Gender Bias Essay
The two songs being compared and contrasted are “Dope” by BTS and “Face” by Nu’est. The song “Dope” is upbeat and catchy. The melody is so great you’ll want to learn the dance along with them. “Face” is a pop song that rocks the synths and cool drum sounds. Even they are both amazing songs, they have a few gender biases. The great boy bands portray gender biases such as men shouldn’t be weak, strong males are more successful, and being average or under average is unattractive.
The first example of gender bias in these songs is men shouldn’t be weak. In the song “Face,” there is a boy being bullied. They lyrics say he shouldn’t ask for help. This implies that asking for help would indicate that he is weak. In the song “Dope,”
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“Dope” shows this by saying, “different from all the other guys, with my style.” This is saying that guys who have ‘style’ are superior to those who don’t. In the song “Face,” a feminine man is unattractive. He is bullied for being himself. In the same way, they both are teasing others for not being cool and attractive. The ways they show this gender bias differently are these. Nu’est says that is okay to not be attractive. BTS says that not everyone can be attractive as them, which is putting others down. Appearances are important to BTS, which explains why they’re all so attractive.
The songs written by BTS and Nu’est give some interesting messages. The gender biases show two different perspectives from two different groups. They have a few differences in presenting their ides, such as BTS who uses the bias to push themselves to the top, while Nu’est uses it to pull others down. Also, “Dope” has a more positive message than “Face,” “Face” being about a bullied person. “Face” and “Dope” have their similarities and differences but there are three things that stand out. Men shouldn’t be weak, under average men are unattractive, and strong males are more
Rhetorical Précis In her rhetorical essay “From Fly-Girls to Bitches and Hos” (1999), Wesleyan University graduate and feminist Joan Morgan claims that if a man cannot love himself, than he is incapable of loving women in a healthy matter, and it is up to women of color and the African American community to change these threads. Morgan supports her claim using ethos by questioning artists such as B.I.G and their aggressive lyrics, with logos by providing statistics from the U.S Census Bureau in regards to the decrease of the number of black two parent household, and also with pathos by providing a personal example of her family friend. Morgan is hoping to improve the music industry by examining hip hop and rap lyrics in order to raise awareness instead of censoring the industry. Morgan's tone is disdainful, concerned and disappointed in order to establish credibility with her audience, which consist of women of color, feminist, and hip hop artist.
In rap music, rappers minimize women to “ass and tits” and “bitches and hos”. She goes on to say how black-on-black love is decreasing while black-on-black crimes are starting to increase. Rappers affect the meaning of true black love. The reason they call women names is because they don’t love themselves and are unable to love others. Rap also promotes drugs, murder, and gangs.
During the 1950s and 60s, many young teens started to rebel in various ways to break free from the ‘Ozzie and Harriet fantasy’ their parents and generations before them have experienced. This was displayed through the themes of various rock and roll songs. A specific theme described in many songs at that time was the defiance of stereotypical gender roles. Despite being common back then, this theme and many others at that time are still evident in modern music today. A prime example of the defiance of stereotypical gender roles in modern day music is Lady Gaga.
“Though rock music was gradually becoming more political, it wasn’t becoming feminized; in fact often the opposite” (Stark 192). During The Beatles introspective era they introduced music that had a deeper message in it and often dealt with more mature content. In the album Rubber Soul, The Beatles show negative views towards women in songs such as “Drive My Car” and “Run for Your Life”. The Beatles “Drive My Car” is not solely about driving a car.
Artists that participate in misogyny songs insinuate that woman-hating is a good thing. Black male rappers are not the only ones raised in poverty, so there should not be any reason for Powell to excuse in why their songs are misogynistic. The society should not agree with what women are being categorized in, and should not give wealth to those who do participate in misogyny. As a society we should work on being equal, males and females. We have the same respiratory system, the same heart, the same brain.
Politically driven hip-hop songs often struggle to achieve popularity because American music consumers prefer music with easy accessibility. However, there are cases where politically driven songs race up the charts which parallel situations in the book “The Hate You Give”. Today hip-hop is the most popular genre in the world with trap rap and mumble rap as the most popular sub-genres. Most trap rap and mumble rap songs, do not have a strong political message, instead most focus on drugs, the rapper’s emotions, or the amount of money they want others to think they have. With less of a strong lyrical message in content, political substance in hip-hop is often in the shadows.
