Without the lesbian pulp novels of the 1940’s through the 1960’s the United States and perhaps the world would be putting queer people in institutions; prisons and psychiatric wards just for being queer. The film Carol which is based on a lesbian pulp novel of that era is an excellent example of what women who are lesbian or bi-sexual might have had to deal with.
Books, Films, & History
In the 1940’s through the 60’s was a curious time for lesbian women where there where many laws against people’s sexual orientation. Queer people are discriminated against which was much worse for any queer person about 60 year ago. It was also very dangerous to be queer during this era as well, and it is still a little dangerous but not as much because of
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Being queer is not something people chose like going on a diet or choosing what to wear and can’t be fixed by therapy, because it’s not something to be fixed, however that is what was and is taught and the lesbian pulp novels helped change that view in many ways. In Keller’s article about lesbian pulp novels from fifty to sixty years ago she shows a correlation of queer people’s views of themselves and how that improved by being able to read a story that they could relate with even if it was a biased story, because as she explains it helped homosexual people see that they aren’t flawed as society would say they were (2005). Society still says to people that are queer that they are flawed by the content that is portrayed, however one could say that the pulp novels of the 1950’s and 60’s helped change some of the way society views …show more content…
A common misconception of queer people is that they decided to be like this, which the book subtly disputes in chapter 16 after the first time they had sex Therese asks Carol, “don’t you think it’s more pleasant than sleeping with men?” Carol told Therese that it depends on who the man is that she’s sleeping with that could make it enjoyable and Carol suggests that Therese try other men before deciding that its most pleasant with women. Carol goes on to say that, “whom you sleep with depends on habit”. This part of the book sends mixed signals by Carol saying that Therese’s just needs to experience other men, which says to the audience that they might not be lesbian if they just find the right man. In 1952 when the book was published the idea that a woman would be lesbian sometimes was based on moral depravity or that she just hasn’t found the right man to sleep with. Conversely, in the film Therese is portrayed as a lesbian who has never had sex with a man. The book and the film show how life was and how it is now. Even though the film was based in the past, by portraying Therese as more headstrong instead of the very shy nervous Therese from the book they both send different signals. The book says that a person needs to experience other things in life before knowing what they want, and the film
As someone who feels as though they are well versed in issues of LGBT discrimination and history, I felt so taken aback by this history of violence and systemic homophobia, and that I wasn’t even fully aware of it’s extent. Feinberg’s writing provided me with a lot of insight relating to current issues and the history of the LGBT movement. The most important thing I think to take away from this novel is to think outside of the binary in terms of gender expression or sexual orientation. Humans are not black and white and neither are their psychological makeups, trying to fit all of humanity into two neat, strict boxes does not work for a vast majority of the population. Realizing that even within the gay and lesbian community pressure to identify as “the man” or “the woman” in a relationship is very real.
Did you ever think about what actually happened in the 1900 or before with people who were a part of the lgbtq
In "When Brooklyn Was Queer," Ryan presents a handful of unique accounts that reveal how queer individuals have previously been marginalized and have sought for acceptance. Ryan, for instance, recounts the story of Louie, a gay man who was held and arrested in the 1930s solely because he was gay. Louie's experience is one example of the many ways LGBT people have been criminalized and mistreated throughout
These efforts were rewarded in the sense that because lesbians were seen as having done a “good work” Homophobic fears began to subside within the ranks of women. Lesbians gained I respect they had not enjoyed before as heterosexual activist chain to appreciate their arguments and saw for themselves how lesbian baiting have been used to stifle the female self-assertion. Because of the growing women's movement in the early 1970s Congress was forced to passed more legislation for women's rights than ever before or since. Document 13 illustrates
Society tries to create a “perfect” image on people; leading us to believe that if we are not the specific way that we created, we do not fit in. In reality everybody is supposed to create themself, regardless of what society believes. Does what we label others matter? Who are we to judge how others chose to create themselves? In David Crabb’s memoir Bad Kid, Crabb takes the readers through what it was like discovering that he is gay, and how that changed how kids treated him during school.
