposition of happiness and despair to show how loneliness causes anguish.