The Fukugawa-Edo Museum was certainly full of surprises. At first, I did not know what to expect and considering the exterior of the museum depicted somewhat like any normal museum to me. However, upon entering I was impressed by the ultimate recreation of the early 19th century Edo village, the Sagacho area to be exact. The room was compact and the whole town can be viewed from above comprising the street, row of houses and shops, fire tower and a canal near the boat house which was used to transport goods and people to Yoshiwara. In addition, one can definitely be enthralled and captivated by the display as it gives that feeling of what life was like in Edo during that era. Nonetheless, the museum portrayed the day-to-day lives of the people such as the merchants at that time which was undoubtedly remarkable.
The arrangements and attention of details was surreal as each of the buildings and the insides have been thoroughly
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In addition, they were also undeniably crowded since it was during the weekend. The exhibition was huge, the setting looks exclusive and full of distinguished Japanese traditional art called Ukiyo-e. The collection comprised of the two talented and popular Ukiyo-e artists in Edo era, Utagawa Kuniyoshi and Utagawa Kunisada. I was overwhelmed as I stepped in to the exhibition looking at the walls filled with Ukiyo-e prints one after another and altogether there was around 170 art works. However, it was a noteworthy exhibition as one can have a glimpse of Edo society as they walked through the neat arrangement that flows well and categorized according to themes, which allows visitors including myself to appreciate this work of art avidly. Nonetheless, the only downside was the audio that enables visitors to listen to the description of the art provided was only in Japanese, hence it was a little
Edward Koiki Mabo (Eddie) is a well-known Australian Indigenous person, who throughout his lifetime was committed to obtaining justice for Indigenous Australians. His greatest achievement was his stand against racial discrimination and his fight for Australian laws to recognise the traditional land rights of his family and the Meriam People of Murray Island. As a result, the doctrine of terra nullius, that claimed Australia was a land without owners, was overturned, changing Australian law forever, and the Native Title Act was introduced, which legally recognised the traditional land rights of Indigenous Australians. Edward Mabo was born Edward Koiki Sambo, at Mer (Murray Island), in the Torres Straits on c. 29 June, 1936, and at that time
She writes, “The standard apology for museum sales activities, ‘Because we need the money. ’”(Source D). This describes the gift shop aspect of the museums and how it is not well regarded among both museum patrons and art connoisseurs alike. Even though this system of earning money is not what the public would like to see, it is still essential to running the
These pieces are highlighted with natural light by a clever system of mirrors. The museum sits on a 15 acre lot, surrounded by gardens and natural beauty. The Approach One of the first things that I noticed was the impressive gardens
Whose history does museum represent? How do museums represent history? Museums are important places for history. The displays help us to discover who we are, and how we have come to be who we are. But the displays in museums do not just happen, just like all representations of history, whether in books, songs, oral accounts, or even collections of photographs and documents, they have been created and constructed by someone for a purpose.
My favorite exhibit was a rumbling Pullman car. I enjoyed this exhibit because it took me back through time and made me feel as if I was on it. This museum also had many wax sculptures which helped depict railroad life in 18th and 19th century. I also liked this because it made feel
Museums are underrated in that no one really acknowledges how important they are in not only society, but also preserving the history of that society. The role of the museum is to materialize history by expanding what the textbooks depict and show the physical manifestation of the past. Without museums, the only portal society would have to envision the past would be through textbooks. In essence, this means that there would be no real way to physically see or feel history as the only method would be reading texts describing what they looked or felt like. However, it is obvious that the public does not see every single artifact, or units in which history is preserved.
The medium executed in the canvas is oil paint. From the original location, the artist intends viewer to visual the painting in only one orientation. The painting is located directly in front of the viewer. This critique points the description, thorough analysis and viewers judgement of the artwork.
At the beginning, we were kind of disappointed when the ticket seller told us that a half of the exhibit was currently closed. Because we did not see anyone come to us as a tour guide, we decided to discover everything here by ourselves and latterly found it very interesting even though it was our first
Throughout history there have been many Queens. All over the world, many monarchies had an influence on their people. Such was the same during the 19th century in Hawaii. Before the United States took over, was Queen Liliuokalani. Queen Liliuokalani may be called a hero if we define the term as a person who, endowed with extraordinary qualities of heart and mind, determined to achieve a near impossible goal to restore monarchy powers and succeeds in the face of serious opposition against the United States.
The environment of the Museum creatively stands out as an amazing place to learn. The Museum has the capability to inspire people to tour the Museum open-mindedly, taking in the realistic 3D versions of Florida’s history. The Museum is “inspiring people
The museum encloses the original sod house which is the key exhibit. Visitors can enjoy the experience of walking through the “soddy” and view exhibits, artifacts, photographs, and the homesteader’s root cellar in the museum area. (Sod House Museum). The artifacts and exhibits portray the daily lifestyles of the pioneers. There are so many more to explore outside of the ones I mentioned
You’re walking through an underground pass, and you notice something strange. You happen to be near Gloucester, UK, and you see a large mural while walking around with your coffee in your hand. It happens to be a work of Chiho Aoshima, a rising artist of the Japanese Contemporary movement. You stand a few minutes, letting the busy crowd wash over you like busy fish over a stationary pebble in a stream. Your coffee is cold now, but you feel warmed by the vibrant colors of the mural.
Katsushika Hokusai was a Japanese artist specializing in ukiyo-e painting and printing. Ukiyo-e is a form of Japanese art which was popular in the 17th through 19th century. In English, ukiyo-e translates to “pictures of the floating world.” It is a wide range of paintings and woodblock prints such as faces, landscapes, flowers, and even erotica. Hokusai’s most famous painting is the Great Wave.
Furthermore, the transition in the height of the walls inside of the museum were very appalling. As I walked around the mesuem I notice that the paintings were not hanging up on the wall. Instead these paintings were placed on the floor leaning on the wall in a diagonal motion. Furthermore, in this museum there were a lot of African artifacts, sculptures, and mask from different parts of Africa. Also, there were brief information that went along with some of the African masks and sculptures.
Sakoto Fujikasa featured work of artistry displayed within the Harn Museum is know as “Stream.” This piece in particular demonstrates a medium that has been contorted to displays various ripples and waves to resembled that of flowing water. Hence, the name “stream” best befitting it’s whimsical nature. However, at a deeper interpretation of her piece, it can be seen that there is a hiding meaning.