Glass Bell Jar Analysis

A pessimistic story covers up the good with the bad. Since Twyla and Roberta were first introduced in the beginning of Recitatif, It was clear that prejudice was major theme due to Twyla 's comment “my mother won’t like you putting me in her.” Although the race of the two girls is never truly revealed, Morrison suggests that one is black and one is white. This is identified as a pessimistic story because throughout the girl 's relationship, loving moments such as the interactions between mothers and their reunion in Howard Johnson 's is covered by racial hate. During the time they stayed at the shelter, they were protected from the racial division between the black and white community, and ultimately found nothing wrong with their relationship. As the two are exposed to reality once they leave the shelter, race wedges between the girls and causes them to drift apart.

Her tragedy is that she realises knowledge too late for her to have the agency to change anything. While Helga loses her agency, The Bloody Chamber shows the narrator to escape repression through the help of her mother. Knowledge is portrayed to be an end goal by both female protagonists and both give in when they come to difficult realisations. One interpretation is that the women are punished for seeking knowledge. Another is that they are faced with the result of not pushing themselves further once they arrive at the truths that sit uncomfortably with them.

Speak is a book written about the internal and external conflicts that protagonist, Melinda faces after being raped by Andy Evans (“IT”) and hated by her peers for ruining an end-of-summer party. This has traumatized Melinda and she is too afraid to speak up. Anderson enhances the big theme of sadness and depression through similes, metaphors,

In the short story ‘Hairball’, Margaret Atwood portrays Kat as being an insecure individual living in an imaginary world, in which, she is to blame for the negative events that occur. Her feelings, emotions, and actions are driven through the insecurity she has of herself. One of the events that impacted Kat was her experience of abortion. The men who entered her life constantly left her which not only left her saddened and broken, but unsure of herself and what she did wrong. These events led Kat’s decision-making as she says “[I] learned to say that she didn’t want children anyways”, (35) when primarily, having children was her desire.

Passage 1, a vignette by Sandra Cisneros titled “A Smart Cookie”, acknowledges that not following through with a dream can result in that haunting failure and/or loss. The vignette is about how a mother reflects on her life and how she “...could have been something…” This passage characterises Mrs. Cordero as shameful and depressed. For example, she said “shame is a bad thing, you know” which demonstrated that she was greatly shameful of her poor life decisions and failure to follow her aspirations. According to the line “I could’ve been something, you know” the reader can infer that

Curley's wife may be an awful woman, but she has to presence neglect and isolation. Steinbeck uses her character to create a visual of the difficulties that women had to face during the Great Depression. There are not evident loving relationship with women, the only ones that are mentioned belong in a house of prostitution, which corrupts the view of all women in the novel . Curley’s wife had no companions and was ignored. Curley treats her as a possession

I must think about it" (27.4). Edna fully understands that society would brand her as a terrible woman, but she does not view herself as a bad person. There is an external and internal difference that Edna hopes to one day reconcile. Chopin, instead of creating tension within Edna, created tension within the society and Edna with her newfound independence does not mind how society classifies her. Decisively, it can be concluded that the tension between outward conformity and inward questioning builds the meaning of the novel by examining Edna’s role as a wife, mother, and as nontraditional woman in the traditional Victorian period.

Sharing Control in Greg Doherty’s “Blackwater Betty Black” The sound of a breakdown may be accompanied by skidding tires and breaking glass or just quiet weeping in the night. In Backwater Betty Black, by Greg Doherty, both sounds are heard. The novel is the story of a jaded psych nurse, Betty Black, who takes a mental patient, Doug Vane, on a road trip that would try anyone’s sanity. Ultimately, the story portrays the relationship between happiness and control. To be happy, Doherty argues, one must be neither too controlling nor too controlled; and sometimes the only way to gain perspective on one’s sense of control is to lose control for a while.

The grotesque is part of the whole story, since the banality of superficial conversation till the moral blindness and the disappointing ending. The grotesque shows the misperception of the world by Mrs. Hopewell and her daughters. People that are busy judging others and not seeing themselves often end up disappointed. The society is in chaos. Who knows the rules will win the game.

She describes the emotions that she felt by comparing herself to Boo Radley from To Kill a Mockingbird (Stockett 414). This comparison is likely to be made because people are afraid of what is unknown, so they create false stories or spread comments of hate thus adding to the ignorance which is being passed down as if it were a family tradition. Eugenia had also been avoiding these people as though she was frightened by their way of rejecting people and being unaccepting to change. Eugenia uses this hatred as motivation and perseveres through meeting with the help and working on her book. The only way the lives of others will change for the better is if Eugenia seeks self-improvement and others follow in her footsteps of

She loses herself, as I would imagine Sophie to do after a life time of oppression. Jane saw a woman in the wall, and then became her. She took on that identity, and in her mind, then became free of ruling and imprisonment. All of my sympathy for any of the other characters in this work went solely to Jane. Her obvious mental instability made the story difficult for me to read- not because it’s what’s wrong with her, but what’s wrong with professional medical abuse, which especially back then was an ongoing problem in addition to today.