Graffiti For Art Research Paper

“Out in street, inspected defaced building: silhouette picture in doorway, man and woman, possibly indulging in sexual foreplay.” (Watchmen, 5, 11, 5). As the main character Rorschach describe the graffities on the street. In Watchmen by Alan Moore and Dave Gibbons, these graffities are shown in the panels while the story develops Rorschach characteristic. The special bond between Rorschach and the graffities are mysterious and unusual. The paper will show the appearance of the graffities happens again and again like a curse for Rorschach’s tragedy life.

In first grade we had to draw a picture of what we would be doing 20 years from then. We had to draw what job we would have, what our hair would look like, what we would be wearing, and I chose to draw a picture of me drawing a picture. As a first grader I knew that my future would mirror what I was doing in that exact moment; I would still have curly hair, and I would still be an artist. Loudly proclaiming that I was going to be an artist when I grew up was ok in elementary school, but at the end of middle school it was often challenged with “but what are you really going to be?” The simple thought that I really couldn’t want to just be an artist confused me more than it embarrassed me, but it embarrassed me enough to

Laws on Graffiti should be stricter to stop vandalism in the city and opening up other crimes such as burglary and assault (Graffiti Hurts Website). Graffiti can open crimes for younger teens. Which, is looked down on by certain young individuals. Graffiti is hard to clean once it is on a surface of some kind. For example, Los Angeles had spent 28 million dollars on removing the graffiti from off the walls. Graffiti is vandalism which leads to destruction of an owners home or public building. Things like smashing mailboxes, trashing property that isn 't yours, or breaking windows. Which, costs school, business owners, and more $15 billion ahead from damages of property.

It wasn’t all political graffiti, though- personal views of the people and daily happenings are documented and include a variety of subjective and objective topics. We can interpret the thoughts of the citizen’s and events that occurred within the city using this source. The graffiti, generally well inscribed, typically made by

The art of appropriation is to take possession of something. Appropriation artists deliberately copy images to take possession of them in their art. These artists are not stealing, plagiarizing or passing off these images as their own. They want the viewer to recognise the images they copy, and bring their own interpretation, with the image to the artist’s new context; whether it’s a painting, sculpture, or collage. Appropriation started and has been around ever since art began. However, two artists who have exemplified from the rest were, Andy Warhol and Pablo Picasso. These artists have demonstrated appropriation throughout their art work and have created some of the most famous paintings of our time. Picasso, who was a Spanish painter, was recognised as being the turning point for modern art in the 20th century. He has used appropriation within his painting “les demoiselles d Avignon,” which he has manipulated and abstracted. Andy Warhol was also a major influence towards the pop art movement with his use of appropriation. He demonstrated this when he took an ordinary can of soup and created an iconic screen print. This screen print

Support: However, it becomes a crime when you put that "art" on someone else's property. “I have a message for the graffiti vandals out there - your freedom of expression ends where my property begins!” said BBC NEWS’ Peter Vallone

The first drawings on walls appeared in caves thousands of years ago. Now, subway cars wear the neverending doodles of taggers. Although some people view graffiti as a form of art, by definition graffiti “artists” damage public property without the consent of the owner. Graffiti not only defaces property, but also causes millions of dollars in repair. The question “When does graffiti become art?” has only one answer: Never. The law haas and always will consider graffiti as vandalism because of its harsh effects.

Is yard bombing art or vandalism? When I first saw the yard bombing images it reminded me of graffiti. Yard bombing and graffiti also share the similarities in that they both can appear to be vandalism. Last month in the metro there was an article complaining about this large graphic picture of rapper Drake that was on the side of a building he owned. He thought it was art while others thought it was graffiti and an eye sore.

Summer is a vast period of time in which days can become monotonous if the day have no activities to fill them. Plagued with the problem most students face during the middle of their summer, we set off on an adventure to capture pictures at some of Houston's famous graffiti walls. We decided it would be fun to go into town, but we had no idea where exactly we wanted to go. Houston, a vast city with countless activities, the polar opposite of our old town, Monroe, Louisiana, offers many opportunities for families to spend time together. In Monroe it took five minutes to get anywhere, and everyone knew the city like the back of their hand. In Houston there are so many places and so much to do, from Downtown to the Heights. Since this was our first summer break in Houston, it was hard to figure out how we were going to pass the time. Anisha suggested that we go to some graffiti walls and take pictures. She did that awhile back when our cousin was visiting and enjoyed it. Rahul and Jaya thought it was a smart idea, so with our car full of silly props, we embarked on our graffiti journey.

In my opinion graffiti is art, I stand by this claim because i have a friend who does graffiti and she is a wonderful artist with or without a spray paint can, but graffiti is how my friend got into putting the work on canvases instead of walls on streets and in abandoned houses. As said in “A Nod From The Art World” recognition by the art world and inclusion in galleries and auctions in a way has legitimized graffiti as a real art form.

In his article, “Get tough on taggers”, Joseph F. Licastro argues that graffiti should not go unpunished and should be considered a crime. Licastro supports his argument by suggesting ways on how offenders should pay for the graffiti they do to our community. Some ways she suggested the offenders to pay is by clearing off the graffiti, buying their own equipment with their money, and putting a tracking device on them. His purpose is to make people see that graffiti is just like any other crime in order to have a harder punishment for

Even though the graffiti is extremely pleasing to the eye, it is highly illegal. Graffiti can be as insignificant as drawing a petite smiley face on your school table, to painting profanity on your school building. While these schools are being obstructed, students have witnessed graffiti wherever they turn. This horrible illness called graffiti ravages beautiful towns each year.

In the early 1920s, a new movement that started in Mexico manifested as the revival of a large-scale mural painting and received the name of Mexican muralism.

In the film Infamy, viewers see key conflicts between contemporary graffiti writers who consciously subvert the police and law enforcement efforts to remove graffiti. Firstly, the film illustrates that writers thwart police surveillance by choosing to tag in highly visible urban locations. Secondly, Infamy viewers understand that civilians have enforced the law by removing illegal graffiti from a variety of surfaces. Lastly, this documentary points out that regional differences in policing allowed graffiti to spread from the train yards and subway cars of New York to freight train cars further west. Although graffiti thrives because writers have confronted the police in New York and covered less-patrolled regions outside the city, civilians

When it comes to art, what is worth fighting for? Is it better talent or the desire to make art… or both?