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Gender In Yasujiro Ozu's Tokyo Story

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Because of its regular top of the list in most film polls, Tokyo Story has gained a considerable reputation in the eyes of film lovers and critics over the years. The Japanese drama film was released in 1953, having been written by Kogo Noda and Yasujiro Ozu who is also the director of the film. Yasujiro Ozu is a described as a master of the art in filming who reigned in the period 1903 to 1963, he was entirely dedicated into his work which explains his success in the industry. The storyline of the film is based on the disappointment of a couple who visit the city to visit their children. However the children are too busy to pay attention to the lives of their aging parents. The director Yasujiro Ozu is reputed in the film industry as one of the few who links the events of their work to the current way of life.
This is no exception because it tells of the culture of children neglecting their parents and justifying these actions with their busy schedules. In the film, the contrast is clearly portrayed where the children neglect the parents due to their busy schedules in life and it takes the kindness of their widowed in-law to take care of them. This concept of connecting between normal life and the film is what has made the …show more content…

The male gender is depicted as strong and responsible for providing as Keizo does not depend on his parents or elder siblings such as Koichi in order to make a living. On the other hand, Kyoko who represents the female is used to portray the caring and conservative nature of the female gender. Kyoko having to stay with her elderly parents, she has the responsibility of ensuring that they are comfortable. She also plays the role of performing the chores for the parents and her extra concern for the parents unlike her elder siblings who have less time for their parents shows Kyoko is

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