‘Gattaca’ is a strong example of science fiction genre. Andrew Niccole’s film explores a society in which science, genetic engineering and perfection are worshipped and has successfully divided people into ‘valids’ and ‘invalids’ based on a reading of their DNA . This film acts as a kind of lesson for current audience , because it depicts a future corrupted by technology .Gattaca focus on the futuristic use of technology to determine the future of an individual by their DNA extracted from birth and the implications it has .The increased focus on technology has decreased human element.
The opening epigraphs, “I not only think that we will tamper with Mother Nature, I think Mother Nature wants us to (William Gaylin)”, and “Consider God’s handiwork;
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The scene begins with a criticised interior of ‘Gattaca’. The crisp white walls, artificial light and minimalistic decorations indicates the structured and rigid nature of the society, as the is no room for imperfection.It later focused on hundreds of workers dressed in suits, ascending an elevator. The costumes and low-angle shots of the rising workers indicates that these are the noble in the society .
The protagonist is sighted as he reaches the very top of the elevator .His appearance is very professional , as he has smooth back hair ,a suite and a well fixed tie. Which indicates as rising to successes for the protagonist . He pierce his finger on a device , which triggered a green light, indicating his genetic code.The sound effects emphasises the lack of warmth within ‘Gattaca’ institute, as repetitive loud footsteps emphasise the tedium and lack of individuality and space within the ‘Gattaca’.
As he is introduced as Jerome , he uses a small vacuum to clean particles from his computer keyboard to exterminate any evidence of his DNA. There is an extreme close up as he sprinkles the content in the jar which compromises of skin, hair and nails around his work station . The contents in the jar are key elements throughout the film, as they represent the society’s obsession with genetics
The creative piece presented was written to respond to major themes developed in the film Blade Runner (1982). One of these themes presented is the moral issue regarding the creation of synthetic humans. To address this the topic question “The real or synthetic: do we even care?” was utilised. This theme is continuously prevalent in the film as the Replicant protagonists’ fight a profound battle to establish themselves as more than slaves for mankind, as it is “Quite an experience to live in fear, isn't it?
This is also reflected in contrast “ We’ll be growing things not killing them, we’ll move with seasons, we’ll be free”. This also delineates the way he feels the desire of freedom and
The family shows signs of being part of either a low or poor class based off the conditions of the household they are living in and the bareness of their apartment. For instance, the dining room is extremely small and the kitchen seems old and worn out. Correspondingly, the family members seem to lack personality due to to the simple clothing they are wearing. However, the bright colors found interior of the home create a contrast between the dreary environment of the household. This helps convey the message that although the family may not be as economically stable and live a dull life, they still happily interact among one another and come together every evening to have a meal together.
In his passage from “Last Child in the Woods,” Richard Louv uses various rhetorical strategies in order to make his audience more supportive of his argument. The passage discusses the connection, or really the separation, between people and nature. On this subject, Louv argues the necessity for people to redevelop their connection with nature. His use of tone, anecdotes, rhetorical questions, and factual examples all help develop the pathos and logos of his piece.
A Raisin in the Sun PBA Unit 2 Cinematography and filmmaking are art forms completely open to interpretation in many ways such lighting, the camera as angles, tone, expressions, etc. By using cinematic techniques a filmmaker can make a film communicate to the viewer on different levels including emotional and social. Play writes include some stage direction and instruction regarding the visual aspect of the story. In this sense, the filmmaker has the strong basis for adapting a play to the big screen. “A Raisin in the Sun” is a play by Lorraine Hansberry that debuted on Broadway in 1959.
Susan Sontag, an author of the essay “Imagination Disaster,” explores the world of science fiction as she discusses the tropes in films from the mid-1900s. Throughout her essay, Sontag analyzes why these types of films were created, and basically ties her discussion with humanity. With the growing technological advances, science fiction films state specific things about how science threatens humanity. She also ties her discussion to how sci-fi films tend to serve an attempt at distributing a balance between humanity and the technological world. Sontag claims that science fiction films has suspense, shock, surprises, has an inexorable plot, and how they invite a dispassionate, aesthetic view of destruction and violence.
