I. Thesis: Graffiti has been around since the beginning of our recorded history. However, since about 1960, graffiti has continued to evolve. Graffiti & street art are used by writers and street artists to make statements & to gain recognition from people as well as earn respect of fellow writers.
II. Background: Original artists & Development of Graffiti
Origins of the new wave
Beginnings
Beginning of Hip Hop Graffiti
“Hip hop graffiti began in New York City during the late 1960 's when a small number of teenagers from Washington Heights, the South Bronx, and other impoverished neighborhoods began blanketing the city with their "tags"-stylized signatures of names they had invented for themselves” (Richard S. Christen).
Started becoming famous
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Attraction of Graffiti
Graffiti has started appearing in both public & professional art galleries around the world. Pieces have been removed from buildings, walls, doors, etc.
Teenagers have always been the main artists & writers of graffiti throughout the last few decades, and with graffiti pieces starting to be showcased, it is drawing in, as stated by Richard S. Christen, “a new generation of adolescents from all races, social classes, and nations.” (Richard S. Christen).
“The general public perceives writers as "just a bunch of little bastards who want to deface property." (Richard S. Christen). The public is correct that graffiti is used to destroy & deface. However, graffiti writers use their art to fulfil a better purpose than most realize. Adolescent writers write as a way to escape the isolation they feel. Others are creating excitement in their everyday lives. Then there are those who use graffiti as their voice to feel they not as powerless as society and the world around them makes them feel.
Artists like “Pioneering writer Flint 707 and his peer Vulcan saw graffiti as a challenge.” (Richard S. Christen). However, Vulcan did it more for the thrill of being able to say “I can do this and you can 't catch me." (Richard S.
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Graffiti bestoys anyone and everyone the opportunity to proclaim to the world they once lived here or there and that they were apart of society. Graffiti for most in the early beginnings was someone announcing or creating a new identity. “a kind of personal testimonial to one 's existence . . . scratched, carved, or painted onto some surface seemingly for the purpose of leaving one 's mark." (Richard S. Christen).
“A graffiti declaration often brings respect and fame as well as a sense of identity. In the end, however it is approval of other writers that most matters to the writers. Phase 2 insists that they put their name up in the most visible, public sites, not out of a desire to vandalize, but "to please each other, with the ultimate gratification being the accolades from those other writers who, more than anyone else, knew what was appreciated and considered the ultimate." (Richard S.
Many people have a certain opinion when it comes to their standing on tattoos, whether they see them as beautiful pieces of art, or body mutilation, everyone subscribes to a different belief. Many people who see teenagers, believe that these teens are “troubled”, or impulsive and impressionable, which at that point in the brain’s development that may be true, but they never consider that maybe that teen is ready, or is willing to commit to the tattoo simply because it is something that has importance to them. Andres Martin, a child psychiatrist, wrote an article in a 2000 edition of the magazine “Reclaiming Our Children and Youth” about teenagers and tattoos, where he directly addresses the reasons that would support the ideas behind teens getting tattoos. Andres
In chapter three of Guisela LaTorre’s book Walls of Empowerment, she discusses the problems with graffiti and mural art and compares graffiti to mural art. She also discusses the gender inequality within graffiti artists and muralists, the influences of graffiti on LA, and east coast influences on muralists in the 1980s. Finally, she concludes that although mural art gains more approval than graffiti, both art forms serve to reclaim space in which the government and society traditionally denied to disfranchised
I wanted to not only travel to Paris but also visit London. 6 Those taggers who continue to deface private property will find themselves reimbursing the cost of the damages to the owner, serving twenty-five hours of community service, and paying $100 fine to help pay for graffiti removal. 7 Stress can cause low self-esteem, total frustration, sleep deprivation, nervous breakdowns, or eventually suicide. 8
As the night progresses they begin to realise that they have much more in common then they formerly thought. 2. Each character in Graffiti Moon is yearning for something. Lucy’s main objective is to find a graffiti artist who goes by Shadow. She has been searching for him for months, but is perpetually just missing him every time.
