Not only is Charles Dickens’ A Tale of Two Cities a story contrasting the lives of those in London and Paris, or even the tensions between the poorest of peasants and the richest of aristocrats. It is story accentuating the battle between good and evil, love and hate. Lucie Manette acts as the golden thread that ties everyone together. Through this connection, characters in the story are able to conquer the evil within themselves and in the people they love. Lucie’s love for her father revived him from his unpleasant past, proving the argument that good overcomes evil just the way Carton’s love for Lucie caused him to make a major sacrifice for her and how Miss Pross was able to defeat Madame Defarge. Lucie’s good nature and love for her father …show more content…
Madame Defarge is solely driven by revenge on the entire Evremonde family for what happened to her in the past一including Lucie, Little Lucie, and Dr. Manette. She is expressed in the story as, “...imbued from her childhood with a brooding sense of wrong, and an inverted hatred of a class, opportunity had developed her into a tigress. She was absolutely without pity.” (367) Madame Defarge was a part of the family that the Evremonde brothers brutally destroyed. It is stated that she has lost all sense of pity or mercy because she believes that the responsibility of taking out all descendants of the Evremonde family is hers to bear. Despite the fact that Little Lucie一if Madame Defarge managed to kill everyone but her一would be in the same position that she was after her family was slaughtered, her hatred has clouded her judgment and the evil has made her a dangerous tigress. Miss Pross, on the other hand, is driven by her love for Lucie and her desire to protect Lucie. Miss Pross expresses this by saying, “‘I don’t care an English Twopence for myself. I know that the longer I keep you here, the greater hope there is for my Ladybird.’” (373) Miss Pross is protective, selfless, an overall good person and, with one of the biggest hearts in the story, becomes fearless in the face of a danger that would hurt her dear Lucie. She is a determined spirit lacking only in physical size, but her heart is pure gold. The power of Miss Pross’ love for Lucie overpowers Madame Defarge’s hatred and desire to kill Lucie. During the tense battle between the two women, Dickens writes, “It was in vain for Madame Defarge to struggle and strike; Miss Pross, with the vigorous tenacity of love, always so much stronger than hate...saw what it was, struck at it, struck out a flash and a crash, and stood alone.” (374) Dickens comes right out and says
“Whatever verve there was left in her, whatever was of love and beauty and joy that had not been squeezed out by life, had been there in the marigolds she had so tenderly cared for. '' Children see the world far more simplistic than adults. Lizabeth says she no longer saw Miss Lottie as a witch, but just an old woman who tried to cover up the ugliness of her life with the beauty of marigolds. This was the first time she felt compassion and remorse for her actions. Lizabeth then develops the ability to distinguish what is right from wrong, and is able to feel proud when she does the right thing, as well as ashamed when she does not.
Within the excerpt from "The Boston Girl," Anita Diamant tells the story of Miss Chevalier, the woman who does it all, and a young girl named Addie, whom Miss Chevalier invites to recite a poem at a local presentation. The author, Anita Diamant, uses emotional appeal to convey Miss Chevalier's compassionate nature. The author uses authentic literal connections to convey emotion to the audience. Miss Chevalier is a woman for the town, she does what she needs to do to keep the town up and running.
The novel is an American Gothic novel set between the French and Indian War (1754-1763) and the American Revolutionary War (1775–1783). The novel follows Clara Wieland, as she struggles to find her place in society as she is faced with the loss of her virtue. Benjamin Franklin gives another example of loss of virtue in “The speech of Miss Polly Baker,” written in 1747. The speech shows what happens when a woman is given the right to defend herself against her accusers. Both works show the reality women faced when presented with the loss of their virtue.
“‘As a wife and mother,’ cried Lucie, most earnestly, ‘I implore you to have pity on me and not to exercise any power that you possess, against my innocent husband, but do use it in his behalf. O sister-woman, think of me as a wife and a mother!’ Madame Defarge looked, coldly as ever, at the suppliant, and said, turning to her friend The Vengeance: ‘The wives and mothers we have been used to see, since we were as little as this child, and much less, have not been greatly considered? We have known their husbands and fathers laid in prison and kept from them, often enough? All of our lives, we have seen our sister-women suffer, in themselves and in their children, poverty, nakedness, hunger, thirst, sickness, misery, oppression, and neglect of all kinds?”
Lizabeth then continues towards Miss Lottie’s house and rips up all her flowers she had been taking great care of. Lizabeth is greatly flawed by hearing her dad sobbing and her parents talking about the struggles they had as a family. Lizabeth then took out her anger on Miss. Lottie’s flowers because they were standing perfectly fine. Lizabeth had woken up to Miss.
