Media does not capture the world the way it is, but rather tends to emphasise and support the values and ideas of those who create the message they want people to hear. These are often changed because of commercial considerations and advertising, which plays a large part in media. This results in the perspective of some to be ignored or showed in negative ways. Ideas and representations about gender have been influenced by the media. In media such as advertisements, newspapers, magazines, popular music, films, and video games, women and girls are more likely to be shown in homes, doing domestic chores (e.g. laundry, cooking, ironing, vacuuming, etc.). In many movies and series, women are often victims who cannot protect themselves, or are given the roles of being harassed, sexually assaulted and murdered. They are portrayed solely as homemakers, dependent on men, or as objects of male attention. On the other …show more content…
In the movie The Little Mermaid, Ariel starts out as a brave, curious, and adventurous young mermaid. She explores the sea with her friends and saves Flounder and Prince Eric from drowning. Once she develops a crush on Prince Eric and is briefly transformed into a human, however, she becomes quiet and reserved, spending most of her time obsessively admiring the prince. Prince Eric, of course, loves this version of Ariel. She then goes on to trade her voice with the evil sea-witch in exchange for human legs. Ultimately, Ariel is with the prince, but this was at the expense of leaving her friends, family and world behind. This may not have seemed obvious while watching the movie, but Ariel had changed her entire personality to be with Eric. She used to have a passion for exploring the ocean for human culture, and swam to many places far from her home. This all changed after she met Eric, and her curiosity became nothing else but to seek a kiss from the
The use of archetypical characters and situations provides readers realism to identify the characters and situations in the real and social world. In Linda Seger’s essay, “Creating the Myth,” Seger reveals that most successful films are based on universal stories. Her essay states the ten steps of hero stories to describe common characteristics of most succeeded heroic stories in the society. To learn more about archetypes, I analyzed characters of an animation, The Little Mermaid. In this animation, diverse characters appear to form an interesting story for children.
The movie “The Princess and the Frog” is not your typical “boy saves girl” movie. Instead, this Disney movie presents us with a strong female lead who doesn’t need a man to achieve her goals. In many previous Disney movies, it is demonstrated that a girl needs a man in order to get her happily ever after. Without a prince, she is nothing. In “The Princess and the Frog” the gender roles are presented to us as equal, even reverse at times.
The Little Mermaid: Hegemonic Femininity The transition from a girl to a woman is created by the socially constructed ideals of femininity often depicted in commercials, books, and mainly films. One of the famous animated princess Disney films, The Little Mermaid can be easily added to yet another Disney film portraying hegemonic femininity. In the 1989 film The Little Mermaid, (Ron Clements, John Musker) a beautiful, young mermaid is willing to make a risky deal with an evil sea-witch because she yearns to walk on land and fall in love with a Prince, while secretly the sea-witch wishes for the mermaid to lose the deal. Ultimately, mermaid ends up achieving her dream of marrying the Prince, although the evil sea-witch tries to destroy the plan.
In the book, the mermaid can not wait until the day she can reach the surface, but when she finally does she is saddened by the prince whom she saved from drowning. She eventually is forced to kill the prince or die herself; she will not kill the prince. The mermaid must work for 300 years to do all the good in her power before she can go to heaven. In the movie, the little mermaid goes to the surface of the ocean against her father’s will. While there she falls in love with a human prince; she makes a deal with the Ursula to allow her to have legs the mermaid will have to give up her beautiful voice.
Consequently, her going through the pain of her tail changing into legs convey the theme of suffering in ‘The Little Mermaid’. This motif is expanded on as she experiences agony whenever she uses her feet, as shown later in the tale when the Little Mermaid dances ‘even though every time her feet touched the ground it felt as if she was treading on sharp knives’3 (page 81). Furthermore, the Little Mermaid struggles to make the Prince fall in love with her due to her losing her voice to be with him as a human. Due to her transformation to becoming a mute human, she cannot explain that it was her and not the Prince’s bride who rescued him.
The Little Mermaid which was produced in 1989, was the first Disney movie to challenge the traditional gender roles, for the fact that Ariel wanted to explore, and was more independent and assertive in her desires than the earlier princesses of the 1930’s and 50s films. Also the prince in The Little Mermaid went against traditional gender roles as well, simply because he was more affectionate and loving than his prince counterparts in other Disney films. “Both the male and female roles have changed over time, but overall the male characters evinced less change then the female characters and were more androgynous throughout.” (Descartes & England, pg.566). Disney movies have been for a long time a strong media target for children, and can serve as a way to address stereotypical gender roles (Leaper, 2000).