Even to this day, shame about one’s sexual orientation remains a prominent topic. Whether one identified themselves as gay, lesbian, and transgender, society viewed them and their actions as a sin, a crime, and a disease, which only increased the amount of shame–a painful feeling of distress or humiliation caused by the consciousness of wrong or fooling behavior–they saw within themselves. Then changes began to occur as a group of gays, lesbians, and transgender people confronted police in an event known as the Stonewall Riots or the Stonewall Uprising, which became a turning point for gay liberation. Alison Bechdel’s Fun Home is a 1980s, family tragicomic-graphic memoir that addresses this perspective turning point through the use of the labyrinth
The 1930s ushered in a long period of stricter legal, political, and social regulation of homosexuality. In the 1960s, homosexuality was regarded as a moral perversion and a psychological disorder. Open or suspected homosexuals suffered public suspicion, job
She lacks sexual determination. While Jasmine feels that sex is something that “he did that to everyone,” (11) when referring to the lifeguard, Erica still believes that one has to make a decision on whom to sleep with. After losing her virginity, Erica loses her naivety and gains full control of the situation to Erica, making her the subject of her own sentence, and allowing her to have total autonomy. She embraces her new sexuality. According to the article “Sexualities”, the genre of virginity loss is considered to be most popular and significant in the 21st century (McAlister 1).
Jimmy states that the gay community are “assimilationists, the same bunch of folks telling your great-grandparents to get a job and cut their hair and don’t talk Indian (155).” In conclusion the author uses his character’s as a way to open the eyes of his readers. As previously stated, having a different sexuality than the one expected of you, doesn’t change who you are as a person. Yes it might change how people see, or treat you, but it should never cause you to hate you uniqueness.
Students of history have a tendency to depict the 1950s as 10 years of success, similarity, and accord, and the 1960s as 10 years of turbulence, dissent, and dissatisfaction. These generalizations are to a great extent genuine, however, as with everything in life, there are special cases to this point of view. Consequently, the antiquarians ' depiction of the 1950s and 1960s is exact for the lion 's share of Americans; however a few gatherings were obviously special cases. The 1950s were portrayed as a prosperous and traditionalist decade for some reasons. The principal and most boundless of these reasons was the advancement of suburbia.
The queer historical past has been characterized positively, with aspects such as identification, desire, longing, and love highlighted (31). In contrast, Heather Love seeks to focus on the negative aspects that characterize the relationship of queer history amid the past and present, in her work, “Emotional Rescue: The demands of Queer History,” the first chapter in her book, “Feeling Backward: Loss and the Politics of Queer History” (31-32). According to Love, some queer critics have failed to include the harsher accounts when studying queer cross-historical relations. The negative aspects of the past that queer figures can relate to makes it relevant. In her article, Love critiques various works to identify the negative aspects present within the queer history.
Eve Kosofsky Sedgwick in her Epistemology of the Closet claims that “many of the major nodes of thought and knowledge in twentieth-century Western culture are structures—indeed, fractured—by a chronic, now endemic crisis of homo/heterosexual definition” (Sedgwick 2008, 1). Sedgwick argues that it is a crisis “indicatively male, dating from the end of the nineteenth century” (1). This is an interesting point since the male perspective is the pillar, of the Western Patriarchal model of gender role’s construction—and for our purpose sexual identity constraint. The author, in her book, says that “virtually any aspect of modern Western culture must be, not merely incomplete, but damaged in its central substance to the degree that it does not incorporate a critical analysis
This novel follows the life of a recent college graduate, Marian MacAlpin, through her career and emotional maturation in a somewhat unnatural, if not threatening world. The queer concept of this world is branded by a spectrum of moral viewpoints of gender politics that manifest themselves and surround Marian. The political and cultural values and practices of a male dominated and sex driven society depicted in the novel are so strong that they seem to devour Marian physically and emotionally. She rebels against this cannibalistic, patriarchal society through a comestible mode and the end, reclaims her identity crisis by restoring her relationship with
Later on after saying “I am a woman” to remind themselves that they are acting as women and should not flirt with other women, since that is not an norm of the gender. As they assimilate to the gender, they are becoming more used to it, since they are repeating the same actions and thus becoming the gender of woman. As being hetero is still the norm, the film portrays a heteronormative situation, where the men cannot show that they like the women, as that is not the norm in the society and thus the film lacks a portrayal of homosexual norms, even though the men could have continued flirting with the women, and thus portraying homosexuality. If they would have portrayed that form of homosexuality, the movie would have showed less homosexual panic. Thus being more accepting of a society that is less
Lesbian, Gay, Bisexual and Transgender (LGBT) Community are a variety of people who belong in the diversified third sex. LGBT Tourism is a segment within the Tourism industry which aims to attract and market locations appealing to the LGBT community. The main objectives of LBGT tourism are; to promote travel services, accommodations and destinations that will fascinate LGBT tourist; propose LGBT-friendly attractions; offering destinations to individuals who wants to travel for socializing with other LGBT people and LGBT travelers who are predominantly focused with cultural and safety issues. What are the preferences of the LGBT Community in determining a tourist attraction? Are they in search for something more specific within the attraction?