Gertrude Speech On Ophelia's Death

The story of Hamlet by William Shakespeare is a story of betrayal, revenge, and intrigue. Hamlet, the title character discovers that his uncle killed his father and married his mother effectively stealing the throne. Hamlet decides he must kill his uncle Claudius as revenge for what he had done. However, as the new king, Hamlet isn't sure how to get to him, so he decides to fake madness, but his plan backfires as Claudius doesn't trust him and makes sure he is always watched. In his fumbled plan for revenge, Hamlet accidentally kills Polonius, forces Polonius's son Laertes to seek revenge against him, and drives Ophelia crazy causing her to kill herself. Hamlet's insane behavior is a significant part of the story because it is supposedly part of his revenge plan, but also because of the additional problems, it creates. Some have argued that his madness was indeed an act, but rather real madness that he was trying to cover up by telling people

According to researchers, every 16.2 minutes, at least one person attempts suicide. Suicide is never the answer, but there are multiple characters in today’s literature that show the impact of the events leading up to the ultimate decision. In William Shakespeare’s Hamlet, Ophelia takes her life because of the actions the individuals around her did. But, that is not the argument. The argument is that the people around Ophelia are not to blame for her committing suicide, it is Ophelia’s own fault, prompted by the madness surrounding her.

In Hamlet, written by Shakespeare, Hamlet treats women awful. His mother, Gertrude, convinces Hamlet that women are untrustworthy because she betrayed King Hamlet by marrying Claudius so soon after his death. Hamlets acts extremely rude towards Ophelia. Hamlet has issues with both Gertrude and Ophelia; thus, he does not treat them kindly.

Though any character in Shakespeare's Hamlet could easily be the epitome of lunacy, there is no character more obviously unsound that Ophelia, whose personality is the embodiment of codependency. Every time Ophelia speaks the symptoms are apparent as she can not seem to converse about anything but men. This is stereotypical of women at the time,in society as much as in literature. One can not fully blame Ophelia however as she is a product of her time period and used by the other characters. Ophelia’s character not only confirms Hamlet's suspicions about women but serves as pawn in the metaphorical chess game between Claudius and Hamlet. Thought it could be argued that her abuse by then men in her life has contributed to if not caused her codependency, however, the characters in the play seem to think that it is because of her own weakness. When Hamlet speaks the words “frailty thy name is woman,” he was not referring to Ophelia, he may just have easily have been. There are two characters in particular that Ophelia tends to cling to, her father

There has always been something absolutely mesmerizing about a madman, be he present in a dark psychological thriller, a heart wrenching drama or otherwise. As a product of its time, Shakespeare’s Hamlet is in no dissension of this fact, with audiences young and old enraptured by the title character’s violent insanity and his love interest’s frail and tragic instability. However, as a product of its time and its time alone, there are certainly things lost in translation when the play is presented to a less than medieval audience. This is why it is always so important that the play be reinterpreted for the audience that will be viewing it. Franco Zeffirelli's 1990 Hamlet is most definitely a product of its time as well, a fine example of Shakespeare

In William Shakespeare’s play Hamlet, the main character Hamlet, appears to be insane, but his mistrust for his uncle and desire for revenge drives him “To put on an antic disposition on— / That you, at such times seeing me, never shall,” (I.v.181). He succeeds in convincing almost everyone around him that he is truly a mad man whose only cure is execution; however, he is enigmatic and ambiguous. By having an appearance of insanity and madness, Hamlet is able to use it to his advantage to achieve his own purpose of ridding his father’s murderer. As the Prince of Denmark, he is more obsessed with flushing out Claudius’s guilt and shame into the open to move forth with revenge than affairs with the son of their past enemy,

This can be presented through the events with Laertes, In the scene showing the burial of Ophelia they both jump in the coffin and start fighting. Hamlet pulls out from the fight first, giving us a hint of his Maturity growth.We see that with all the trouble Hamlet has experience, his become a bigger person and realizes that Laertes also lost his father and sympathizes with him. He comes clean and admits his wrongdoings saying “give me pardon sir…. I have done you wrong”.All of his wrongs and faults make hamlet see his issues more clearly.we see the similarities between Hamlet and Laertes gradually grow as the play moves on, proving that Hamlet is not the only one facing adversity.We sometimes get so caught up with our problems and feel that we are the only one dealing with difficulties but in reality, most people are also experiencing a struggle in their own

In William Shakespeare’s Hamlet, Shakespeare uses range of literary techniques such as soliloquies to express Hamlet’s depression and anger. Hamlet’s emotions play a crucial role to achieve his secret ambitions. Events such as King Hamlet’s death, Hamlet’s mother’s expeditious marriage, conflict between Hamlet and Ophelia. Hamlet’s depression and anger is expressed throughout the play but what are the causes.