In Andres Martin’s “On teenagers and Tattoos”, his goal is to provide his colleagues with the reasoning behind adolescents and their increased desire for tattoos. Martin believes that teenagers are attracted to tattoos because they hold significant meaning, importance, and have become a solution for permanence in our constantly changing society.
Whether you want to be working at McDonalds or working only 40 hours a week. I see the graffiti as motivation to be in a better place than where you started. It can be the driving factor that helps you to reach your goals and more. Being able to live a life where you are content with what you have achieved. Furthermore, ultimately you can reach your desired
They bind the whole book together and become one of the key element for Rorschach’s characteristic. From his teenager memory, to living in this crime city, then get put into the jail by a setup trap, at last when he is about to die. The graffiti image appears around him again and again like a curse for his tragedy life. Not only they help build up this unusual and antisocial Rorschach character, they are use as one of the strong hint for the audiences to understand the story line. The usage of the graffities are very impressive.
From the content of books to the songs on the radio, art serves to provide a reflection of the world. Behind every design, there are great chains connecting the art to the artist to the artist 's inspirations and so on as far as the eye can see. In Jonathan Lethem 's The Ecstasy of Influence: A Plagiarism, he emphasizes these unseen connections. "My search had led me from a movie, to a book, to a play, to a website, and back to a book." (Lethem 212).
In this text, Martin refers to the growing trend of tattoos, and why our young people is becoming a more permanent form of expression. The targeted audience to whom the writer is trying to explain consist of not only those families who disagree with their teens for having tattoos, but also the adults who tend to frown on people who have tattoos. Since, the writer is a psychiatrist, the audience may also include his fellow psychiatrists. The writer actually wants that those who hate or criticize adolescents for having tattoos should try to
Let’s face it, tattoos and piercings have burst into mainstream American culture. Tattoos and piercings have become a well established art form over the last couple decades, evolving from being a sign of rebellion to being a glamorous form of self-expression especially with adolescents. The fact that tattoos and piercings have become more popular and trendy, can influence and put pressure on our youth to be accepted in society. For some, tattoos are a personal choice, while others may feel pressured into it. In the article “On Teenagers and Tattoos,” author Andre Martin explores the psychology behind teenagers’ reasons for getting a tattoo and why others should not judge an adolescents character by his/her tattoos, however getting a tattoo is a choice to consider very carefully.
Introduction Attention Getter ( Capture): Anyone walking down the street in a big city will see the bright, colorful, and illegal “eyesore.” Introduce the topic: Graffiti is illegal in many places but many larger cities also have “legal yards” where artists can paint without the fear of being arrested, like Freak Alley. But some people don’t like of any street art.
“No Trespassing.” It’s a message that we’ve all seen before, on street signs and on fences, but that most of us stopped considering as part of our daily lives. These signs just sort of blend into the background, no more noticeable than a crack in the sidewalk or a plain, solid-colored exterior wall. On the ordinary brown-painted brick backside of a bar in San Francisco’s Mission District, a bold, red No Trespassing sign is the center of a piece of thought-provoking street art. Below and to the right of the sign are some run-of-the-mill graffiti tags: pale yellow spray paint forming illegible words marking the territory of a gang or juvenile delinquent.
Graffiti is considered an art form and is becoming more popular all over the world. This type of artwork has transformed into “a more legitimate form of art through artists like Banksy, who has had his
Graffiti is considered to be drawings,paintings in a public place graffiti is illegal because most people think it is criminal mischief because it may diminish the appearance of our community. Everyone
1.2 Statement of Significance Art can do lots of things that can create powerful and great changes in ourselves. Artist is someone that is so hard to read if we fail to understand them to interpret the underlying meaning behind their painting because it is their getaway to express their emotions and desires to the community. To accomplish this, the artists are communicating with the society by delivering their messages through their artworks.