Man is born with original sin, the illustrious phrase that thoroughly represents the normative belief of Puritanism, serves an influential role in Nathaniel Hawthorne’s writings. Though inherited with Puritanical roots, the complete oeuvre of Nathaniel Hawthorne vividly portrays his refusal to be a Puritan and depicts his disapproval on Puritan ideas. Hawthorne's perspective on ‘sin’ draws a parallel connection with Puritans, yet he criticizes Puritan religious beliefs through one of his prominent masterpiece: The Minister’s Black veil. In “The Minister’s Black Veil,” Hawthorne conveys his criticism of Puritan ideas through the symbol of the black veil, an emblem of sin within the Earth as opposed to Puritan’s view of the sinless God, a representation
Finally, it will conclude by briefly discussing the significance of the extract within the novel’s wider themes. Austen consciously burlesqued other novels intertextuality, such as Ann Radcliffe’s influential Gothic novel, The mysteries of Udolpho (1794). Austen used techniques such as comedic and satirical irony, to break the mould of the expectations of the novel genre. Austen could simply have written in the same gothic sensationalist style, or perhaps a sentimental novel, but she chose not to. Instead, she parodies and undercuts them, with subtle causticness, and ridicule.
The symbols within the stories of these great writers revealed the impending darkness and gloom that characterized Dark Romanticism. The symbols from “The Fall of the House of Usher," written by Edgar Allan Poe, and “Young Goodman Brown,” written by Nathaniel Hawthorne, sought to use Dark Romanticism to illuminate the mixture of good and evil in human nature. Dark Romanticism is a form of writing that consists of human nature, sins, death, and an abundance of evil to create fearful images that toy with the emotions of its readers. Edgar Allan Poe, a professional at creating such stories, used symbols within his stories to further his Gothic Romantic theme. In the short story, “The Fall of the House of Usher,” Poe wrote, “I know not how it was – but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit.
Abigail then admits to seeing the devil and that they were doing rituals, but that she did not want to she then blamed it on Parris’s slave Tituba, Abigail said that she obligated her to. Abigail then tells John Proctor (a man she had been having an affair with in the past) that the ill girls had nothing to with witchcraft. Elizabeth tells John to tell Reverend Hale what she had said, but he claimed that they would not believe him. The girls then started blaming innocent people of witchcraft from all ages claiming they saw the devil with them. There were many people who were hung pleading that they had nothing to do with witchcraft.
Hawthorne utilizes dismal diction, invoking a melancholy tone. Such dreary diction stirs up emotion of desolation and misery as Hawthorne’s word choice connects and reminds his audience of dark thoughts. By opening his novel with such a grim subject, Hawthorne creates a contemptuous tone as he indirectly scorns the austere Puritans for their unforgiving and harsh manners. With the demonstrated disdain, Hawthorne criticizes puritan society and prepares his audience for further
Nathaniel Hawthorne, in his novel, The Scarlet Letter, combines the archetypes of the Outcast and the Devil in Hester Prynne, while also developing a new mentor/initiate relationship between Hester and Dimmesdale to show the pitfalls of accommodation to authority versus free thought. In Chapters 17 and 18, Hester Prynne embodies the Devil not as the evil adversary of heaven seen in Christian cosmology, but as the temptress toward freedom, even against the wishes and conventions of the surrounding society. Outside of Christianity, the devil figure represents temptation, freedom, personal power, new and daring thought, and, in its association with death, great change. As a result of her freedom of speculation remarked upon in previous chapters, Hester is able to suggest that she and Mr. Dimmesdale “leave it all behind” (pg. 155), which, to the rule-following
Mr. Hooper keeps the veil on to demonstrate that the black veil is the item that keeps their secrets hidden. He wears the veil as a representation of not only his secret sins, but also to represent the darkness that humanity has committed. "He had changed himself into something awful, only by hiding his face"(Hawthorne 2). He did make him look utterly different just by wearing a black veil, but it is to show that he is trying to redeem himself from his secret sin and not only that but also make himself carry the sins that humanity has created as well. This also proves the American Romanticism characteristics found in the story.
The Crucible Abigail was a corrupt, cynical, and dishonest character throughout the Salem witch trials. She accused innocent people of the community of Salem of being witches. Most of the time she did this in seek of revenge on the people, but other times she did it so that she wouldn’t get caught for lying. Abigail was not a very old character she was 14-18 years old and still single. She was out of a job after the proctors kicked her out, and was not trusted by anyone after the incident at the proctor's house.
Some of the worst forms of malice come from love. Abigail Williams from The Crucible by Arthur Miller is a great example of this. Abigail is a young girl who was caught practicing witchcraft in order to make John only love her. In the puritan times this would mean death. So, to combat this she calls multiple townspeople witches, saying she had seen them with the devil.
This sort makes sentiments of agony, riddle, dread, tension since their point is to investigate humankind 's dull side and question humanity about what is great and underhandedness, address what part the powerful shows, and experience dread or fear. Gothic Literature Gothic writing was a development that concentrated on demolish, rot, demise, dread, and disarray, and special mindlessness and energy over discernment and reason, developed in light of the chronicled,