Graham Greene 's The Quiet American, set in the French Indochina War of 1856, explores the relationship between British reporter Thomas Fowler and young American Alden Pyle and uses their different views on life and politics as a vehicle to critique American attitudes and foreign policy. Pyle respects and shares the ideas of an American scholar, York Harding, about the 'Third Force ', according to which, foreign lands should not be ruled by either colonialism or communism. The 'Third Force ' seeks to establish democracy in foreign countries. The author of the book aids himself with the concept of the 'Third Force ' to rail against America. With this in mind, The Quiet American can be perceived as an anti-American critique, because Graham …show more content…
Fowler keeps on repeating that Pyle died because of York Harding, saying "They killed him...made a fool of him" (32). One can suppose that Graham Greene is speaking through Fowler in this passage. According to the quote, Pyle sacrifices himself for America 's notion of saving and liberating other countries; therefore, America is to blame for Pyle 's death. Greene illustrates the same idea when Fowler describes American reporters as “noisy, boyish and middle-aged, full of spur cracks against the French, who were, when all was said, fighting this war” (23). Fowler thinks the American reporters ' tendency to relax in bars and brothels is "irritating" (24). Although Pyle differs from these noisy Americans, Greene is still describing Americans in critical terms. By showing Pyle’s indifference when the bombing occurs and when people die, Greene reveals that America is ready to kill Vietnamese if need. This contradicts the core of their ostensible ideology of saving colonies from …show more content…
The relationship of the local Vietnamese woman and Pyle demonstrates this idea. Both Pyle and Fowler seem to neglect Phuong’s interests. Pyle falls in love with Phuong, if one may say so, immediately after dancing with her. The American ideology of helping the poor and oppressed dictates Pyle 's attitudes, because he thinks that as fragile and weak as she is, Phuong needs to be taken care of. He assures himself that his self-serving behaviors are in her best interests, even "at any cost to her." When Fowler challenges Pyle 's relationship and tells him it is not his “way of love”, Pyle instinctively reacts by saying, "I want to protect her” (73). He is misled by his misconceptions about her, and accordingly, about Vietnam. Pyle wants to sate his desire to help others by improving Phuong 's way of life—by showing her how Americans live. He needs no assurance whatsoever that he will succeed in his goal of taking Phuong from Fowler, because American ideology gives him confidence that he will prevail. Graham Greene accentuates this point, because it applies to the general American ideology. Overall, The Quiet American can indeed be considered as a critique of American politics inasmuch as Greene speaks out against them, ridicules them, and advocates sympathy towards other viewpoints, a sympathy the contemporary American worldview was entirely
In A Viet Cong Memoir, we receive excellent first hands accounts of events that unfolded in Vietnam during the Vietnam War from the author of this autobiography: Truong Nhu Tang. Truong was Vietnamese at heart, growing up in Saigon, but he studied in Paris for a time where he met and learned from the future leader Ho Chi Minh. Truong was able to learn from Ho Chi Minh’s revolutionary ideas and gain a great political perspective of the conflicts arising in Vietnam during the war. His autobiography shows the readers the perspective of the average Vietnamese citizen (especially those involved with the NLF) and the attitudes towards war with the United States. In the book, Truong exclaims that although many people may say the Americans never lost on the battlefield in Vietnam — it is irrelevant.
Most Americans believed that the Japanese leaked secrets of America to destroy their country. Conclusion In conclusion, the two literary works have the American identity as a central theme. People from different cultures seem to be split between their culture and America.
Readers, especially those reading historical fiction, always crave to find believable stories and realistic characters. Tim O’Brien gives them this in “The Things They Carried.” Like war, people and their stories are often complex. This novel is a collection stories that include these complex characters and their in depth stories, both of which are essential when telling stories of the Vietnam War. Using techniques common to postmodern writers, literary techniques, and a collection of emotional truths, O’Brien helps readers understand a wide perspective from the war, which ultimately makes the fictional stories he tells more believable.
Tillman, in Army fatigues, sits in a tree with an assault rifle in hand, waiting for someone to test his shooting skills. The landscape behind him is brown and looks dead and lifeless, just like his fallen comrades.one feels Tillman’s demeanor in the photograph, but whether he is focused on the seriousness of war or the fear of imminent death we will never know (SI “Remember” n. pag.). To appeal to their audience, this cover uses specific tactics. The fatigues induce a sense of patriotism that hits home with the American audience.
The chapters of our textbook, America: A Narrative History, written by George Brown Tindall and David Emory Shi, takes us on a historical yet comparative journey of the road to war and what caused the American Revolution, an insight into the war itself, and a perception to what life was like in America after the war was over. The essays of the book, America Compared: American History in International Perspective, collected by Carl J. Guarneri gives us a global context and a comparison between the North and South Americas in the dividing issues of labor, slavery, taxes, politics, economy, liberty, and equality. Part One These chapters in our textbook Tindall describes; the road to the American Revolution, the road to the surrendering of the British, and the road to the American colonists receiving their independence and developing the government which the people of the United States will be governed by. The road to the American Revolution consisted of several events, which escalated to the war that began April 19, 1775, as the tensions between the American colonies and the British Government advanced towards breaking point.
