Gerrit Van Honthorst: Art Analysis

I entered Andrew Bae gallery and ascended up the stairs to the second floor, it was dimly lit, yet inviting, the kind of lighting that is kind to all. It had warm mahogany floors that perfectly added to the subdued ambiance of the space. Initially my eyes moved in a sporadic manner, shifting from piece to piece, searching for something to draw them to a settle. Each one as beguiling as the next, splendid choice after splendid choice, left me feeling rather overwhelmed. Finally my eyes settled on a piece that was exquisite and yet so simply alluring. This painting “Defying Ignorance” by Young June Lew, was provocative but yet innocent in its display. My eyes were first drawn to the silhouette of an elegant woman 's profile, showcasing her naked refinement and femininity. Painted in a lustrous gold hue, she reaches high for what seems to be a pomegranate. After a moment I realized she is not the sole figure in the painting, there are others in the near background. These figures are less precisely detailed, and the essence of their gender is nonexistent. The painting was illustrated will thick acrylic almost making it feel as if you 're part of the painting itself.

Vicent Van Gogh once said, “If you hear a voice within you ‘You cannot paint,’ then by all means paint, and that voice will be silenced.” Like most of Gogh’s paintings, Bonaventura Berlinghieri painted what he was passion about. Berlinghieri was “…know for his poignant and detailed scene from the life of the Saint Francis on the predella (based of the altarpiece) of the Church of San Francesco at Pescia” (The Editors of Encyclopaedia Britannica). The Saint Francis Altarpiece is a five feet panel, created in 1235 as a depiction of Saint Francis and the church. The portrait was painted on wood panel and in gothic like form. Nonetheless, this masterpiece is representation of time, the complexity of the painting and the

Although Leyster does not display the typical style one might expect to see as there is no religious theme in this painting, she does however, display the common Northern/Dutch Baroque style of everyday lives, or genre-paintings. Leyster’s use of rich deep colors is also common in Baroque style. Leyster displays an example of her everyday life as she paints a Self-Portrait of herself doing what she does on a regular basis, which is paint, common among the Protestant countries. Dutch artists moved away for religious themed paintings and directed art towards genre paintings since “The Dutch had made themselves into a prosperous middle-class nation without kings or church hierarchy”, as stated by the Baroque period in Holland. (par.2) Genre paintings were sold to people of all classes. Daumier also displays his example of everyday life by painting working class people in day to day events, such as riding in this Third-Class Carriage. In the Realism style the intention is to teach a lesson about the misfortune of society which is well displayed by Daumier at the time of Industrial Revolution. Both artists use a great deal in their artwork to express their messages. Daumier’s painting uses light coming in from the carriage window to draw focus on the family seated towards the front of the carriage, as does Leyster on herself in her painting. The use of light and shading is a technique used by artists to add dramatic or emotional effect that is well displayed by both artists. In both Baroque and Realism artwork it is common to use contrast between light and shadow, deep warm colors, and show emphasis on everyday themes, or everyday activities. Although from very different time periods Leyster displays herself as a well off upper class woman, and it can be perceived that Daumier paints some of the passengers in the back of the carriage as middle to

The art work that is analyzed below is the “Noah Sacrificing Deluge” by Benjamin West. This particular painting was painted in the 1800s and the artist used an Oil Paint on a canvas. This art was 1 out of 36 in a series for the Windsor Castle in England. Mr. West lived to be 82 years old and was the first Americans to become a success on the foreign market. He would become a historical painter for King George III and president of the Royal Academy of Arts. He completed 18 painting before the king’s mental state of mind and suspicion questioned West’s political loyalties which ended the project.

Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light. This makes us instantly look at them. The wide space between the man and woman has no major distractions within in, the artist could have filled that space with some interesting art, but chose not to because it would have drawn the viewers’ attention away from the woman and man. The authors choice of color is quite plain, but the bright colors that follow the sides of the viewing box help guide the viewers eyes to the man in the background, assisting the implied created by the railings. The author used value in the artwork to show what is important. The woman’s body is heavily shaded and doesn’t catch the viewer’s eye. Her head and hand suddenly come into the bright light helping to show that her gaze is clearly on the show; the man in the background is also barely shaded helping to show that his gaze towards her is just as strong as her gaze is towards the

Archibald John Motley Jr.’s painting, “Mending Socks”, illustrates an elderly woman sitting in a rocking chair. She has a scarlet blanket loosely hung around her shoulders and is wearing a lace-bordered white apron. Above her on the wall is a wooden cross. In the painting she is repairing socks, hence the piece’s name. On the periwinkle table to her left is a small pile of olive green socks. The painting is oil on canvas and contains an extensive amount of contrast. For example, the bright vermillion blanket against the dull eggshell colored door. The disparity between the colors used is prominent. Additionally, the fusion of ornate patterns and simplistic solids is evident. The tablecloth is a geometric mixture of cream and periwinkle. However,

