Gender Roles and Stereotypes of Women in Fairy Tales
When people think of fairy tales, the image that comes to mind is a children 's story with magical beings and lands. Often these stories seem very plausible and feel as if they happened in the not so distant past. In 1812, the Grimm Brothers published a collection of stories containing 86 stories, which became the foundation of what we call as fairy tales today. Aside from the fantasy elements, there are many other recurring traits found in fairy tales. Often the protagonist are the downtrodden, innocent, and mostly young characters. What made them standout was their status: sometimes an orphaned child, generally very bright, and adorably naive. The protagonists also have the clear distinction
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In the Grimm Brothers version of "Little Red Riding Hood," when Little Red Riding Hood exclaims, "What big teeth you have!", the Wolf answers "All the better to eat you with," and consumes her. However, the girl does not flinch an inch in Carter 's gothic version. Instead, the reader is surprised by “The girl burst out laughing; she knew she was nobody’s meat” (Carter 219). Furthermore, the heroine gives herself to the wolfman which is then described as a “savage marriage ceremony.” The instincts for survival, in this case, using her sexual powers to entice the creature, contrasts many stereotypes for women including her grandmother 's. According to Dr. Silima Nanda:
Fairy tales embody the ways that societies attempted to silence and oppress women making them passive. Much of the fairy tale literature reinforces the idea that women should be wives and mothers, submissive and self-sacrificing. Good women in stories are to be silent passive, without ambition, beautiful and eager to marry. (248)
The Heroine in “The Company of Wolves” breaks these portrayals of women in every way. She does not submit to superstitious beliefs or God and the bible, she refuses to be a weak, submissive, and vulnerable figure, and she is not afraid to use her sexual ambition to control men who are trying to silence and oppress women. Through the boldness choices, Little Red Riding Hood is able to survive a dangerous situation that even her grandmother was not able
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Works Cited
Nanda, Silima, DR. "The Portrayal of Women in the Fairy Tales." Valley International Journals, 2014. Web. 15 Dec. 2016.
An scholarly article about the Portrayals of Women in Fairy Tales. Talks a lot about the start of the stereotypes and the types of stereotypes woman have in the stories. However it also compares the different kind of traits and qualities women in different stories have and how they have helped them prevail in the story. For example how sleeping beauty’s patience/ sleeping allowed her Prince to find her and live a life happily ever after.
Patel , Henal . "Gender Roles Indoctrinated Through Fairy Tales in Western Civilization ." (n.d.): 1-67. Web. 15 Dec. 2016.
Very similar to the first article, This scholarly articles talks about the development of the woman’s role in fairy tales. The Author also takes a look at how feminists and modern authors have acknowledged the “detrimental effect fairy tales have on our perception of gender in society.” She then talks about recent works such as Shrek and how they compare to traditional Disney and Grimm versions of fairy tales.
Green, Samara. "Fairy Tales and Gender Stereotypes." The Huffington Post. TheHuffingtonPost.com, n.d. Web. 15
Since the beginning of literature, women have been depicted as devious individuals. As a result, women put use to this stereotype to get what they want. This is proven, especially in medieval literature. Examples of this are shown in works like “Macbeth,” * Sir Gawain and the Green Knight,” and “The Canterbury Tales”.
The fairytale Maleficent most people know of today isn’t an original. In the original version of Sleeping Beauty, titled Sun, Moon, and Talia, it warns, a man has a large amount of power that he takes for granted. Instead of punishment for extreme actions in the original version man is rewarded. Fairytales have impacted positively and negatively how people in society today view what’s possible
Stereotypical women in the Dark Ages was controversial because they were treated with idolatry and reverence, but were not respected as capable members of the human race. Much of the chivalric code that knights prided themselves on was based on the assumption that women could not achieve much for themselves, and therefore, men had to accomplish it for them. However, Sir Gawain and the Green Knight demonstrates that women possessed the ability to achieve their demands and utilize their influence however they desired. Morgan le Fay, Guinevere, and Lady Bercilak reveal that the accurate power of women is accomplishing their goals by any means necessary, including deceiving men, even in Camelot, a society ruled by men.