Throughout the play, Gertrude’s honour is constantly attacked and damaged. Following the death of her beloved husband, a hasty marriage to her former brother-in-law, Claudius, commences. “Although the memories of my dear brother Hamlet’s death are fresh…with sadness and delight do I marry my former sister-in-law” (Shakespeare, pg.10). Gertrude’s integrity and honour is brought into question as she weds the unknown murderer of her deceased husband. A basis of respect for the deceased is an important statue in the court of Denmark. In the courts of Europe, there have been many precedents in which the widow of a deceased king does not remarry and remains in solitude for the remainder of her life. Gertrude’s marriage to Claudius dishonours her relationship with the past king.

Emily Dickinson once said “Much madness is divinest Sense— To a discerning Eye—“. This type of madness can be found in the play “Hamlet by William Shakespeare. Though many characters show madness throughout the play, Ophelia’s madness is the most prevalent. Ophelia has good reason for this irrational behavior because of the trauma she has gone through. First, her boyfriend dumps her, then he calls her vulgar names, and lastly, he kills her father. Just one of these traumatic events could make a character go mad, but the combination of the three justifies Ophelia’s madness. The use of these three tragic events in Ophelia’s life makes her madness reasonable.

In “Hamlet” a tragedy written by William Shakespeare, the death of a character is an occurring event. William Shakespeare uses imagery and allusion to demonstrate the result of manipulation from other characters upon Ophelia, daughter of Polonius, and leading up to her death. Her death was not the consequence of disgraceful actions of her own, but rather by the involvement of others and their influence on her life. Hamlet’s apparent rejection of her love and her father’s personal vindictive leads up to her simple-minded state, entering a world of madness. She has now gone mad, singings nonsense songs and giving people flowers that she has picked from the garden. The cause of Ophelia’s death has been debated over the years, was it a suicide

Feminism has erupted over the past century. The theme of patriarchy has ruled over women for centuries. With the uprising of the critique of patriarchy, more feminists have analyzed Shakespeare’s literary works as in favor of the male gender roles. In Act 1 scene 3, the station of Polonius and Laertes reveals their patriarchal position over Ophelia by constructing advices that molds their expectations of her and degrading her in ways that exemplify the oppression of women during the 1600’s.

In Act III, scene i of The Tragedy of Hamlet, Prince of Denmark by William Shakespeare, readers will come upon Ophelia’s soliloquy. After Rosencrantz and Guildenstern have failed to find a reason as to why Hamlet is acting in a peculiar and mad way, Claudius is persuaded by Polonius that the reason for Hamlet’s madness is the broken romance between Hamlet and Ophelia. To prove this, Claudius and Polonius plan to spy on Ophelia’s meeting with Hamlet. During their conversation, Hamlet denies ever having loved her and curses her. Ophelia is left fretting over his sanity. In her soliloquy, she bemoans what she considers to be Hamlet’s descent into complete insanity.

In William Shakespeare’s Hamlet there are many male characters, but the only two significant female characters are Ophelia and Gertrude. Ophelia is the daughter of Polonius, a high ranking official in the court in Denmark who serves as a love interest and an object of desire for Hamlet, although it is often unclear which at many point during the play. Gertrude is the wife of King Claudius, the widow of the former king, King Hamlet, and the mother of Hamlet. In Hamlet the women often appear as if they do not have a significant role in the play. However, Ophelia’s interactions with Hamlet exaggerate his apparent madness and by being a foil to Hamlet. Gertrude’s purpose in the play is to increase Hamlet’s anger towards Claudius through their marriage while trying to mediate tensions between Hamlet and Claudius.

Cultural Materialism approaches tragedies as symptoms of social unrest taking place in a very particular historical moment. It focuses on the inconsistences of the text which generates cultural meaning. This is how the apparent coherence of that order is threatened from the inside by inner contradictions. The tragedy Hamlet represents the great contradictions of the decaying system of his (and Shakespeare’s) time: Providentialism.