However, when Lizabeth demolished the flowers, she simultaneously destroyed a symbol of hope in Miss Lottie’s life. At the end of the story, Lizabeth releases the symbol of hope and determination the flowers portrayed. She now understands and relates to Miss Lottie at a deeper level. “Now at the end of her life she had nothing except a falling down hut, a wrecked body, and John Burke, the mindless son of her passion” (Collier 5).
Acting childishly, Lizabeth throws rocks at and taunts Miss Lottie, but afterwards, she begins to realize the impact of her actions. Lizabeth reflects, “Suddenly I was ashamed, and I did not like being ashamed. The child in me sulked and said it was all in fun, but the woman in me flinched at the thought of the malicious attack that I had led” (Collier 448). The narrator acts immaturely towards Miss Lottie, and it is evident that she has not yet grown into maturity due to the childish nature of her acts. The first-person point of view showcases Lizabeth’s internal conflict between “the child in [her],” and “the woman in [her],” and the reader can observe the narrator begin to feel regret and comprehend the effects of her actions.
As W.H. Auden said “Those to whom evil is done/ Do evil in return” (Auden “September” 21-22). Similarly to Auden’s work on the effects of dictators, Charles Dickens’ Tale of Two Cities, shows the effects of one class having excessive wealth or power above another. Throughout the novel, Dickens demonstrates that when one estate has the excess power, they feel obligated to treat others inhumanely, as if they are irrelevant. However, when treated with the utmost disrespect, people will feel obliged not to change the system justly, but to change it in benefit for their personal revenge. Dickens shows his concern in any government in which one body has excessive power over another by sympathizing with the victims of the oppression.
Lucie and Madame Defarge differ in their character traits, but are similar in their devotion to their goals. Lucie is a very loving, caring and gentle person. In the year 1775, Jarvis Lorry, an English businessman and an old acquaintance of Alexander Manette, informs Lucie Manette that her father is still alive and was released from prison. She is absolutely shocked when she hears the news because she thought her father was dead her whole life. They then go to France together to go bring back her father.
One day, Lizabeth comes home to her father crying about not having a job. This is really hard on Lizabeth because she describes her father as the “rock” of her family. After this, Lizabeth is feeling so many different emotions so she goes and destroys Miss Lottie’s marigolds. Lizabeth really regrets her actions afterwards but feels like this was her transition to
Revenge: A Taste of His Own Medicine A Tale of Two Cities is largely comprised of ideas from the French Revolution and the challenges faced by the people involved in it. The French Revolution involves many uprisings by the lower class because of poor conditions and inequity among the people. Charles Dickens demonstrates this injustice through the peasants of St. Antoine and gives insight of their feelings and motives towards the aristocracy. In fact, the peasants use their motives to plan evil conspiracies as revenge for the aristocrats.
Because Madame Defarge fails to follow this theme, she ends up dying after she gets into a fight with Miss Pross, who is Lucie’s governess. Madame Defarge fails to “cleave no faith, where faith brings blood”,
A Tale of Two Cities, written by Charles Dickens, surrounds the cities of Paris and London during the late 1700’s. The novel takes place during the French Revolution, a period of social and political upheaval in France and England. While peasants died in the streets from hunger, aristocrats had more money and power than they knew what to do with. A Tale of Two Cities describes, in detail, the poverty of the time period, as well as the struggle of a people able to overcome oppression. The novel is largely based off of occurrences Dickens experienced during his childhood.
Oppression has always been prevalent throughout history, and as a response to this, the exploited often revolt, in turn, causing inciteful change. However, when the revolution only seeks revenge, it fosters more violence and creates a more oppressed society. The French Revolution while successful in the sense that it overthrew the government, has one dangerous aspect in common with oppression: violence. This revolution is depicted in A Tale of Two Cities by Dickens, where the persecuted peasants of France start a rebellion to try and achieve revenge government. However, by using violence as the primary method to abolish the government and boasting about the dominance of the revolution through the Carmagnole, the revolutionaries discredit themselves.
Throughout the book, Lucie worries about her father, but he always reassures her that he is well. For instance, Lucie worries that her father might not be happy about her marriage to Charles Darnay. Her father comforts her by stating, “My future is far brighter, Lucie, seen through your marriage, than it could have been—nay, than it ever was—without it"(193). Mr. Lorry and Miss Pross also comfort Lucie out of great care and loyalty to her and her family. Before she leaves, Lucie worries about her father once again.