Along with the creation of music videos, hip-hop’s popularity has soared and changed in many ways. Men and women are depicted in distinct and vivid ways in the media – particularly music videos – that may subconsciously affect our views of the norms of today’s society. That is, catchy songs and glamorous music videos that society thinks are harmless entertainment actually shape our worldview and can cause people to accept false impressions of women (Shrum & Lee, 2012). For example, as Sarnavka (2003) posits, women are victims of violence in society, as well as victims of violence in media (as cited in Bretthauer, Zimmerman, and Banning, 2007).
Domestic violence is not often discussed in broad daylight. However, a numerous amount of songs from multiple genres and multiple time periods weave the topic into their lyrics. From tales of a past abusive relationships to hate-filled monologues of derogatory rap and violent allusions, they all have a part to play in the vast understanding of domestic violence. Contrary to popular belief, domestic violence is not only caused by men. Women can be abusive as well and, in fact, both partners in the relationship can harm each other.
When we write we are often confronted with some sort of “rhetorical situation”. This term is best described as a combination of factors. There is a rhetor(s), an exigence, an audience, and specific constraints to consider when analyzing a text. Through an interview with Professor Funnell, who teaches a course that aims to explore the representation of women in various facets of popular culture, I identified how these elements contribute to Beyoncé’s song, Flawless, and consequently discovered how to better address future situations regarding other texts. Music is a way for people to send a message through the lyrics.
For example, many songs that are hailed as gay anthems in disco, one being ‘I Will Survive’ by Gloria Gaynor, are not explicitly about queer experiences, but the overall messages they relay and sometimes the singers behind the message hold the power. There is an idea of gay ‘knowingness’, expressed in The Dialetic of Disco, that reinforces this idea of the songs being important to queer culture but not necessarily directly about queer experience. Songs like ‘YMCA’ are much more popular with those who are not queer, but they fail to see the homosexual implications of its content. Contrast this to songs which are openly concentrated on the subject of being queer, especially in punk, such as ‘I’m Illegal’ by Team
It 's being portrayed that being a man equals violence, poorness, being from the hood, can not be a sucker or you 're going to be tested, have your game face all the time, showing no emotion, and when they pick up a microphone they are a totally different person than who they really are. It was once said, ¨We teach boys to be afraid of fear, of weakness, of vulnerability. We teach them to mask their true selves, because they have to be a hard man. ¨Men want to have so much power, but they don 't have any power at all. The hip hop artist just has physical power over their body and how they display themselves, so they dress certain ways to get respect to feel powerful which also is hypermasculinity.
This song in particular is degrading to women, sending a negative message to them, possibly deeply impacting their views toward consent and their value as human beings. I believe that music does have the power to shape the perception of reality and society for individuals, as music is a form of art that expresses deep emotion. The emotion and catchy tunes behind music causes people to be moved by it, with people often getting very into what they listen to. Moreover, views repeatedly being expressed in different songs will cause people to begin to believe that what they are hearing is true, shaping their
“Beyond Beats and Rhymes” Summary This movie was a broad discussion about hip-hop music (or more specifically gangster rap) and what kind of social issues the music not only showcases but seems to promote. The producer of this film, Byron Hunt, interviewed people involved in all aspects of the hip-hop industry, including famous rappers, to try to get to the bottom of this. Some of the most prominent issues discussed in the film were the over-sexualization of women, gun violence, and anti- homophobic attitudes. Hunt would ask those involved in the industry about why they think these themes are so prevalent.
Because it has no context behind it, it could imply that demanding his girl to get him a beer is normal, therefore he does not even have to ask. The lyrics suggest that having a big truck and being demanding of his girlfriend is manly. Therefore, these lyrics encourage these kinds of behaviours and label them as manly, which then causes men to act the same way. Another example of song lyrics that reinforce toxic masculinity is “I’m Still A Guy” by Brad Paisley. Paisley sings, “But when you say a back rub means only a back rub.
Another major theme on the album is violence. The unfortunate fact is that when people hear violent lyrics in rap music, they automatically think that the rapper is a violent person. . Contrary to popular belief, there have been songs dedicated to the empowerment of women in a male-dominant society. For example, in J. Cole’s song “Crooked Smile”, he is speaking to women who think that they have to meet certain expectations for men to accept them. More specifically, he explains that women shouldn’t have to make themselves perfect for anyone because nobody’s perfect.