Gender Role In Ariel Dorfman's 'Death And The Maiden'

Although being written centuries apart, the limited expectations of women presented in ‘Othello’ and ‘A Streetcar Named Desire’ differ little from each other. The female characters are confined by society’s expectations of male dominance, female purity and virginity, and the many passive roles of women. Despite the differing legalities surrounding the position of women between the centuries in which the plays were written, both plays explore the impact of how societal conventions confine women and the ways they must comply to be safe in a patriarchal society. The behaviours and treatments of Desdemona, Blanche and Stella illustrate the attitudes enforced on and the behaviours of women throughout both periods in time and it is these attitudes and behaviours that impact the plays to the greatest extent. When characters in either plays defy their norms, or demonstrate a lack of compliance they induce negative consequences, such as the murder of Desdemona and the institutionalisation of Blanche.

Priestly depicts gender stereotypes to emphasise gender in a capitalistic, misogynistic and patriarchal society, in his play 'An Inspector Calls'. Priestly portrays women as emotional, commodified, materialistic and irresponsible to highlight the way that a misogynistic capitalist society operates. In a similar manner, Priestly presents men as arrogant, ambitious, dominant, and strong. By doing this Priestly aims to critique capitalism and the underlying implications and undercurrent of problems which capitalism brings to provoke a reaction in the audience to promote socialism.

The one-act play, “Trifles,” by Susan Glaspell, has several themes that are incorporated within it. There are several dominant ideas such as female identity, patriarchal dominance, isolation, and justice are themes that are all reflected in different ways throughout the play; however, gender is the main theme of “Trifles.” There is a considerable difference between the roles of the men and the women in this play. The men are expected to act in a more controlling, dominant way, while the women are expected to act in the typical ‘housekeeper’ fashion. The theme of gender is brought out through the play in many dramatic elements such as character, tone, and dramatic irony.

Throughout this book there are countless examples of the common gender issue in today’s society exploited. Today it is widely believed of equality in rights for all people regardless of heritage, race and gender. A majority of people in the world are in the support of female lead characters and an increase in the books regarding females. As time continues literature has introduced female leads with problems outside the typical house or friend issues. The only female characters introduced in the book with at least one quote is

Both the play Real Women Have Curves by Josefina Lopez and the movie adaptation make an attempt to communicate the message of female empowerment through their respective protagonists, Estela and Ana. Men resolve most of Ana’s problems, whereas Estela relies on herself and other women. The play conveys the theme of female empowerment because it is female-centric, successfully addresses the issues of body image, and focuses on women’s independence and self-validation. Lopez’s play serves as an example of what can happen when women uplift and depend on each other, as opposed to men.

First Generations: Women of Colonial America, written by Carol Berkin, is a novel that took ten years to make. Carol Berkin received her B.A. from Barnard College and her M.A. and Ph.D. from Columbia University. She has worked as a consultant on PBS and History Channel documentaries. Berkin has written several books on the topic of women in America. Some of her publications include: Revolutionary Mothers: Women in the Struggle for America's Independence (2004) and Civil War Wives: The Life and Times of Angelina Grimke Weld, Varina Howell Davis, and Julia Dent Grant (2009). The prejudice that the author brings forward strongly is the notion of feminism.

Patriarchy presents the roles of men and women in a distinct form. Men are expected to be the dominant leader, strong, protector and sole provider where as women are subverted to the role of domestic duties, raring of children and fulfilling her man’s every desire without question or comment. In Lynn Nottage’s play Poof!, she brilliantly portrays the roles of men and women, and experiments with the concept of changing gender roles that are characteristic of our society. Overtime, the patriarchal system has been challenged and the defined gender roles are in the process of being eradicated. By presenting the plays protagonist Loureen, as an abuse victim that finds her voice and stands up against her battery, Lynn brilliantly illustrates that

Discuss the ways in which Rosario Castellanos challenges and subverts gender stereotypes in her work?

- This literary piece is a great example of feminism. It shows how men and women are portrayed; how women have more in them than what meets the eye; and how genders treat and react to each other.

In Shakespeare’s ‘Othello’, women are portrayed as either pure angelic beings and jewels, or as whores who are impure. They are objectified and shown as something to be used. The only women in this play are Desdemona, Emilia and Bianca compared to the main 6 male characters, not to mention the minor characters, who are also all male. Their depicted purpose is to belong to a man; Desdemona, Emilia and Bianca’s lives revolve around being wives to Othello, Iago and Cassio. This fits into the idea of a perfect Elizabethan woman, who’s lives are subject to their husband’s rule across all aspects, to be disposed of as men wish. Each female character is treated by men as a possession. However, there are also moments when they are presented as confident and challenge a male authority. This would have been exiting for Shakespeare’s female Elizabethan audience as women

In retrospect, gender roles affect the characters negatively, because Kate ends up being the only woman who will obey because if she doesn’t she has to suffer. The Widow and Bianca however, believe the expectations they should follow are stupid which is why they don’t listen in the bet. Also, the gender roles surface in the beginning of the play when they meet Bianca, and at the end when Kate was shockingly tamed into the ideal

Before the story, it is important to know some of the context that went into writing this story. The story’s two prefaces depicts the harsh environment Dorfman grew up in the nationalistic military state of Chile. Dorfman fled from Chile when his life in danger for holding liberal views against a rising military power responsible for the disappearance of thousands of Chileans. Dorfman Wanted to write about the injustices that were occurring in his birthplace and wanted to exposed this injustice to not only Chile, but the world. Instead of simply writing about Chile, he wanted to bring a

In “The Yellow Wallpaper”, Charlotte Perkins Gilman captures the lives of women in a society based on societal expectations during the late nineteenth century. She focuses on the issue of gender inequality where women were often discriminated against and expected to fulfill the role of a perfect wife and mother. The narrator is based on on Gilman’s personal experience of suffering from her treatment for postpartum depression due to the social restrictions on women which represents a reflection on women's social status in society. The narrator, who remains anonymous, is depicted as a depressed and isolated prisoner who is oppressed under her husband’s control and struggles to break free. Gilman presents the toxic effect of gender inequality particularly through the relationship between a husband and wife.

Gender inequality is a social justice issue that is prominent in several societies as it is a direct reflection of the systematic power distribution amongst the two binary genders. This form of inequality is reflected through a set of adverse behaviours projected from one individual to another, known as domestic violence. Individuals perform the identities that is associated with their gender role because it is what is culturally acceptable within their given society. Judith Butler’s theory of ‘Gender as a Performance’ depicts that the practices that individuals repeat and perform assure the elements that an identity is composed of. This theory is an embodiment of domestic violence as it establishes the inequality amongst the different genders, by allowing the male to perform his dominance, causing the female to feel inferior to this. Domestic violence is a representation of Judith Butler’s ‘Gender as a Performance’ theory because it embodies the structured power relation amongst genders and how this power influences both individuals involved.

In the drama “The Shape of Things”, Neil LaBute explores gender roles and exposes alternative visions of power, control and morality in human relationships. The drama narrates the physical and behavioral transformation of Adam, a part-time museum guard who is subject to the manipulation and control of a radical artist named Evelyn Ann Thompson. This essay will demonstrate that Adam is not responsible for his transformation, and that he is a victim of Evelyn’s manipulation and control.