The Disney movie Little Mermaid is an unsuitable movie for the children due to its negative gender representation which overemphasizes physical appearance and stereotypical gender roles through the characters in the film. In the Disney film Little Mermaid, they over-emphasize physical appearance and stereotypical gender roles throughout the movie, which causes negative effects on children for it could discourage them their own self-image, on how they look and may despise their body appearance. Throughout the film, the vast majority of the human-like characters were depicted stereotypically. Many of
The Little Mermaid is all about coming of age. In other words Ariel the main character of the story believes that she is old enough to do as she pleases. Ariel loves going to the surface. On the other hand her dad didn’t want any humans to lay eyes on her, as a result of him thinking that they are barbarians. All Ariel wants is to do what she wants when she wants.
Taking into consideration the first and main version of The Little Mermaid, author Han Christian Andersen’s, Little Mermaid, written in 1837, has different characters than the 2006 interpretation of the short story, Aquamarine. From an addition of two new female characters to the subtraction of the royal titles that each character possessed, Aquamarine is based on a twenty first century setting. The plots between the two also greatly differ and even lead up to different endings. Similarly, both mermaids are searching for love and both mermaids asked to be human. Both mermaids have a due date that forces them back into the ocean if they do not find love.
Similarly, Disney’s Cinderella presents a cruel and ambitious stepmother who attempts to arrange marriages for her ugly, foolish, and somewhat comical daughters. In the film, we see their miserable attempt to sing opera, (supposedly in order to appear more feminine) as the mother proudly oversees. In one of the last scenes, she desperately urges them to make the glass slipper fit, and while she doesn’t downright tell them to cut off their toes or heels as in the original (Grimm 119), the comic scene in itself seems to have a subtle layer of tragedy. While these examples prove that female ugliness in fairy tales and their adaptations corresponds to wickedness, and the latter is equivalent to ill-temper, the question of female independence still
Both stories characterize The Little Mermaid as a person whom does not care much of giving up their tales as Tristes expressed” Both the Andersen and the Disney mermaids agree to be voiceless, to give up their physical forms” both characters did not care much of the changes it would
Despite the fact that The Little Mermaid is an iconic story with memorable characters and is beloved by millions of people, it is still evident that the premise is problematic, especially when its target audience is young, impressionable children (primarily females) who are themselves still trying to form their own identities. Her change from mermaid to human denotes a huge shift in who she is as a character, as she is literally being changed from one being to another, and in doing so she must do away with everything that made her who she was before she met the prince: a mermaid, a princess, a daughter, a sister, a beautiful singer, and more. This may have been considered collateral damage by both Andersen and Disney, but it does not excuse the reality of the impact of the message the story promotes. In the Disney film, Ariel considers what the cost of being human would be as she negotiates with the sea witch, "If I become a human, that means I 'll never be with my father or sisters again" (Clements and Musker), to which the Sea-Witch Ursula replies, "That 's right... But--you 'll have your man.
As the Little Mermaid approaches the Sea Witch and asks for legs the Witch grants her wish but with a price; her voice. In the original story the Witch cuts off her tongue so she may never speak again, unlike in the movie where Ariel’s voice is magically stored in a shell for Ursula to use against her later in the movie. But there is also another catch, while the Little Mermaid will receive legs every time she walked it would feel as if stepping on knives and if she did not marry the prince she would turn into sea foam on the following morning. Which is pretty bleak to the ending of the movie, where Ariel not only gets to marry the prince, she also gets her voice back, and a magic
Media are platforms of mass communication that can be categorized as either new of traditional media, with new media being forms of communication that make use of technologies such as the Internet, and traditional media being more conventional forms of media such as newspapers. Media, primarily new media, is getting more popular and influential, especially in today’s day and age since we are exposed to it a lot more than in the past and also since media is more easily accessible now. The media can shape our behaviours, perceptions and opinions, and it is important to know how people are influenced and impacted by it. The media can influence someone’s perception of social reality, or perceptions of beauty or even influence people’s behaviours and habits and therefore, the media does shape who we are. One way that the media can shape who we are is by influencing our perception of social reality.
The representation of gender in mass communications has been a hugely debated topic for years and will continue to be one for many more years to come. The media plays a big role in how they want to portray a gender to the public. They create certain stereotypes through the role of a gender in order to attract a large audience and interest to sell a product, brand or image. Media is so important in today’s society, people spend hours and hours each day watching TV, browsing the Internet and reading magazines. There are so many images of men and women in the media today that it certainly has an impact on the viewer’s thoughts and sense of identity.