Victor suffered from the loss of all his loved ones, which impacted the theme sorrow & loss in the novel. He also loses contact with the social environment, driving him in a pursuit of knowledge that later leads to the monster that causes all of his misery. Both of these aspects add to the themes of guilt & regret plus isolation. Through Victor Frankenstein, many of the overall themes presented were
10)Victor’s dismay for the monster doesn’t mean he shouldn’t take responsibility and take care of his creation. 11) Victor spent plenty of time on the creature and the monster, larger and stronger than Victor petrified Victor which caused him to enter a state of illness caused by fear. 12) A person who lacks an identity such as Victor attempted to create a life which resulted in a hurried project and a scary creature.
Shelley’s novel encompasses the unknown and how ambition drove Victor’s passions, ultimately leading him to the tragic end with many other bumps in the road along the way. As Victor had been in the study of life and its cause, the death of his mother had catalyzed a movement of grief which had started, “…depriv[ing him]self of rest and health. [Which he] had desired it with an ardour that far exceeded moderation…” (Shelley 35). Even though he knew that he had been raiding graveyards, Victor believed that he created the body with the ‘finest body parts’ available.
In the novel, Frankenstein, by Mary Shelley, the two main characters, Victor Frankenstein and his creature, both display a sense of moral ambiguity. Each character has committed both good and evil alike, and neither knew the consequences of what they had done. However, Victor Frankenstein is generally the morally ambiguous character by his treatment of his creation and his own imperious personality. He wanted to be able to help science by recreating life or bringing it back, but at the same time, he did not want to consider the consequences of doing so. Victor tries to prove himself as a good moral character in the relationship between his creation and himself.
The Monster tried to do everything he could possibly do with other humans right, but they just didn’t accept him. The Monster new no one would accept him until the day he died so he just wanted Frankenstein to make him a wife so he would have someone just like him. So The Monster snapped and said to Clerval “He made me too well. I’m disgusting to look at”. When the Monster said this anyone would have sympathy for him and the way Pullman wrote this he made sure it did because when the Monster said that it sounded like he had a bad image of himself because he had gotten that off other people.
This much is true for Victor’s failure to take responsibility for not only teaching his creation about life but also failure to take responsibility for the actions of his creation. “Frankenstein! You belong then to my enemy… you shall be my first victim” (153). Victor’s knows that he is responsible for the death of William because he abandoned his creation and made the monster learn the hard way that he would not be accepted into society. But he has no choice but to let Justine take the fall for the death of his brother because he fears being seen as a madman.
I had feelings of affection, and they were requited by detestation and scorn,’” (Shelley, 20.11). Victor denies the monster humanity because he is appalled by his features, and that’s what makes Victor the true monster. He made early judgement on who the monster was before the monster could speak because he was terrifying, and society had made him believe that if it were different it was dangerous. Even when the monster promised to leave society forever if he were only given someone to love, to feel normal, the idea that anything outside their realm of societal norms being allowed to continue existing was just too much for Victor.
What Mr. Ballen is saying is that, because of this abuse from his father, Ammad felt he had to get his father’s love in any way possible, and in his culture the approval from one’s father is extremely crucial to having a good life. But because of these beatings, he turned to religion to find that love that he never got from his father. This relates back to Frankenstein’s monster who only wanted love from his creator, his master. The monster even said he was “his Adam” referring to the fact that Victor created him and it was his duty to provide from him, whether it be food or clothes, or a fatherly figure to guide him in
Yea I really feel bad for the seeing Frankenstein desemble the female monster and his whole life not being loved and stuff and being rejected, but to make another monster is just not the best idea. If he were to make another monster all these reasons I made I said could have happened. I think the best thing to do in this situation is Frankenstein must love the monster and be his greatest friend in the world and bring introduce the monster to his family and still not say who killed William. So I think this is really going to be Frankenstein 's choice and the creature 's fate really depends on Frankenstein so hopefully he could make good choices for his
"Believe me, Frankenstein, I was benevolent; my soul glowed with love and humanity; but am I not alone, miserably alone?" (M. Shelly 114). Therefore the daemon's nature must be loving and compassionate, but because he experienced a lack of nurturing, that he was expecting to receive from his creator, Frankenstein, this then caused the daemon to be monstrous and seek revenge upon his creator; therefore Frankenstein's pain was a result of his own failures. The character of Frankenstein argues that both nature and nurture influences the behavior of people through his actions against his very own monster and in turn the effect of those actions on himself. Frankenstein left the monster alone, and the monster reacted for seeking that Frankenstein should feel just as much loneliness and woe and he did by killing off his entire family.
Mental health is presented in a similar manner in Hamlet and Ordinary People, because both Hamlet and Conrad, are devastated, and thrown into a spiral of depression, by the loss of a family member, and the deterioration of their families. Hamlet falls into his hole of depression when his father is murdered and he finds out that his mother is guilty of incest with his own uncle. When Hamlet says, “A little month, or ere those shoes were old / With which she followed my poor father’s body, / Like Niobe, all tears-why she, even she…married my uncle, / My father’s brother,” (Shakespeare, I, II, 147-153), we see that he is extremely disappointed in his mother for not only remarrying so quickly, but, marrying her own brother-in-law, and he is upset at the loss of his father. In Ordinary People, Conrad sinks into depression after his older brother, Buck, drowns in a lake accident, and he falls deeper into depression when he realizes that his parents’ marriage is deteriorating slowly.
But when it was born, if mind was cleared, and he had realized what he had done. He had created a monster and had to disown it. He didn’t want anything to do with it because he felt ashamed that he created such a
In many novels symbolism functions as a way to reveal much of what is intended for the reader to understand about characters and the work as a whole. Symbols can be ideas, objects, or actions that constitute multiple interpretations or meanings. This is also true for many older novels including Frankenstein. Throughout the gothic fiction novel Frankenstein by Mary Shelley, the use of symbolism and the role it partakes in the entirety of the story signifies its importance. There are many symbols throughout the novel some including light and fire, the creation story, and exploration.
Frankenstein by Mary Shelley is a gothic novel that tells the story of scientist, Victor Frankenstein, and his obsession with creating human life. This leads him to creating a gruesome monster made of body-parts stolen from grave yards, whom upon discovering his hideousness, the monster seeks revenge against his creator, causing Victor to regret the creation of his monster for the rest of his life. Shelley uses the literary elements of personification, imagery, and similes to give a vivid sense and visualization of Victor Frankenstein’s thoughts and feelings as well as to allow us to delve deeper into the monster’s actions and emotions. Throughout the novel, Shelley uses personification of various forces and objects to reflect the effect in Victor’s actions.
There are very few people that would question the dark and horrific nature of Mary Shelley’s writing in her novel Frankenstein. However, Mary also manages to connect the reader to the characters through the use of an emotion that is not commonly found in the horror genre. Guilt is one of the major over-arching themes of Frankenstein and can entirely change how a reader may view a given character, and Shelley uses this to show how each character changes over the course of the story. In the novel, nearly every character goes through their own stage of guilt of varying intensities. Elizabeth, Victor, and even the monster feel guilt for their actions or lack thereof.