The artist Dieric Bouts painting is called Virgin and Child. This painting dates back to 1455-1460 and is drawn with oil on a wood panel 81/2 x 61/2 . The time period is Netherlands, Haarlem. The Virgin and child are paint about the Virgin Mary and her love for her son.

an everyday normal occurrence (going to a pool house) that most people will pass off is captured in a light that puts a new perception on the normal. I’d say that this is to me the most “artistic” piece because it seems so real, and so gritty and stripped back. It seems like someone who had professional training for painting decided to break every rule that he needed to just to make something he saw with his artistic eye the way we saw it.

In this art called American Gothic done by Grant Wood, the viewer can see how the artist creates a dull, but impressive painting. At first look at this artwork, the the viewer’s attention is directed towards the man wearing the dark coat. The viewer also sees a women which could be seen as the man’s wife, daughter, or friend. As the viewer looks at the background of the painting they can see that these people are probably living on a farm. With this painting having many differents forms, the viewer gets to see a piece of art that seems convincingly real. The viewer can also see different shades of color which give the painting more depth. This painting is impressive, due to the different details added to give it more of a authentic feel.

Berth Morisot was a French paintmaker and painter, who was associated with impressionism. Born into a family of a government official who was supportive of the arts she was able to openly practice her passion to paint. Through her painting The Basket Chair, she demonstrates her remarkable style of rough to light brush strokes that create a sense of realism in this piece. She was one of the few female painters of her time. The subject matter of her piece is not as interesting as that of Gustave Caillebotte’s The Orange Trees, due to the gender inequality and male superiorism. Women at the time didn’t have as much freedom as men, and couldn’t express as much as they wanted to without being provoked. Generally women at all times had to be accompanied by a man at all times otherwise they would be views as a prostitute. At the time men were only able to be a flanuer, but if a woman was seen attempting this position they would be offered for sex. Due to these strict restrictions is very remarkable how much detail Berth Morisot creates in her

The image of this milkmaid is an intricate symbol of her sexual availability1,2 (13) perceptible by several elements throughout the image. Milkmaid is an oil on canvas, Dutch painting done by Johannes Vermeer in 1657 and finished in 1658. It is a realism modeling painting of a woman, who is a milkmaid, standing around a still life image of a table of food in a kitchen pouring milk out of a pitcher into a bowl around the food. In this essay, I will explain my analysis and interpretation of this painting through describing elements and defining my own meaning from thoughts on research.

On the 12th of September, I went to the De Young Museum where they had a showcase of a wide range of art pieces, such as paintings, sculptures, and ancient artifacts ranging from many the different time periods and cultures from around the world. However, the one particular artwork that caught my eye would have to be the 12x18” painting called the Migration. It was a painting about the movement of nearly two million African Americans out of the rural South to the cities of the North, Midwest, and West by an artist named Jacob Lawrence in the year 1947, which is located on the first floor of the museum.

This painting is supposed to portray two teen lovers “The painting captures a perfectly frozen moment in time; two lovers caught by the spectator in the act of stealing a furtive kiss while no-one else is looking,” (Artble, 2016). The flirtatious young maiden is leaning in for a kiss while simultaneously looking back towards the party to ensure no-one is looking. The maiden was painted with such fashion and detail in her outfit. The main focus of the painting is the women and her facial expressions discerning the illicit action. Starting by glancing at the two lovers while they share a kiss, her beautiful dress catches the viewer’s eyes and wonder downward in a diagonal line. Following the direction of her dress, making a discovery of people in a shadowed room in the painting shows that they have ran off for their private moment

The artist Dieric Bouts painting is called Virgin and Child. This painting dates back to 1455-1460 and is drawn with oil on a wood panel 81/2 x 61/2 . The time period is Netherlands, Haarlem. The Virgin and child are paint about the Virgin Mary and her love for her son.

The “Mona Lisa” is the best known and most visited piece of art. It is a portrait painting done by Leonardo de Vinci. The portrait is an oil painting on a white Lombardy poplar panel. The woman in the portrait is sat upright in an armchair, with her arms folded. This painting was one of the first portraits that depicted the sitter in front of an imaginary landscape. The portrait represents the beauty of the time period. It holds simplistic colors with detailed shading. The artwork is very intriguing to me. I love the detail in the background, there are tiny brushstrokes that makes up the mountains and sky. Also, I find the shading of the mouth and eyes very interesting. I like that Leonardo da Vinci painted the woman with no eyebrows, as they were