The biographical history of an author greatly influences the way he or she writes a novel. In Fyodor Dostoyevsky’s Crime and Punishment, Dostoyevsky envelops his life history within the novel, creating characters who parallel with those in his real life. Similar to many of the other Russian children at the time, Dostoyevsky was not brought up with a loving father; as a matter of fact, his father was a very stern and rigid man, contrary to Dostoyevsky’s loving and caring mother. At a young age, Dostoyevsky’s father forced him to enroll in an engineering school, disregarding Dostoyevsky’s love for literature. One night, when his father was walking him to enroll in the school, Dostoyevsky encountered a government courier viciously beating his …show more content…
Dostoyevsky, however, was never able to receive the loving comfort that he needed from his father; instead, he could only wish for such love in the form of a dream.
In addition to his father, Dostoyevsky includes the loving traits of his mother within the character of Pulcheria to highlight the impact his mother had on his life. Throughout the novel, Pulcheria tries her best to take care of Raskolnikov; her selflessness is displayed when she writes him a letter, when she stays at his house waiting for him to return, and even at the end of the novel when she worries about Raskolnikov on her death bed. Dostoyevsky creates Pulcheria as a conventionally idealized, pure, loving and self-sacrificing parent according to J.R Maze. J.R Maze also states that Dostoyevsky was enormously attached to his mother because he lacked a caring father figure in his life. By creating Pulcheria the way he viewed his mother, Dostoyevsky was able to contrast the different parental figures he had during his adolescence.
After his time in engineering school, Dostoyevsky soon began to realize that his true passion lay in writing. He began to hone his skills as a writer and soon published many short stories in several
Sansom writes, “He faces his mortality and realizes the failure of constructing a life on preferences and abstract relationships” (421). Shallow relationships and a focus on outward appearance lead to a neglect of Ivan’s actual purpose. In this time of Ivan grappling with death, Tolstoy proposes the idea that before we die “the choice is not how to act in ways so that we can control our death and question the meaning of life, but whether there is a reality to which we can find real value as individuals that is not nullified by the existential syllogism” (Sansom 424). The control that he sought as a way to defend himself against chaos does not lead him to peace; instead, it disappoints him and helps move Ivan to a place of deeper understanding. At the very end during an interaction with his son, Ivan finally “empties himself of meaningless false images of human purpose, [and] he then sees how to respond honestly with integrity to his destiny” (Sansom 427).
Tolstoy portrays to us that Ivan’s life is soon coming to an end by providing us (readers) with many recollections and details from his childhood. Tolstoy also demonstrates how Ivan will die without truly living because he never thought about how death would turn the corner and take him and never lived his own, unique life. Throughout his adulthood, Ivan made choices and completed actions, not for his own sake, but because that is what society accepted, and he wanted to be accepted by society. The details in Ivan’s life are present, but he doesn’t notice those details and goes right along with his work and card games; never showing any emotion towards practically anything in his life.
Raskolnikov 's act of violence is what causes him to go insane, impacts the lives of the people around him, and finally violence is Raskolnikov’s way of proving himself as an above-average individual. Dostoyevsky used violence to change the course of not only Raskolnikov’s life but also the lives of the people around him. The story shows how one man 's image of himself as a higher being can cause him to commit violent acts, which impact everyone around
Anna Karenina and Leo Tolstoy’s Genius Jealousy in relationships, along with high stakes and consequences never make for a happy ending, especially in nineteenth century Russia. However, in Leo Tolstoy’s Anna Karenina, Anna’s love affair with Count Vronsky leads to unsavory consequences and Levin’s conflicted feelings towards his son creates a near tragedy. Interestingly enough, many events throughout some of the characters’ lives were based on Tolstoy’s own life. From being financially irresponsible when he was young to seriously questioning his own beliefs, the author sets up many different parallels between his life and those he created in the book. In Tolstoy’s Anna Karenina, a naïve Anna falls into a torturous love affair leading to themes
Dostoevsky repeatedly refers to Raskolnikov’s apartment as a closet or other such small enclosure. As others learn of his crime, and guilt closes in on Raskolnikov’s conscience, his dwelling shrinks in proportion. For example, after Dunya receives a letter from Svidrigailov, Raskolnikov becomes paranoid that she
Raskolnikov confronts reality and can never again legitimize his activities in light of political perspectives. The writer of Crime and Punishment, Fyodor Dostoyevsky composed this book uncovering some of his own perspectives on legislative issues and consolidating them all through the story. Like Raskolnikov, Dostoyevsky was captured by the administration and punished for his offense. He was rebuffed for his radical communist positions, just to later reject these thoughts. Through the story, the creator fuses a solid message of exactly how intense the legislature is and the solid impact of governmental issues.