David McLean’s short story “Marine Corps Issue” includes a beautifully vivid scene of Sergeant Bowen, the narrator Johnny’s father, “sitting on the edge of our elevated garden, black ashes from a distant fire falling lightly like snow around him” (620). While this scene is powerful by itself, it can be appreciated even more by understanding the symbolism and allusions embedded in it, as well as the psychological state of the father as he sits “on the edge of the garden with his head down and his eyes closed as if in prayer” (634). This is why McLean’s readers should use literary criticism: it enhances their appreciation for the story’s impact. Prior to the climax, Johnny has spent weeks researching the Vietnam War. The location in which he
This historical analysis will define the imperial impact of French colonialism and the influence of Chinese communism and on the Vietnamese people in the pre-WWII era. The important role of China in the development of Vietnam’s history is crucial to understand the ways in which foreign colonists could not sustain dominance over these peoples. In the past, Northern Vietnam had been a part of China, which defines the close relationship that these people had with a larger and more powerful empire in this region of the world. In the late 19th century and early 20th century, the role of China’s own nationalist movements had an impact on Vietnam’s own struggles in French-Indochina. The early focus on “nationalism” in China was going against western
The lines following line 44 are given in the tone of Salman Rudshie. He gives readers the tone that Americans are poor at adapting to the world, and they must learn from modern migrants who “make a new imaginative relationship with the world, because of the loss of familiar habits”. Rudshie’s critical tone goes on in lines 59-62, using the analogy of forcing industrial and commercial habits on foreign ground is synonymous if ‘the mind were a cookie-cutter and the land wer
Rather, the significance of O’Brien’s work is his utilization of a metafictional novel as a representative vehicle for the Vietnam War. Within The Things They Carried
In the short story, “On the Rainy River” by Tim O’Brien, the author develops the idea that when an individual experiences a feeling of shame and humiliation, they often tend to neglect their desires and convictions to impress society. Tim, the narrator, starts off by describing his feeling of embarrassment, “I’ve had to live with it, feeling the shame”, before even elaborating on the cause of the feeling. Near the end of the story, he admits he does not run off and escape to Canada because it had nothing to do with his, “mortality...Embarrassment, that’s all it was”. The narrator experiences this feeling of intense shame and then he decides that he will be “a coward” and go to war. His personal desire is that he wishes to live a normal life and could never imagine himself charging at an enemy position nor ever taking aim at another human being.
The big failure America in the Vietnam War is the shameful history of tragic scene for arrogant American, whose pain is still difficult to ease. The crucial event also had a profound impact on today 's international situation. It is believed that the failure included political, economic, military and cultural background and other aspects, which are that common. When it comes to the controversial subject, I hope to put forward some fresh views from where I stand. 1.
I find Ho Chi Minh’s letter far more persuasive than Lyndon B. Johnson’s. Using ethos, pathos, and logos, he forms a solid argument that supports Vietnam’s stance on the war. He appeals to one’s emotions by expressing the injustices faced by his people, writing, “In South Viet-Nam a half-million American soldiers and soldiers from the satellite countries have resorted to the most barbarous methods of warfare, such as napalm, chemicals, and poison gases in order to massacre our fellow countrymen, destroy the crops, and wipe out villages.” Words such as “massacre” and “barbarous” highlight the severity of these crimes, and invoke feelings of guilt and remorse in the reader. Chi Minh uses ethos to support his logos, or logical, views on the
Thomas McCormick’s essay titled The World-System, Hegemony, and Decline, presents some relevant questions that I am unable to answer by just reading his work. Firstly, alluding to economic freedom and freedom of the seas as main U.S. objectives with regards to foreign policy might not be entirely accurate. It is true that the United States have used and will continue to use its elements of national power to protect economic interests all around the world, but are these the only instances where the United States fight for other freedoms? Is Uncle Sam our capitalistic egomaniac above anything else? Additionally, McCormick seems to be disappointed when he writes about how labor compensation differs between core, semi periphery, and periphery countries (Merrill and Paterson, 2010, 4).
No one returns from war the same person who went. War opens an unbridgeable gap between soldiers and civilians. There’s no truth in war—just each soldier’s experience. “You can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil” (from “How to Tell a True War Story,” in O’Brien’s story collection “The Things They Carried”). Irony in modern American war literature takes many forms, and all risk the overfamiliarity that transforms style into cliché.
In the book “The Things They Carried”, Tim O’Brien admits to killing only one man during his war career, and relays it in the chapter “The Man I Killed”. In this chapter, O’Brien surveys the mangled body of the Vietnamese man he has just murdered, and desperately attempts to humanize the dead man as a coping method for his guilt. The chapter embodies a unique, and extremely detailed repetitive writing style which serves as a symbol of O’Brien’s scrutiny over his irrevocable action. The chapter begins with an exceptionally detailed description of the Vietnamese soldier’s body, as O’Brien surveys his destruction.