The film 13th directed by Ava DuVernay targets an intended audience of the Media and the three branches of the United States government with an emphasis that mass incarceration is an extension of slavery. It is intended to inform viewers about the criminalization of African Americans and the United States prison boom. 13th uses rhetorical devices in its claim to persuade the viewers by using exemplum in the opening seconds of the film. President Barack Obama presents statistics, saying “the United States is home to 5% of the world’s population but is home to 25% of the world’s prisoners.” Also the film uses a hyperbole in talking about the movie Birth of a Nation produced in 1915 which portrays a black man as a violent savage who will kill white women.
Crashing waves on a beach with a magnificent sunset in the background, a picture perfect scene for a summer romance. The magic mood is quickly turned gloomy by the sweet Australian accent of Sandy Olsson exchanging her goodbyes with her summer love, Danny Zuko. The opening scene of Grease may seem [depressing] but it sets up for one of the most interesting love stories put to film. Grease is a movie with great musical numbers accompanied with wonderfully executed dance routines and an unforgettable plot. Although there are questionable incidents throughout, it will always be classic.
J. Eckleburg on an old advertising billboard overlooking the worn-down town is a powerful image symbolizing God’s eyes. “But his eyes, dimmed a little by many painless days, under sun and rain, brood on over the solemn dumping ground.” The image of the eyes is corroding after many daily harsh conditions. This symbolizes the lost hope of the people from the town. It may also symbolize the idea of God fading away from the desolate land.
Mickey Ngobeni Research Question: Is the movie ‘Gravity’, according to Newton’s laws and physics in general, accurate? Introduction: ‘Gravity’ is a sci-fi, techno-thriller movie that has its plot’s setting based in space. Astronauts (main characters: Sandra Bullock as ‘Dr. Ryan Stone’ and George Clooney as ‘Matt Kolwaski’) are sent into space, yet encounter a series of events, most of which is susceptible to occur in outer space (Foogray, 2015). Questions have risen as to how accurate the movie is according to physics and Newton’s law, and many have been answered.
It shows that in order for one to live happily and carefree, one has to be a part of the upper class
Nature is easily projected onto, as it allows for a sense of peacefulness and escapism. Due to its ability to evoke an emotional reaction from the masses, many writers have glorified it through various methods, including describing its endless beauty and utilizing it as a symbol for spirituality. Along with authors, artists also show great respect and admiration for nature through paintings of grandiose landscapes. These tributes disseminate a fixed interpretation of the natural world, one full of meaning and other worldly connections. In “Against Nature,” Joyce Carol Oates strips away this guise given to the environment and replaces it with a harsher reality.
Jordan Peele is the director and screenwriter of the horror thriller Get Out. The film was released on February 24, 2017. The movie is about a young successful African American man named Chris, who is dating a wealthy white woman, named Rose. He goes on a weekend trip with his girlfriend to meet her family and it turns out to be a nightmare. The film Get Out reveals the horror of liberal racism in America.
Italian Cinema Introduction: Since the start of the Italian film and cinema in the early 20th century, Italian movie makers and performers passed in a successful era on an international level and have influenced film industries throughout the world. Italian films have earned 14 academy Awards for best foreign language film which out the country in the first placement in the world and 12 Palmes d’or which place it in the 2nd place worldwide. The first Italian films were the adaptations of books or theatrical plays, using complicated set designs, rich costumes and high budgets. One of the first Italian cinema style was Italian futurism.
Documentary filmmakers strive to capture the real in their documentary films – a convention used by both fiction and non-fiction films to immerse their audiences into the issue. There are a few common methods used by filmmakers to capture the real, all stemming from Dziga Vertov’s theory of Kino Pravda, which explores the idea of truth in films. Realism is important to filmmaking as it helps question the relation of a film to reality. More often than not, our disbelief are suspended the moment we are exposed to a documentary, and we believe what we see much more easily than when watching, say, a movie or television program. A documentary’s main concern is to present a film taken from reality, and to show that reality to audiences as closely as possible.