He claims his intelligence is an affliction. He longs to be slapped in order to spend the rest of his life strategizing revenge, although he will never perform the narrative. Dostoyevsky urges readers to question the validity of an impenetrable wall. Dostoyevsky seems to be creating excuses for not making choices. He calls men of action stupid
In Crime and Punishment, Fyodor Dostoevsky highlights a time of tremendous psychosomatic turmoil within his main character, Raskolnikov. At this point, Raskolnikov and Porfiry have established their relationship in reference to the murder of the pawnbroker and her sister. The two have gone back and forth—Porfiry certain that Raskolnikov is hiding something, while Raskolnikov has weaved around any curveballs thrown in an attempt to trigger a confession. However, Porfiry downright challenges Raskolnikov with the discovery of Raskolnikov’s “ordinary paper”. The paper details Raskolnikov’s beliefs about people who are considered ordinary and those who are extraordinary, which in turn allows for murder.
Raskolnikov’s accumulating debt owed to his landlord prevents him from moving outside of Saint Petersburg and causes massive emotional damage. Each time he leaves his apartment, he fears seeing his landlady, The stress and anxiety arising from the debt he owes to his landlord causes him to become unruly and he had, “fallen into a state of nervous depression akin to hypochondria,” feeding into his detachment from society. Not only does Raskolnikov’s living situation seem grim, but his room itself furthers his emotional detachment from society. Raskolnikov’s room allows him to dehumanize himself.
As a child, Anton Pavlovich Chekhov had the best imagination out of all his brothers. Since a young age, Anton Chekhov had been working on his craft writing and even making amateur plays at home. He had grown up to become a successful playwright. To even today in modern times we still create plays on Anton Chekhov’s work, he creates such realism in his writing we can still relate even if it was written in a different time period.
She is overwhelmed with emotion while on the tracks, and questions why she is where she is, and how she could have possibly ended up here. She is struck and killed as she tries to get up in a struggle to return to the train platform. In this scene, along with many others, Tolstoy attempts to portray a message about the effects
Nabokov inherited his father’s hard work ethic and his mother’s creative sensibility and innate spirituality (“The International Vladimir Nabokov Society”). He was
There have been many revolutionary writers from many different eras and backstories, but many cannot outshine the influence and advanced writing style of Leo Tolstoy. He created new ways of seeing characters and thought outside the box when it came to plots and book ideas. Tolstoy also had a unique background that flowed into his writing. This left hints of his memories and thoughts throughout his strange stories.
It was the theory that became the idea of the main character of the work, Rodion Raskolnikov, who decided that a strong person has the right to ignore the laws of conscience and morality to achieve his/her goal. The Raskolnikov 's purpose was noble: to retrieve his relatives, in particular, mother and sister, from humiliation and death. But here again we are facing with one of the enternal questions: does the end justify the means? Thus, step by step Dostoevsky reveals the falseness of his character 's theories describing their disastrous consequences for the soul of Raskolnikov.
The function of religion is a very important yet subtle theme in Dostoyevsky’s Crime and Punishment, and is presented through the novel’s characters and their various associations with religious allusions. The presence of religion in the novel offers a unique paradox; on one hand, the text circulates around a godless person who committed a reprehensible and sinful crime, while on the other hand the importance of religion and how each individual understands it is emphasized. Due to this, the idea of ‘Holy Sinners’ arises, in which there are characters that take part in appalling actions, but symbolize purity as well. The most prominent characters to demonstrate this paradoxical take on religion are Sonya, for her being praised for her purity but shunned for her occupation, and Raskolnikov, for committing a terrible crime but coming to terms with it in the end. First and foremost, a character that displays this paradoxical view of necessary wrongdoing is the saintly prostitute, Sonya Marmeladov.