Chivalric romances are often centered upon the efforts of gallant knights seeking to achieve a concept known as “true knighthood” which involves embarking on quests or adventures to obtain honor, love, and Christian virtue. The brave knights of these stories are met with many obstacles to overcome, commonly in regards to rescuing or protecting a lady. In other words, the typical role of women in this period is that of the damsel in distress or a helpless, dependent lady in need of a hero. However, the stories of Chrétien de Troyes’ Yvain, the Knight of the Lion and Friedrich Heinrich Karl La Motte-Fouqué’s The Magic Ring strays from the typical role of women as the damsel in distress.
Sorcerer to The Crown and Buffy The Vampire Slayer are two fantasy works that break norms and conventions. The characters Prunella Gentleman and Buffy, share similarities and have differences. The views on darkness and ”the other” is distinctive. In this essay, we will look closer at these and also discuss how these characters challenge gender bias in fantasy. Prunella did not choose to be a sorceress royal, correspondingly Buffy did not either choose to be the vampire slayer.
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Beowulf is an excellent piece with a lot for the readers to desire and relate to while reading. This analysis explores different escapades while examining the role of women in the literature. One thing to point out is that female characters have always received very thin attention in different pieces of literature, something that has always made many people think that their role is meager. Every piece of literature has an important message to pass across to its intended audiences. Indeed, this study seeks to demystify the male-centric mindset to promote the visibility of women in the contemporary interpretation of literary works demonstrating that women play a greater role in the literature despite the proximity given to male protagonist.
The Wonderful Wizard of Oz and Wicked: The Life and Time of the Wicked Witch of the West possesses feminist ideals represented through the characterization of female characters. Iconic characters such as Dorothy, Wicked Witch of the West (Elphaba), Wicked Witch of the East (Nessarose), and Good Witch of the South (Glinda) portray feminist characters that have developed and showed their strong personality, influencing women in today’s society. This leads to the question – To what extent is The Wonderful Wizard of Oz and Wicked empowering women through the presentation of women? The Wonderful Wizard of Oz paved the way for the increase in number of feminist novels.
Stereotypes of Women in The Canterbury Tales Stereotypes of women have not changed throughout the years of history. Throughout the Canterbury Tales, Chaucer portrays women through negative stereotypes. Women are portrayed as selfish, lustful and immoral. In the Wife of Bath’s Prologue women are portrayed as selfish.
The existence of fairy tales have been around for years, throughout the years there have been many interpretations and retells of the stories, an example is Little Red Riding Hood, this traditional fairy tale is one known in different forms. Overall Little Red Riding Hood’s topic in most of the retells is to listen to parents, since they know best. In Grimm’s version, “Little Red Cap”, the theme is about the loss of childhood innocence, obeying parents, as well as being cautious with one 's surroundings. Meanwhile, Angela Carter’s feminist version of the film “The Company of Wolves”, is about the loss of sexual innocence. Although there are many details within both the film and the story that are relatively the same, there are also aspects that show the difference in both female protagonists.
These stereotypes have always existed but have been passed down to us, precisely, by these stories. They target the most impressionable part of society, children. The purpose of these tales is to teach children how to behave and in which social norms they must fit into. “Fairy tales are a child's world of imagination and pleasure, but
Numerous schools of criticisms have attempted to find the meaning behind most of our favorite childhood stories. From Marxist who pursue the idea of social classes portrayed in literary works, to Psychoanalysts who depict the sexual tensions and desires that are subconsciously embedded behind characters’ motives and actions, to Historicists who try to show the preservation of tradition in stories, many different concepts exist for each fairy tale. The Feminist school of criticism greatly focuses on unveiling the patriarchal system and sexist roles that are displayed in stories, and more specifically, fairytales. Four versions of the well-known fairytale of The Little Mermaid will be compared and discussed while focusing on many distinctive
“A ‘fairy-story’ is one which touches on or uses Faerie, whatever its own main purpose may be: satire, adventure, morality, fantasy. Faerie itself may perhaps most nearly be translated by Magic — but it is magic of a peculiar mood and power, at the furthest pole from the vulgar devices of the laborious, scientific, magician. There is one provision: if there is any satire present in the tale, one thing must not be made fun of, the magic itself. That must in that story be taken seriously, neither laughed at nor explained away.” - J.R.R. Tolkien 's 1939 essay "On Fairy Stories"
Gender Stereotypes in Cinderella Fairy tales are read to children at a very young age. In today society, many children believe fairy tales are real which reflects negatively on children. The story of Cinderella is widely known across the world with many different versions of this folktale, which portrays gender stereotype throughout the tale. When reading The Cinderella, it shows how unattractive looks can lead to mistreatment by society.